Product Details

• Amazon Sales Rank: #1946301 in Books
• Published on: 1990-04-14
• Released on: 1990-04-14
• Number of items: 1
• Binding: Paperback
• 261 pages

From Publishers Weekly
The author of The Mind-Body Problem , whose nimble portrait of a yeshiva girl-turned-Ivy League philosophy graduate student was astutely authentic, is on shakier ground here with a German emigre protagonist, the daughter of a Nazi, who is a brilliant and beautiful philosophy professor at an American university. In a novel brimming with philosophical arcana and Holocaust angst, young Eva Mueller, scarred by guilt, falls prey to a devastating relationship with a warped son of Holocaust survivors. In the wake of the affair, Eva seals off her heart and her sensual self, reserving affection only for her beloved Spinoza and Plato, until one summer, as she turns 47, she becomes infatuated with a 20-year-old student. The motives for Eva's passion and dispassion as well as her feelings for her father are obscure. Nonetheless, Goldstein is as pungent as ever, as Eva's robust and tart gaze takes in academics, students, book editors, authors "who write not because there is something that must be said but rather because we must say something," popular culture, the life of the mind vs. "the female state," and the futility and rewards of pedagogy.
Copyright 1989 Reed Business Information, Inc.

From Library Journal
The liberation of Eva Mueller, a middle-aged German-American professor of philosophy, does not come easy. Having lived in the self-protected world of the intellect all her life, she must first submerge herself in the unhappy reality of her past--recalling that her father, a German musicologist, was a Nazi accomplice. Eva's acceptance of her past and of the validity of her emotions is sparked by her unlikely relationship with Michael, an enthusiastic if callow young student. This novel of self-realization is supported by the philosophies of Plato, Spinoza, and Wagner and sprinkled with German history. Its intellectual power and involving characterization cancel out occasional slips into triteness. Engaging for anyone who enjoys philosophy, the academic world, or stories of self-awareness and romance.
- Jean Keleher, Univ. of Illinois at Chicago Lib.
Copyright 1989 Reed Business Information, Inc.

Customer Reviews

A good first half
This story of a German born academic Eva Mueller in the American university world has its main energy and interest in the first part of the book. Goldstein is very good at integrating 'intellectual material' into the story and makes a convincing picture of her heroine in that way. The story of her love - affair with an embittered and cruel Jewish intellectual whose parents are survivors is strong and interesting. The main story however relates to a time years after this affair when the post- menopausal heroine becomes fascinated with a young Californian- born student of hers who works in his spare - time as a radio D. J. . This young man has two sides, one that of budding series intellectual and the other of Dionysian lover of pleasures of life in the moment. Eve who believes she has long lost her need for human connection in love discovers in her tutorials with the student that she has not gone beyond passionate desire. This part of the book is quite interesting. But just as we move to the critical moment Goldstein steers us for the second half of the book into a long tale about Eva's background. Her father was a music scholar who wrote a treatise which served the Nazi regime. This long digression is quite boring and when there is a return to the central affair of the novel Goldstein appears to have run out of steam.
For those however who like Philosophy with their novels , and especially those who would like to know more about Plato's and Spinoza's respective philosophies of Love and Freedom this book should be a real pleasure.

Great for the Goldstein fan, but not her best
This little novel is the sort of book one can spend a magical, beautiful afternoon reading. Goldstein's prose is beyond compare... her writing is precise and beautiful. She has the remarkable ability to explain the inner life of an intellectual woman in an authentic and detailed manner.
This book chronicles the awakening of a philosophy professor to the world of pleasure. In short, the conversion from the life of the mind to the life of the body. It is a sensual book, but by no means erotic, at least not in any explicit way. The beauty of the story is that the reader gets to watch the changes within the mind of the main character.
However, this book, despite the beautiful writing, is far from perfect. Unfortunately, Goldstein tried to incorporate flashbacks of the main character's childhood in wartime Germany, and this absolutely does not work. If the flashbacks had been merely alternating chapters, it might have succeeded; however, Goldstein lets the entire novel go off track for far too long. The main character's background is fascinating, and would have made a fine novel in itself, but it severely hampers the style and plot of the rest of the book.
For a Goldstein fan, this is a must-read, but if you've never read Goldstein, you'd do better to start elsewhere.

Irresistable language, resistable story
Since "The Mind-Body Problem" by Rebecca Goldstein delighted me so much with both its clever style and original story, I could hardly wait to read the author's second novel "The Late-Summer Passion of a Woman of Mind". My sense of disappointment, however, was evident about half way through the book. I liked the set-up, and I recognized Goldsteins playful descriptions and otherwise vivid language; however, the story just loses focus and its nerve. The first part of the book is the best - when Eva Mueller, the popular and eccentric philosophy professor, befriends her student, Michael Miller, the eager philosophy groupie, disc jockey and swimmer. The attraction is actually quite believable between the mature scholar, who has dismissed the notion of romantic love, and the young student, who is attracted to "the human condition" with both its good and bad consequences. However, when the story leaves the budding relationship and flips to Eva Mueller's childhood in Germany and her parents' involvement in the third reich, the story suffers. Don't get me wrong, that part of the book is also fascinating, but not in this book! Or, at least, the transition leaves the reader straining to assume renewed interest in the story. I still give the book 3 stars because I delight in Goldstein's writing style and the way she makes her characters so impossible not to care about. Overall, a decent book, but if you are reading Goldstein for the first time, choose her superb "Mind-Body Problem"!