Product Description

Returning to the city of her youth for a retrospective of her art, controversial painter Elaine Risley is engulfed by vivid images of the past. Strongest of all is the figure of Cordelia, leader of the trio of girls who initiated her into the fierce politics of childhood and its secret world of friendship, longing, and betrayal. Elaine must come to terms with her own identity as a daughter, a lover, an artist, and a woman-but above all, she must seek release from Cordelia's haunting memory. Disturbing, hilarious, and compassionate, Cat's Eye is a breathtaking contemporary novel of a woman grappling with the tangled knot of her life.

Product Details

• Amazon Sales Rank: #70398 in Books
• Published on: 1998-01-20
• Released on: 1998-01-20
• Original language: English
• Number of items: 1
• Binding: Paperback
• 480 pages

Features

• ISBN13: 9780385491020
• Condition: NEW
• Notes: Brand New from Publisher. No Remainder Mark.
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From Publishers Weekly
Herself the daughter of a Canadian forest entomologist, Atwood writes in an autobiographical vein about Elaine Risley, a middle-aged Canadian painter (and daughter of a forest entomologist) who is thrust into an extended reconsideration of her past while attending a retrospective show of her work in Toronto, a city she had fled years earlier in order to leave behind painful memories. Most pointedly, Risley reflects on the strangeness of her long relations with Cordelia, a childhood friend whose cruelties, dealt lavishly to Risley, helped hone her awareness of our inveterate appetite for destruction even while we love, and are understood as characteristically femininea betrayal of other women that masks a ferocious betrayal of oneself. Atwood's portrayal of the friendship gives the novel its fraught and mysterious center, but her critical assessment of Cordelia and the "whole world of girls and their doings" also takes the measure of a coercive, conformist society (not quite as extreme as in the futuristic The Handmaid's Tale ). Emerging "the stronger" for her latecoming understanding of herself, Risley in the final pages rises above the ties that bound her, transcendently alive to the possibilities of "light, shining out in the midst of nothing." BOMC main selection.
Copyright 1989 Reed Business Information, Inc.

From School Library Journal
YA-- When Elaine Risley returns to her hometown, Toronto, for a retrospective show of her paintings, she finds more than critical acclaim. Local streets, long-gone landmarks, and elements in the paintings themselves trigger memories of her transient childhood traveling across Canada with her entomologist father; of adolescence marred by the cruel teasing of three friends; and of love affairs with her first art teacher and mentor, and with Jon, her first husband. In addition, Elaine is haunted by thoughts of her chief tormentor/best friend, Cordelia, whom she last saw years ago in a mental institution. Atwood's focus on the inner landscape of Elaine's youth and early adult years will appeal to older teenagers.
- Alice Conlon, University of Houston
Copyright 1989 Reed Business Information, Inc.

From Library Journal
When artist Elaine Risley returns to her native Toronto for a retrospective of her work, she is nearly overcome by the pungent memories of childhood. These memories are not so pleasant, for as Atwood observes with deadly accuracy: "Little girls are cute and small only to adults. To one another they are not cute. They are life-sized." Having spent her early childhood on the road with her entomologist father--and only her brother as playmate--she is initially stymied by these life-sized terrors; she is more at ease with boys than with the calculated cruelties of girls. Indeed, many readers will identify painfully with Atwood's deft descriptions of the betrayals, exclusions, and power plays of Elaine's friends. The consequences for Elaine--suddenly evident even in her art--must now be annulled through vivid recall. Childhood's particular anguish has been told before, but Atwood is exceptional in her steady, dry-eyed revelation of the truth.
- Barbara Hoffert, "Library Journal"
Copyright 1989 Reed Business Information, Inc.

Customer Reviews

Another winner from Margaret Atwood
CAT'S EYE by Margaret Atwood

In CAT'S EYE, Margaret Atwood tells the story of Elaine Risley, an avant-garde painter who finds herself reflecting on her tumultuous childhood when she returns to her home town of Toronto for a retrospective art exhibit. It has been many years since she set foot in Canada, where she grew up moving from place to place, due to her father's career as an entomologist. The story is told in flashbacks, as the story of her current life as a painter, on her second marriage, is told in-between the story of her childhood. Two plot lines run parallel to each other, until the very end when both the past and her present collide.

Elaine's first years were spent travelling with her family, never having a best friend. It is all she yearns for, to have a real girl friend. All she had during those early years was her brother, who as he grew older drifted away from her, leaving her alone to fend for herself. When her father finally settles down and buys a house, she begins to make her first set of real friends. However, how does one define a friend? Elaine becomes part of a group of girls that seem to be living under the steel hand of Cordelia, the ringleader. Cordelia treats them all as if she was a dictator and they were her subjects, but her treatment of Elaine is totally unforgivable. Elaine is tormented to a point where her own mental health is jeopardized, and at one point one wonders how she ever survived.

But survive she did. As Elaine tells her story, we see how she developed from a very insecure and needy young girl to a woman who understands why she made the choices she did as a child, and became a very successful painter, secure in who she was and where she had come from. The key to her understanding is her friendship with Cordelia, the young girl who treated Elaine like dirt, yet towards whom Elaine felt a type of longing for, years after she had last seen Cordelia. It is a psychologically themed book, as usual, layered upon different levels of plots and subplots and characters. Margaret Atwood is the queen of this form of novel, and it is no wonder she is one of the best storytellers today. This was my fourth Atwood novel, and I will not hesitate to read my next. Although not as complex as THE BLIND ASSASSIN, nor as prophetic as THE HANDMAID'S TALE, CAT'S EYE stands alone as a great book that is a must-read for any fan. I give this book 5 stars.

A Haunting Novel
Other reviewers have used the word "haunting" to describe this novel, and I must agree. This book stayed with me long after I finished it, and compelled me to read even when I was too tired to do so. At first, I couldn't decide whether I liked it or not. Elaine, the protagonist, does not come across as a strong character; indeed, she is almost painfully introspective and introverted. Her inner life is rich, however, and her ruminations about her family and friends are quite perceptive. So I kept reading and allowed Elaine to reveal herself to me. As a girl, Elaine grows up in a family that is unusual, but loving and supportive of her. Her "friends" are another story. I don't think I've ever read anything that describes so well the cruelty that young girls are capable of. The social and psychological aspects of growing up are no better shown than here. However, this is the strongest part of the book. Elaine's adult life, colored as it was by her past, is not as richly portrayed, but she remains an interesting person. Her art is her catharsis, as personal and as difficult for an outsider to understand as is the artist herself. This book is an eerie coming-of-age tale, told with poetic beauty and sorrow.

Grueling but gripping.
Top 50. I've probably read this book three times. The first time, I was about 21 years old and maybe not far enough yet out of the hard kind of high school years that those of us glasses-wearing skinny smart loner girls have if we're not careful. One of the creepiest, scariest, saddest books I've ever encountered. Atwood gets inside the skin of a teenage girl not only scorned, but tortured by her peers. Gripping, and makes huge demands on one's empathy, compassion, and patience for the main character. Great moments of beauty, but real encounters with evil, apathy, and terror.