Product Description

With Properties of Light, the award-winning author of The Mind-Body Problem gives us "one of the magnificent performances in contemporary fiction, a fusion of the imagination and intellect . . . achingly beautiful, moving, and intriguing on every page" (Charles Johnson). This mesmerizing tale of consuming love and murderous professional envy carries the reader into the very heart of a physics problem so huge and perplexing it thwarted even Einstein: the nature of light. Caught in the entanglements of erotic and intellectual passion, three physicists grapple with mysteries of science as well as mysteries of the heart with consequences not even their finely honed intellects can predict. "Luminous, incendiary . . . Properties of Light is a novel of cool grace and dark lyricism, lit by the imaginative fire of physics and its improbable cosmologies" (New York Times Book Review).

Product Details

• Amazon Sales Rank: #804232 in Books
• Published on: 2001-11-14
• Original language: English
• Number of items: 1
• Binding: Paperback
• 256 pages

Amazon.com Review
For smarty-pants only. Rebecca Goldstein, who made her debut with The Mind-Body Problem, has written a romance about three physicists. The narrator, a young hotshot named Justin Childs, falls in love, first and foremost, with a little-known formula put together by Samuel Mallach back in the 1930s. Justin, a newly appointed professor, discovers that Mallach teaches at his university: "He was a burned-out star, they said (when they bothered to speak of him at all), although when he was little older than the twenty-three that Justin then was, Albert Einstein had confided in several colleagues that he regarded Samuel Mallach as his heir apparent." In the meantime, though, the old man and his work have fallen from favor, and he has retreated into quiet insanity: "Mallach's work, having been declared impossible, had passed unnoticed among men, and now Mallach himself had entirely forgotten it." Justin begins fantasizing about disinterring his work, and here's where the smarty-pants part comes in: "I had thought to propose to him that he and I might work together, together approach the formidable problem of merging quantum reality, now clarified through his work, with Einstein's truth. He had presented a realistic model of nonrelativistic quantum mechanics. The task now was to reconcile it with relativistic time."

Just when you're berating yourself for skipping Physics for Poets in college, though, the love story kicks in. Justin falls for Mallach's brilliant daughter. And slowly it dawns on him that Mallach is manipulating both of them: "He meant to get the glorious physics out from me." Each character wants nothing more than to solve Mallach's original problem; each character is destroyed in the process.

Properties of Light seamlessly interweaves problems of physics and problems of love. So when Justin says things like, "I assumed he spoke, of course, of the subatomic situation," many of us may feel a little lost. But this, perhaps, is Goldstein's strongest suit: she leads us up close to these heady ideas but always guides us back to more manageable emotional ground. She's firmly in control of both realms, and one suspects that her science scans as well as her prose. --Claire Dederer

From Publishers Weekly
Putting her Ph.D. in the philosophy of science to good use, Goldstein (The Mind-Body Problem) chronicles the quest of three physicists seeking to reconcile quantum mechanics and relativity theory in this epistemological gothic romance. It's soon evident that the narrator, Justin Childs, a physicist at one time skeptical of the soul's existence, is now, ironically, a ghost haunting his former lover, Dana Mallach, whom he blames for his death. Beginning a few years after Justin's demise, the story unfolds as he "relives" events. Justin is a young professor at a prestigious eastern university when he meets Samuel Mallach, an embittered old theorist based on real-life mid-20th-century physicist David Bohm. Despite Justin's disgust at Mallach's mystical leanings, he believes he can harness the man's talents to his own mathematical genius. Mallach and Dana, who's his devoted and brilliant physicist daughter, have their own plan to that end: they intend to lure Justin into tantric sex with Dana, in an attempt to elicit scientific inspiration. Justin and Dana do become lovers, and Mallach, Justin and Dana grow so close that Mallach feels deeply betrayed when he discovers Justin has been assisting his well-respected nemesis at the university. He commits suicide, and Justin is killed soon after in a car accident, the driver a furious Dana. Not until many years after his death is Justin's spirit able to forgive Dana and fully understand the vulnerabilities of all involved in the tragic liaison. Though the rarefied air the characters breathe can be stifling, at its best the novel is bewitchingly ethereal. Goldstein gracefully deconstructs our contradictory impulses, suggesting, as Justin concludes, that "we are things that would know and we are things that would love." Agent, Tina Bennett. Author tour.
Copyright 2000 Reed Business Information, Inc.

From Library Journal
Goldstein!s novels (The Mind-Body Problem; Mazel) have won her popular acclaim as well as a 1996 MacArthur genius Award; her current book should only further her reputation. Told in alternating chapters by precocious, self-absorbed physicist Julian Childs and a third-person narrator, the tale winds through a whirl of refraction created by truth seeking, truth avoidance, love, passion, professional jealousy, and deception. The book traces Childs!s involvement with idiosyncratic mentor Samuel Mallach and Dana, Mallach!s brilliant daughter. It is quickly apparent that Childs is not a reliable narrator, but the ultimate truth at the heart of his tale comes as a climactic shock, a wallop both unexpected and credible. It is unnecessary to understand the rudiments of light particle physics to perceive the deadly seriousness of the minds at work here, but readers do need a willingness to see clearly how blinding human passion can be. Goldstein certainly writes with knowledge of both science and emotion, shining light on both for her readers. For all collections.
-"Francisca Goldsmith, Berkeley P.L., CA
Copyright 2000 Reed Business Information, Inc.

Customer Reviews

In my opinion
I truly enjoyed "The mind body problem" and therefore was quick to obtain and try to read the new novel. I found the first half of the novel difficult to read, not because of the physics but because of the writing was, at least in the first portion, complicated, indirect and overly intense. It is supposed to be poetic; poetry as well as quantum mechanics is a theme of the book but the faux poetic language didn't really work for me. One nice romantic poetic image, when Justin Childs sees the novel's heroine in a mirror, was relentlessly repeated. Also, most importantly, I didn't understand the viewpoint (literally) of the primary protagonist, Justin Childs. The book succeeds though in the second half where the mystery of the events unravels. The ending works well and is far from anti-climatic, which I find of common fault of many novels and even "mysteries". The writing becomes more direct as the novel proceeds; as it ends, the book easy to put down at first, becomes difficult to put down. Thus, it succeeds as entertainment and I would recommend the book as a somewhat difficult but enjoyable read.

The physicist, David Bohm, is oddly grafted onto the novel in an afterward which should not have been included. An attempt to develop a deterministic "hidden variables theory" to replace or possibly extend quantum mechanics is the scientific theme of the book. The author relates this to the work of David Bohm though makes it clear that the story itself is in no way the story of David Bohm. Excepting that she does describe the rejection of a major theoretical development in physics by protégé of Albert Einstein "for no good reason" which resulted in him being "buried alive." Her conclusion, to this effect, is overly dramatic. In my opinion it distorts the work and history of David Bohm, and its relation to the views, by implication, of Einstein's, with respect to interpreting quantum theory in deterministic terms (the hidden variables approach). In a letter to Max Born in 1952 ("The Born-Einstein Letters" Walker, NY, 1971) Einstein notes " that Bohm believes (as de Broglie did...) that he is able to interpret quantum mechanics in deterministic terms" but "That way seems too cheap to me." Born in a comment written in about 1969, writes that Bohm's and de Broglie's attempts, although in line with Einstein's own ideas, was rejected by him as too cheap and that one hardly hears about them today (written after, as I understand, Bohm did further serious work in this area).

One does hear about them today because theoretical physicists have never ceased in their desire for a deterministic substitute for the probabilistic quantum mechanics that would extend the capabilities of the theory or at least allow for a better physical picture. Bohm's work was taken seriously but rejected, not for "no good reason" but for the good reason that it really didn't seem to help -neither did it seem to harm. Physicist are eminently practical and would not have looked a "gift horse in the mouth" Bohm was not forgotten, had a successful career as a physicist in England and would object to Dr. Goldstein's characterizations were he alive to do so. He was a professor at the University of London, a member of the Royal Society, and a respected theoretical physicist. His views were sought after by giants in the development of physics, for example, Richard Feynman. He was a deep thinker concerned with philosophical aspects of quantum mechanics. I found 42 items connected with David Bohm in the Amazon.com webpages. He fled the United States not because his scientific ideas were rejected but because of politics and the McCarthy scare of the early fifties.

I thought the picture of the "Bohm" personality in the novel must have been, in part, derived by the author, rather successfully so, from the "Phantom of Fine Hall " phase of the life of mathematician and economics Nobel prize winner, John Nash, as described in the 1998 biography by Sylvia Nasar.

For all my complaints, I liked the novel and look forward to more from Rebecca Goldstein. I don't look a gift horse in the mouth.

I loved this book!
I just finished my dissertation (in physics) and was looking to relax by reading some fiction. A friend suggested that Properties of Light might be a nice transition from the straight physics. Is it just that it's been so long since I've read a novel, or is this book pure bliss? I enjoyed every last bit of it, and was particularly surprised by how accurate her presentation of the physics involved was. I must admit that I have been interested in the physicist David Bohm (whom the character of Mallach is inspired by) and his mysteriously ignored interpretation of quantum mechanics since my undergraduate days, and have always thought it would make a good novel. There are so many deep questions here: why wouldn't the scientific community want to adopt a theory that seems like such a better candidate for the truth? How could it be that scientists seem so to prefer the mysterious and ineffable, to the straightforward and easily explained? Though Goldstein is careful to point out that the character Mallach is very different from Bohm in many ways and the dramatic twists and turns of her book are entirely fictional, Mallach's physics is nearly the same as Bohm's and she manages to get to the core of the real-life physics story, and deal with these deep questions, in an incredibly skillful way.

stunning novel of the heart and the mind
I ran out and bought this book right after reading Daniel Mendelson's effusively glowing review in New York Magazine. I figured that any book that could make that notoriously hardened critic "burst into tears" with its sheer beauty and brilliance had to be worth taking the afternoon off for. And, boy, was I right. Goldstein's prose is so luminously hypnotic, her characters so sympathetically rendered, and the story so engrossingly original that the only breaks I took from reading were a few brief moments when I simply had to put the book down and catch my breath. Though the book intimately involves some of the biggest ideas in science (specifically, the reconciliation of quantum mechanics with Einstein's Relativity Theory) Goldstein makes these go down easy by wrapping them inside a mesmerizing and multi-tiered love story. In my case at least, this resulted in the somewhat exhilerating experience of realizing that I'd just gained a whole lot of knowledge when all I thought I was doing was indulging my lust for great fiction. This is the first book of Goldstein's that I've read (though I've been meaning to read her ever since she won a Macarthur Grant in 1996), but if this book is representative of her work in general I can't wait to read the rest!