Product Description

Former private detective Jeff Bailey is trying to live a quiet life but his past comes back to haunt him. He was once hired by a gambler to find his runaway girlfriend Kathy. Jeff traced her to Mexico and fell in love. She lured him into double-crossing the gambler but it was really Jeff who got double-crossed. Years later Jeff's quiet life is once again shattered as his old criminal associates descend on him. Now he's in deep trouble - someone is trying to frame him for murder.Format: DVD MOVIE Genre: DRAMA UPC: 053939675924

Product Details

• Amazon Sales Rank: #2892 in DVD
• Brand: Warner Brothers
• Released on: 2004-07-06
• Rating: NR (Not Rated)
• Aspect ratio: 1.33:1
• Formats: Black & White, Closed-captioned, DVD, Subtitled, NTSC
• Original language: English
• Subtitled in: English, Spanish, French
• Number of discs: 1
• Dimensions: 1.00 pounds
• Running time: 97 minutes

Features

• Former private detective Jeff Bailey is trying to live a quiet life, but his past comes back to haunt him. He was once hired by a gambler to find his runaway girlfriend, Kathy. Jeff traced her to Mexico and fell in love. She lured him into double-crossing the gambler, but it was really Jeff who got double-crossed. Years later, Jeff's quiet life is once again shattered as his old criminal associate

Amazon.com essential video
"Build my gallows high, baby"--just one of the quintessentially noir sentiments expressed by Robert Mitchum in this classic of the genre. Mitchum, in absolute prime, sleepy-eyed form, relates a complicated flashback about getting hired by gangster Kirk Douglas to find femme fatale Jane Greer. The chain of film noir elements--love, money, lies--drags Mitchum into the lower depths. Director Jacques Tourneur gets the edgy negotiations between men and women as exactly right as he gets the inky shadows of the noir landscape (even the sunlit exteriors are fraught with doubt). This is Mitchum in excelsis, with his usual laid-back cool laced with great dialogue and tragic foreshadowing. As for his co-star, James Agee immortally opined that Jane Greer "can best be described, in an ancient idiom, as a hot number." Remade in 1984, unhappily, as Against All Odds (with Greer in a supporting role). --Robert Horton

Customer Reviews

"Awfully cold around the heart"
Robert Mitchum stars in "Out of the Past" as Jeff Bailey. As the film opens, he is the owner of a small town gas station; he's romancing a beautiful girl (Virginia Huston) and his life seems idyllic. However, a stranger arrives looking for Bailey, and everything changes irrevocably. The story is told partially in flashback - enumerating his past with a cutthroat gangster (Kirk Douglas) and a mysterious moll (Jane Greer) - and partially in the present as his past ensnares him into a complicated morass of murder and revenge.

"Out of the Past" is a quintessential 1940s film noir, right up there with "Double Indemnity" and "The Maltese Falcon," although it's arguably not as well known as those classics. The script is whip-smart and filled with brilliant dialogue - a character asserts to Bailey, "Don't you see you've only me to make deals with now?" and Bailey shoots back, "Build my gallows high, baby." Each scene is perfectly shot with an abundance of ambience; director Jacques Tourneur specialized in moody films, such as "I Walked with a Zombie," and he certainly scores here. The plot is full of crosses and double-crosses - it's admittedly not one of the most complex film noirs; however, the characters are perfectly etched, and the film builds to a heartbreaking conclusion.

In 1991, "Out of the Past" was inducted into the National Film Registry, which protects important American films. The film clearly deserves this honor and fortunately will be preserved for future generations of film noir fans. Overall, "Out of the Past" is one of the best film noirs I've seen and a top-notch movie in every way. Most highly recommended.

DVD extras: the main extra is a somewhat dry but informative commentary by James Ursini, an author noted for writing about film noir.

Classic Film Noir
This classic film noir, featuring the twin cleft-chinned presences of
Robert Mitchum and Kirk Douglas, has got to be one of the most
enjoyable ever made. It's not the somewhat confusing plot, but the
snappy dialogue -- and the confident acting -- which makes it work so
well. The repartee ("A woman with a rod is like a man with a
knitting needle") is worthy of some of the best screwball
comedies and yet it's just as dark as a noir should be in terms of the
desperate things the characters do and the terrible things that happen
to them as a consequence. Jacques Tourneur ("Cat People",
"I Walked With a Zombie") directs with finesse, but the
importance of an ace writer like James M. Cain ("The Postman
Always Rings Twice") -- uncredited for some reason -- can't be
stressed enough. He deserves as much credit for the success of the
film as Tourneur, Mitchum, Douglas, and shapely femme fatale Jane
Greer, the woman who seduces both Mitchum and Douglas -- rod in hand.

The Mother of All Film Noir Crime Dramas
This is one of the best examples of Film Noir ever produced. Everything about the production is dark and troubling, yet so fascinating that you can't turn away. The trio of Robert Mitchum, Jane Greer, and Kirk Douglas are central to the plot, and all are brilliant in their roles. Mitchum is perfect as the cool and smart former Private Investigator turned gas station owner who finds out that he still has entanglements from his previous life, Kirk Douglas is the absolute embodiment of a cold, calculating career criminal, and beautiful Jane Greer manages to ensnare everyone in her web of mystery and deceit.

This is the ultimate intellectual crime drama, and a viewing of this film could teach contemporary directors how suspense is supposed to be executed. The plot is so intricate and involved that I won't even discuss it, other than to say this: pay attention. The abrupt plot twists rarely, if ever, turn out like a first time viewer would expect, and the suspense created by director Jacques Tourneur is palpable.

The DVD is going to be released soon, and I will be sure to augment my VHS copy with the new DVD. This film really is one of the classics of American cinema, and is definitely as absorbing and engrossing as anything made in the last fifty years. For a wild and suspenseful ride, with a plot full of twists, turns, and surprises until the very end, don't miss "Out of the Past!"