Product Description

Winner of the National Book Award

The publication of this extraordinary volume firmly established Flannery O'Connor's monumental contribution to American fiction. There are thirty-one stories here in all, including twelve that do not appear in the only two story collections O'Connor put together in her short lifetime--Everything That Rises Must Converge and A Good Man Is Hard to Find.

O'Connor published her first story, "The Geranium," in 1946, while she was working on her master's degree at the University of Iowa. Arranged chronologically, this collection shows that her last story, "Judgement Day"--sent to her publisher shortly before her death—is a brilliantly rewritten and transfigured version of "The Geranium." Taken together, these stories reveal a lively, penetrating talent that has given us some of the most powerful and disturbing fiction of the twentieth century. Also included is an introduction by O'Connor's longtime editor and friend, Robert Giroux.

Product Details

• Amazon Sales Rank: #3795 in Books
• Published on: 1971-01-01
• Original language: English
• Number of items: 1
• Binding: Paperback
• 555 pages

Features

• ISBN13: 9780374515362
• Condition: NEW
• Notes: Brand New from Publisher. No Remainder Mark.
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Review
"What we lost when she died is bitter. What we have is astonishing: the stories burn brighter than ever, and strike deeper." --Walter Clemons, Newsweek
-- Review

Review

About the Author
Flannery O'Connor was born in Savannah, Georgia, in 1925. When she died at the age of thirty-nine, America lost one of its most gifted writers at the height of her powers.

Customer Reviews

America's Best Short Story Writer
I studied Flannery O'Connor in college and wrote a thesis on her works. Her stories were mesmerizing and riveting, and I have re-read them many times since. She was firmly rooted in the Southern grotesque, but she was able to transcend the stark terrain of the South and present remarkable studies of human foibles and the self searching for meaning and redemption.

O'Connor had the uncanny gift to describe people, surroundings and life with astonishingly spare prose. Her genius was that she could reveal the mystery and manners in us all. Of particular note are "Revelation" and "A Good Man is Hard to Find." You must read this collection, and I promise that her stories will speak to you for years to come.

There Is No Better Collection Of Short Stories Available
The first half of the 20th century. Ask yourself about the short stories. Everybody wrote them. Ask yourself abut the best: Eudora Welty, Fredric Brown, F. Scott Fitzgerald, Carson McCullers, Dorothy Parker, Ernest Hemingway. And there is one name that is simply the best, against any competitors, against any subject matter, against any sex: Flannery O'Connor. I only hope that she knows that 35 years after her death her "The Complete Stories" is still is a best selling compilation and one of the most recommended books I have ever seen. They try to tie her to the south. They try to label her a woman's writer. They haven't read her. Flannery O'Connor is the best 20th century short story writer. Period. AND, she also wins the prize for best final lines in her stories. Didn't know there was a prize for best final lines? I have invented it.

"Then she recognized the feeling again, a little roll. It was if it were not her stomach. It was if it were out nowhere in nothing, out nowhere, resting and waiting, with plenty of time."

"The sherrif's brain worked instantly like a calculating machine. As he scrutinized the scene, further insights were flashed to him. He was accustomed to enter upon scenes that were not as bad as he had hoped to find them, but this one met his expectations."

"Mr. Paradise's head appeared from time to time on the surface of the water. Finally, far downstream, the old man rose like some ancient water monster and stood empty-handed, staring with his dull eyes as far down the river as he could see."

Lessons to be learned here--O'Connor was no fool
I read this collection during college, in my senior literature seminar. I find O'Connor's stories to be the best, most brutally honest, thought-provoking and attitude-altering work out there. One piece deserving of mention are the classic "A Good Man is Hard to Find", the last line of which reasonates long after the reader closes the book. O'Connor craftily delivers messages about racism, elitism and other problems of the deep South in her stories, and beautifully maintains the Southern Gothic texture in each one. I can't recommend this book any more enthusiastically!