Product Description

"I was going to catch hell whatever I did. I might as well try to enjoy myself."
--Jim Thompson

At thirteen Jim Thompson was learning how to smoke cigars and ogle burlesque girls under the tutelage of his profane grandfather. A few years later, he was bellhopping at a hotel in Fort Worth, where he supplemented his income peddling bootleg out of the package room. He shuddered out the DTs as a watchman on a West Texas oil pipeline. He outraged teachers, cheated mobsters, and almost got himself beaten to death by a homicidal sheriff's deputy. And somewhere along the way, Thompson became one of the greatest crime writers America has ever known.

In this uproarious autobiographical tale, the author of After Dark, My Sweet and Pop. 1280 tells the story of his chaotic coming of age and reveals just where he acquired his encyclopedic knowledge of human misbehavior. Bad Boy is a bawdy, brawling book of reprobates--and an unfettered portrait of a writer growing up in the Southwest of the Roaring Twenties.

Product Details

• Amazon Sales Rank: #362255 in Books
• Published on: 1997-09-30
• Released on: 1997-09-30
• Original language: English
• Number of items: 1
• Binding: Paperback
• 208 pages

From Library Journal
Published in 1953 and 1954, respectively, this duo by Thompson offer an autobiographical novel of a tough kid's violent ascent into adulthood and a man's loss of his self-esteem that turns him pretty nasty. Two gritty novels by a master of the crime genre that are must haves for all mystery collections.
Copyright 1998 Reed Business Information, Inc.

About the Author
(1906 - 1977) James Meyers Thompson was born in Anadarko, Oklahoma. He began writing fiction at a very young age, selling his first story to True Detective when he was only fourteen. Thompson eventually wrote twenty-nine novels, all but three of which were published as paperback originals. Thompson also wrote two screenplays (for the Stanley Kubrick films “The Killing” and “Paths of Glory”). An outstanding crime writer, the world of his fiction is rife with violence and corruption. In examining the underbelly of human experience and American society in particular, Thompson’s work at its best is both philosophical and experimental. Several of his novels have been filmed by American and French directors, resulting in classic noir including The Killer Inside Me (1952), After Dark My Sweet (1955), and The Grifters (1963).

Customer Reviews

more of an autiobiographical novel than an autobiography
I don't think anyone could dispute that Thompson has taken many liberties in retelling his own story. Even so, the stories are well-written and wildly entertaining. The fabrications don't detract from the overall enjoyment, they enhance it. You find in these pages the roots of many Thompson characters. That is a large part of the fun. The chapters are very short, giving Bad Boy an addictive quality. You'll likely finish it quickly and wish that there was more(there is: Rough Neck). Bad Boy is funny, twisted, ugfly and occasionally tender.

Jim Thompson created an image for himself. This is merely the autobiography of that self-made image. If you want more fact than fiction you should check out one of his biographies. I wouldn't recommend this as a first Thompson book. Get familiar with him first...and then check out this wonderful book.

Rough sketch of the Killer inside me Sheriff
For the most part this Thompson book examines the menial jobs of his youth and is as colorful as his books tend to be, with characters of questionable moral focus. Besides his obvious flare for the genre this book includes a real gem in the description of the author's first encounter with a texas officier who would provide Thompson with the model for the main character in the killer inside, for this reason alone the book is well worth the read.

Laugh-out-loud funny
As others have said, definitely read other Thompson books first ("The Killer Inside Me" or "The Criminal" would be excellent choices), but this is a great book. By modern standards, it's tame. The title seems an exageration, given Thompson's self-censoring repression of anything truly ribald, profane or shocking ... though maybe this is more a reflection of where pop culture has come today than of Thompson. That said, the book is extremely funny in places & a great insight into the writer. For the truth behind Thompson's stories, try Robert Polito's excellent biography, "Savage Art," which is a must for anyone who gets really interested in Thompson anyway. If you read many Thompson books, there's a good chance you'll get seriously interested.