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Star Wars - Episode I, The Phantom Menace (Widescreen Edition)

Star Wars - Episode I, The Phantom Menace (Widescreen Edition)
Directed by George Lucas

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Product Description

Begin your STAR WARS DVD collection with STAR WARS: Episode 1 THE PHANTOM MENACE. Packed with over six hours of additional material, including exclusive documentaries and never-before-seen deleted scenes, this 2-disc set provides the perfect showcase for the incredible detail and breathtaking scope of George Lucas's first episode in the mythic STAR WARS saga.


Product Details

  • Amazon Sales Rank: #1289 in DVD
  • Brand: NEESON,LIAM
  • Released on: 2005-03-22
  • Rating: PG (Parental Guidance Suggested)
  • Aspect ratio: 2.35:1
  • Number of discs: 2
  • Formats: Closed-captioned, Color, Dolby, Dubbed, Widescreen, NTSC
  • Original language: English, Spanish
  • Subtitled in: English, Spanish
  • Dubbed in: French, Spanish
  • Number of discs: 2
  • Dimensions: .35 pounds
  • Running time: 133 minutes

Editorial Reviews

Amazon.com
"I have a bad feeling about this," says the young Obi-Wan Kenobi (played by Ewan McGregor) in Star Wars: Episode I, The Phantom Menace as he steps off a spaceship and into the most anticipated cinematic event... well, ever. He might as well be speaking for the legions of fans of the original episodes in the Star Wars saga who can't help but secretly ask themselves: Sure, this is Star Wars, but is it my Star Wars? The original elevated moviegoers' expectations so high that it would have been impossible for any subsequent film to meet them. And as with all the Star Wars movies, The Phantom Menace features inexplicable plot twists, a fistful of loose threads, and some cheek-chewing dialogue. Han Solo's swagger is sorely missed, as is the pervading menace of heavy-breather Darth Vader. There is still way too much quasi-mystical mumbo jumbo, and some of what was fresh about Star Wars 22 years earlier feels formulaic. Yet there's much to admire. The special effects are stupendous; three worlds are populated with a mélange of creatures, flora, and horizons rendered in absolute detail. The action and battle scenes are breathtaking in their complexity. And one particular sequence of the film--the adrenaline-infused pod race through the Tatooine desert--makes the chariot race in Ben-Hur look like a Sunday stroll through the park.

Among the host of new characters, there are a few familiar walk-ons. We witness the first meeting between R2-D2 and C-3PO, Jabba the Hutt looks younger and slimmer (but not young and slim), and Yoda is as crabby as ever. Natalie Portman's stately Queen Amidala sports hairdos that make Princess Leia look dowdy and wields a mean laser. We never bond with Jedi Knight Qui-Gon Jinn (Liam Neeson), and Obi-Wan's day is yet to come. Jar Jar Binks, a cross between a Muppet, a frog, and a hippie, provides many of the movie's lighter moments, while Sith Lord Darth Maul is a formidable force. Baby-faced Anakin Skywalker (Jake Lloyd) looks too young and innocent to command the powers of the Force or wield a lightsaber (much less transmute into the future Darth Vader), but his boyish exuberance wins over skeptics.

Near the end of the movie, Palpatine, the new leader of the Republic, may be speaking for fans eagerly awaiting Episode II when he pats young Anakin on the head and says, "We will watch your career with great interest." Indeed! --Tod Nelson

DVD features
The spectacular DVD release of Star Wars: Episode I, The Phantom Menace--arguably one of the best DVDs ever--will go a long way toward making it up to Star Wars fans who were disappointed by the theatrical release. (But, in case you're wondering, there's no option to delete Jar Jar.) The picture and sound are outstanding, it's loaded with bonuses, and even the menus are action-packed fun. Disc One includes the film with a commentary track by George Lucas, producer Rick McCallum, editor Ben Burtt, animation director Rob Coleman, and visual effects supervisors John Knoll, Dennis Murren, and Scott Squires. Rather than a group of people yelling at the screen, this commentary is a compilation of individual comments, very helpfully supplemented by supratitles that indicate who is speaking. Numerous technical details are explained, and Lucas mentions how certain scenes fit into the big picture of all six films (every time dutifully referring to the original film as "Episode IV").

Of Disc Two's cornucopia of bonus features, the most notable are the seven deleted scenes and a long documentary. The deleted scenes, which are all interesting enough to watch at least once, can be viewed individually or as a group along with discussions of why they were cut. These rough scenes were completed for the DVD and parts of them (including an introduction of the individual Podracers and a longer view of the skies over Coruscant) were reincorporated into the version of the film that appears on the DVD. The 66-minute behind-the-scenes documentary was compiled from 600 hours of footage shot during various stages of the film and includes Anakin screen tests, script-reading sessions, location shooting in Italy and Tunisia, and giddy fans on opening night. --David Horiuchi

From The New Yorker
It has been more than twenty years since George Lucas directed a movie. Amid the fuss that has attended his return to the fray, no one seems to have wondered whether he was up to the task. With this film, Lucas demonstrates two facts: one, that he has kept abreast of the recent leaps in special effects, and two, that he hasn't a clue what to do with all the nondigital figures, otherwise known as "people." The movie is the first of three prequels to the original "Star Wars" trilogy, the intention being to explain everything that happened in that slightly dreary galaxy before Harrison Ford turned up. In this opening installment, the clash is between the Federation, which wants to take over the planet Naboo and build condos, and the local residents, who kick up a stink with a little help from the Jedi. Halfway through we meet Anakin Skywalker (Jake Lloyd)-savior of the galaxy, or, from another point of view, a precocious little creep. Three fine actors were lured into this farrago: Ewan McGregor plays the young Obi-Wan Kenobi, Liam Neeson is his Jedi mentor, Natalie Portman plays a teen-age queen, and all of them look as if they were recently abused by robots. Everyone on planet Earth is being encouraged to see this movie; why don't we follow the good citizens of Naboo and mount a spirited resistance? -Anthony Lane
Copyright © 2006 The New Yorker


Customer Reviews

Suffers from lack of developed characters and plot2
I saw this film on theatrical release in and was very disappointed. Of course, alot of the disappointment initially had to do with the incredible hype build-up that accompanied the new trilogy. Nothing could have lived up to the public's expectations.

That having been said, The Phantom Menace is disappointing not so much because it stinks, but because, I fell, with some additional tweaking, it could have been much much better. Its almost as if Lucas got the plot ideas and character concepts developed to a schematic level and then sort of lost interest in them and did not develop them any further.

Specific gripes:

1. We never really bond with or understand Qui-Gon's character or his relationship with young Anakin. He states that he thinks Anakin may be the chosen one, but that is not really sufficient. We need to see an emotional bond or some kind of identification between the two, but it just isn't there.

2. Not to pick on Jake Lloyd (he's probably a great kid), but Lucas or whoever just did not get a good performance out of him. Plus, there is no hint in young Anakin at this point of character traits or flaws that might later foreshadow his fall. Yoda says he sees anger and fear in Anakin and the Jedi Council make vague predications that he may eventually be dangerous, but we as audience members just don't see it. We are supposed to infer that Anakin is somehow damaged by his life as as slave and subsequent separation from his mother, but again, we don't see any of this. His life as a slave doesn't seem to indicate any hardship; his big scene saying goodbye to his mom is not particularly moving (mainly due to wooden acting by Lloyd; Pernilla August as his mom does a good job thought). Also, if he's a slave, how does he have time/resources to build robots and pod racers? Just not very true to life.

Perhaps if we had seen Anakin and/or his mom subjected to some sort of abuse or exploitation we would have a better indication both of the fear and anger in Anakin and also a potential emotional reason for why Qui-Gon wants to rescue Anakin. When I reflected on it, I thought it would almost be better if Anakin were like the feral boy in Road Warrior II: an unkempt, unclean, and agressive character that had to be somewhat tamed and civilized by his Jedi rescuers. We don't see any character flaws, any little hints of selfishness, anger, fear or frustration. As is, young Anakin is just an average cute kid; we don't see any depth to why he wants to escape his life as a slave or run off to join the Jedi so we don't really care.

3. Source of humor: The original series had a mix of humor based upon the droids 3PO and R2D2 and also with the human characters (primarily interactions between Solo, Leia, and Luke). In TPM, the primary source of humor is generated from droids and Jar Jar Binks with little or no humorous banter or interaction between human characters. This has two effects: 1)relying on computer-generated characters for humor means the primary form of humor becomes physical slapstick, which is one of the main complaints about the Jar Jar charcter; and 2)the interactions between the human main characters, when deprived of humor, makes their relationships seem dry and mechanical, another source of the shallow characterizations.

The one humorous moment that stands out is when, after being ambushed by the Trade Feds at the beginning, Obi-Won says to Qui-Gon with a wry smile: "Well, you were right about one thing Master....the negotiations were short!" This one moment stands out because it is one of the few jokes between human characters and it works and expresses some of Obi-Won's personality. It also effectively echoes some of the banter and attitude that made Solo's character so liekable and crucial to the original films, an attitude and sensibility that is lacking in TPM. As is, we are stuck with Jar Jar's pratfalls for yuks, and it just doesn't work unless you are 5 years old.

4. The shallowness of Darth Maul: Similar to other problems with character depth, we don't know enough about Maul. He says early in the film that at last he will have revenge on the Jedi. Revenge for what? We never know beyond vague notions that the Sith and Jedi are ancient enemies. That is not enough. We either need to be shown more back story on this or have some reason for Maul's motivation. His fight scenes with the Jedi at the end are dynamite and clearly the actor is very skilled in martial arts and projects a menacing attitude with only minimal dialog or screen time, but we never really know anything about him other than "he is a bad guy" and that is not enough.

5. Plot goofiness. As others have pointed out, all the midi-chlorian business is a red herring of mumbo-jumbo that takes the mystical mystery out of the Force and reduces it to a medical condition. The Jedi are supposed to be wise, powerful seers, but them seem oblivious to the presence and intentions of the bad guys over and over again. Having young Anakin build C3PO is silly and seems like a forced "cricle closer". Further, having Anakin start out on Tatooine doesn't seem right and seems liek another circle closer that is forced. Wouldn't he remember all this years later as Darth Vader in Episode 4? Wouldn't there be some result of this coincidence? As noted above, having a slave that doesn't seem to be deprived or suffering and has the time/resources to build robots and pod racers as a hobby seems goofy too.

Again, it seemed to me like Lucas got the plot and characters to a certain point and then quit on them. With only a little extra effort or different emphasis on certain elements, the movie could have been much improved and the audience would have had more insight into the characters and identified with them more. As is, the lack of character development combined with wooden acting makes it hard for the audience to care. The special effects set pieces are spectacular, and the computer generated elements are pioneering and well executed, but without a reason to care about or like the characters, its hard to get too excited.

Again, not a horrid movie, but frustrating because with just a few changes or extra effort, it could have been so much better.

-->Money comes in | Innovation goes out-->3
Int. evening - A dimly lit room.

George: The movie must have a child-friendly comic relief, and we also need some clever doll to sell afterwards... hmmmmm... Jar Jar Binks!

George: Wait it can't be too child-friendly or we'll loose the fans! Throw Maul into the ring, oooooh he's scary... hmmmm... we'll cut his dialogue down to three lines so the action figure can contain them all!

George: Liam Neeson is starting to complain about his lame character and dialogue... hmmmm... let's just give him a noble death at the end of the movie... wait we've already done that.. aaah what the hell! Everybody loves a cliché!

George: Wait! The script is a little thin... hmmmmmmm... Wait I own this cool Special FX company they'll fill out the holes!

George: All the cool authors have expanded my universe making it diverse and colorful... but let's just focus on places we know... like Tatooine!

George: Anakin is really smart... we'll let him build C-3PO... wait why doesn't Vader recognize him later? Oh yes... he's just been ignoring him... heh heh...

George: Oh yeah I've also invented these midiclorieans... which they for some weird reason haven't heard about in the original episodes... well the knowledge has just been lost in the huge Jedi massacres later on!

*George continues like this for months*

Actually I'm a Star Wars fan... and I like Episode I because of the cool action scenes, spectacular special FX and I actually don't think that the acting is so bad, and Jar Jar is pretty funny at times. I just have this love/hate thing for this episode. The whole Star Wars spirit, the innovation behind the old trilogy has been replaced by some kind of Disney oriented commercial family pack! To much money (minus 1 star)too little creativity (minus 1 star)... and George you better clone Darth Maul in Episode II and make it bloody and horrible for Anakin, and realease the original episodes on DVD (and not make 6000 special editions), or I'll cut off that beard of yours while you sleep! (can you get sued for this?)

A Tragedy For Star Wars Fans1
George Lucas does not believe for one single second that he did anything wrong with The Phantom Menace. He's living in a fog. Episode I of the Star Wars saga is a shockingly bad film, filled with atrocious writing, directing, and acting. Even the editing on the film stinks---too many damn wipes. No film director with a good head on his or her shoulders would've let Jake Lloyd & Natalie Portman's wooden performances stand as they are. But Lucas doesn't have a clue about directing his actors, or what a good film performance truly is. As long as his actors say their lines and don't bump into furniture, that's good enough for him. Sure, there's great special effects, but so what? There's too much talking, too much sitting around (or standing around), and not enough action. Too much emphasis on the special effects and not enough on the script or story. Too much Jar Jar Binks and not enough Obi-Wan. And don't get me started on that "medaclorian" nonsense or Anakin's virgin birth. Lucas already tarnished the Star Wars saga back in 1983 with those cuddly wuddly Ewoks from Return Of The Jedi, but now, he has destroyed the saga completely with The Phantom Menace. Attack Of The Clones was a little bit better, but that isn't really much of a compliment. And the upcoming Episode III? I couldn't care less. Furthermore, Lucas has been officially blown out of the water by Peter Jackson, who is now the new king of the sci-fi/fantasy genre with his brilliant Lord Of The Rings films. George Lucas WAS a great filmmaker way back when. But, as evidenced by these lame prequel movies, he has totally lost it. For Star Wars fans everywhere, this is a terrible, terrible tragedy.