Product Description

The Same River Twice is an exciting collection of work based on Alice Walker's groundbreaking, Pulitzer Prize-winning novel, The Color Purple. It includes the never-used screenplay Walker wrote, never-before-seen diary entries and letters, as well as new writings by the author on such topics as art, motherhood, illness, and relationships. Walker also discusses, for the first time, her work with Steven Spielberg, Quincy Jones, Oprah Winkey, and Whoopi Goldberg on the film based on her book. As it explores the controversy surrounding the movie and the impact of loss, illness, and fame on Walker -- The Same River Twice illuminates Walker as woman, healer, and artist.

Product Details

• Amazon Sales Rank: #1120150 in Books
• Published on: 1996-01-01
• Original language: English
• Number of items: 1
• Binding: Hardcover
• 304 pages

Amazon.com Review
Alice Walker, a writer who had generally shunned public life, reached a period of great achievement in the early 1980s. Her novel, The Color Purple, was awarded both the Pulitzer Prize and the American Book Award. But when Steven Spielberg made a film of the novel, intense controversy erupted. In this provocative and thoughtful collection of essays, Walker takes, as she puts it, a "lingering look backward at a dangerous crossroad in one's life." How does a serious writer engage popular culture? What are the costs? What are the joys? The eloquent Ms. Walker offers insights.

From Publishers Weekly
Walker's latest book finds the Pulitzer Prize-winning author still grappling with criticism of the film version of her novel The Color Purple. She continues to defend her depiction of an abusive black man as well as her decision to use Steven Spielberg as director. But now she also recognizes the project as a creative watershed. Walker's memoir pieces together assorted journal entries, magazine clippings, occasional photographs and even her original screenplay to form an intimate scrapbook of the period. We witness one of the seminal gatherings in Hollywood history: the original meeting of Walker, Spielberg and producer/musician Quincy Jones, and we watch their collaboration unfold. Walker discusses the fortuitous casting of Whoopi Goldberg and Oprah Winfrey, who have evolved into two of the few female Hollywood powers. Yet Walker's recollections include few other voices. This makes for a perspective uncomfortably lopsided in parts. Also Walker's preoccupation with her old critics seems unnecessary and somewhat dated. However, the book wonderfully illuminates Walker's "born-again pagan" spirit and her boundless passion for the characters she creates and the audience she serves.
Copyright 1995 Reed Business Information, Inc.

From Library Journal
It's been ten years since the movie version of Walker's controversial Pulitzer Prize-winning novel, The Color Purple, debuted in theaters across the country. At long last Walker (Possessing the Secret of Joy, LJ 5/15/92) reveals her innermost thoughts, liner notes, journal entries, and interviews with some of the people involved in the making of that blockbuster. In this insightful memoir, she tells what a painful period this was for her: she was ill with Lyme disease, her mother was sick, her partner unsupportive, and she was reeling from the criticism she received from the black community because of the movie's negative depiction of black men. She includes here letters, commentaries, and articles from supporters as well as detractors. This analysis is long overdue, but it's not likely to generate much interest because of its untimeliness. An optional purchase for public libraries.?Ann Burns, "Library Journal"
Copyright 1995 Reed Business Information, Inc.

Customer Reviews

Excellent Book in My Opinion
This book is not for everyone. I found this book extremely intimate and amazing. Why? I enjoy "getting to know" my favorite authors in a way that depicts them as "human just like you and me." Alice Walker let's us into her mind and emotions. She shows us that behind her great literary talent, she too goes through self-doubt, worry about what "other people think", etc.
I remember when The Color Purple movie was released and the backlash it got from black men in my community who perceived it as "male hating." I always wondered what it was like to put your heart and soul into a literary piece, have hollywood create a visual experience out of it in a way that you didn't expect, then sit through people "attacking" you as a "black male hater." Well, this book reveals what Alice went through, emotionally, spiritually and psychologically. We get to read exerpts from her journal. Furthermore, I felt more connected to this book than perhaps other readers because I myself am a novelist writer trying to publish my first book. Alice Walker brought up "controversial issues" in the book, The Color Purple (the most controversial being the "lesbian" relationship between Celie and Shug). My own work brings up "taboo" subjects within the black community. Reading Walker's intimate experiences with the public's (and her family and friends') reactions to her work and her bravery to "keep on keepin' on", inspired me to continue writing about subjects that have often been "silenced" within my own black community. The Same River Twice is an excellent book for someone such as myself who is often intimidated and worried about how their community may respond to their literary pieces.

Mixed Feelings
Reading Walker's prose can be like talking with a live person face to face. There is no aloof distance between Walker and the reader, one feels that she is addressing them personally; the drawback to this is that when she says something you may not agree with, you can feel a little hurt or even betrayed. The Color Purple is a story that so many people lay "claim" to, and is one of the most important books of the twentieth century. Readership of the novel has only grown since its initial publication in 1982, and it's no wonder that Walker feels such a bond to this story of hers. The problem is that the rights were sold to make a movie version and Walker wasn't entirely pleased with the results.

While I am sure any writer would feel very ambivalent about a film version of their novel (as Ken Kesey did for "Cuckoo's Nest"), when one signs the film rights away, they should brace themselves for the disappointment. Walker takes us step-by-step through the disappointment but the final conclusion is a feeling of ingratitude. What is important to me is that because of the movie I became aware of the book and thus began my love for Alice Walker. As a teen I loved the movie, but being older now I do see many moments in the film as rather embarrassing. But again, had it not been for the film I would not have read the book.

But why did Walker choose to write this book? Parts of it are very interesting, but much of the book is just a bunch of journal entries and news clippings. Walker does submit her entire screenplay that she proposed; Her screenplay is actually less streamlined than the script that made it to the screen and has too many moments involving the patterns in a quilt that stop the story dead in its tracks. For all the flaws of the screenplay that was adapted, (and there are many), it's a much less rambling script than Walkers.

Despite Walker's intentions, the book comes off as ungrateful. After all, she was able to make a nice home for herself. But this book is interesting to see the author's point of view. Had Purple been made in the 50's, it would have been damaged beyond repair and probably taken the point of view of one of the minor white characters ... if it would have been made at all. We've all seen movies that ruined a book, Walker is one of the only ones who has been voal about it.

But Walker should also take heart, at least she didn't write "Beloved" and watch that transition to the screen.

Affirmation of Walker's role as "author and medium".
Extracted from Bracket vol.2 no.1, 1996

The book emerges as a quilt, not unlike Celie's in The Color Purple that has evidence of both happier times with Celie and Shug and the pain of abuse. This format allows for the co-presentation of both the joyous and painful events which characterised The Color Purple. Photographs, letters, newspapers reviews and three new essays are threaded together by Walker's journal entries. The book is a detailed exploration of the unfolding of the production of the film. In it she judges too the impact of the film on her person as a writer and on her audience. It successfully blends the public and the private cconsequences of the novel.

Walker explains her initial and subsequent responses to the film directed by Stephen Spielberg. The roles of both Spielberg and Quincy Jones as artists are centred as Walker conceded that the film and novel could not have been the same. The screenplay that was never used resides side by side with the reponses Walker has encountered since the release of the film. Juxtaposed with the laudatory letters of support for the novel and film, are antagonistic articles on both versions of The Color Purple. The hostility generated from certain quarters of the Black community is explored in detail. Manifestations of this enmity range from a dismissive article written by a reporter who had not seen the film, to accusations that Walker hated Black men.

The film facilitates a process of personal growth for Walker and she is ultimately able to say, "Now I see its flaws, but love it for its own sake, and love the people, too, who made it and made it from where they are."(214)

The book then is remarkable and accessible to Walker devotees both inside and outside academic research fields. It is a combined presentation of several areas that Walker is renowned for - her creative writing, intellectual and spiritual sensitivity and her ability to combine the "high and low culture" of art in academia. Honoring the Difficult is once again an affirmation of herself as "author and medium".