Product Details

• Amazon Sales Rank: #37730 in Digital Music Album
• Published on: 2009-02-17
• Released on: 2009-02-17
• Running time: 2699 seconds

Customer Reviews

New Life...
Some bands, if they've been around long enough and make enough music, eventually end up making an album that sounds like a conglomerate of all their previous albums. Over the course of the first 5 songs on Common Existence, it sounds like Thursday took the energy and bleakness of songs like "For the Workforce, Drowning" or "Jet Black New Year" and mixed it with some of the straight out rock from Full Collapse, specifically "Paris in Flames" and "Cross Out the Eyes." The atmosphere of War all the Time is there and the energy of Full Collapse is impossible to miss. Common Existence just sounds like a natural and welcome progression of the bands sound.

You can hear elements of the punk, hardcore and progressive rock that has always been a part of Thursdays sound since they first emerged from the basements of New Jersey. There are high-energy tracks destined to be concert favorites like "Resurrection of a Dead Man" and "Friends in the Armed Forces." I found myself singing "For The Workforce, Drowning" (one of, if not the best songs Thursday ever wrote) after I listened to "Resurrection of a Dead Man" for the first time. It's the perfect way to start off the album. From the beginning you get a shot of energy, a sense of urgency. The mixture of hardcore and punk is back and it's a little dirtier than before. Thursday has found a way to take the two genres and craft their own sound, again, just as they did with Full Collapse. A lot of these songs sound like they could have been recorded at the same time as one of the best songs the band has ever written, "Jet Black New Year."

"Beyond the Visible Spectrum," "Circuits of Fever" and "Subway Funeral" really standout as examples of the new life and sound Thursday has found. There's a fresh sound there, something that sounds so new and yet so familiar. The heavier use of the keyboards really stands out and gives the band a new dimension, something that never felt fully explored before. Listening to "Circuits of Fever" and "Beyond the Visible Spectrum" gives the listener a sense that the band has grown. And if you've been a Thursday fan and know any of their previous material, you know it's different but at the same time, you know it's Thursday.

There's a dirtiness to Common Existence that harkens all the way back to Thursdays first album, Waiting, released nearly 10 years ago. Part of the reason for the nostalgia is the production but there's also a sense that the band is less concerned with melody and focused more on rocking out. But they still somehow find the perfect balance between the two that made Full Collapse so amazing. But it's a different mixture. "As He Climbed the Dark Mountain" and "Last Call" are great examples of how well they are able to mix hardcore, emo, punk and straight rock and roll.

The biggest things that stand out on Common Existence are the vocals and the use of the keyboards. The vocals feel less prominent than before. Geoff just doesn't sound as loud, which could be a good thing for a lot of people. Geoff has a voice that is either loved or hated, there doesn't seem to be any middle ground. On previous albums the vocals seemed to soar above the music, rising up and taking center stage. Now they feel buried a little bit within the music. Rather than standing out, they melt into the songs, mixing better with the guitars and the drums. It works well.

But what really gives this album its uniqueness is the excellent use of the keyboards. They never felt fully utilized before - at least not consistently over the course of a whole album. On Common Existence they feel more prominent and it gives the album a real shot in the arm. It adds another element to the excellent hardcore/punk sound the band has crafted, or reinvented, depending on how you look at it.

As far as I was concerned, Thursday was a dead band. I lost track of them with "A City By the Light Divided" and after "Kill The House Lights," an album that felt like a goodbye release, they stunned me with their split on Temporary Residence with Envy and have again surprised me with the quality of Common Existence. After listening to their newest album, it feels like Thursday is a band resurrected. Common Existence feels like a breath of fresh air, almost more so for Thursday themselves rather than for the listener. It's not the same Thursday I used to love, but the energy is still there and it feels like they have found a second wind, a new life.

Common Existence is anything but.
There's a reason Thursday have outlasted most of their contemporaries and transcended the parameters of their genre. Every album they've released since their inception has been an artistic achievement, and Common Existence may be 2009's first truly flawless album. From start to finish, Existence is a tightly wound yet infinitely elegant display of emotionally charged art rock that defies conventions and expectations. In fact, the album so profound in its uniqueness and artistry that it's almost impossible to isolate and describe its elements individually for the sake of review. Common Existence functions as a singular work of art that really can't be dissected and objectified by any typical means of description. Simply put, it has to be heard to be understood. It's a post-rock masterpiece that's not only thoroughly excellent but ponderously cathartic as well, making you feel inexplicably less sad and angry after listening to it. Thursday operate on levels unreachable by any other band in their class, save for perhaps Brand New, and their latest album is one more example of how music can still be truly described as art even in 2009.

Beyond the Visible Spectrum
It has been well documented that Thursday have struggled over the past couple of years. "A City by the Light Divided" was not very well received, and they were dropped from their label. Many people still feel 2001's "Full Collapse" was the high water mark for this band. On the other hand, I enjoyed their previous two releases just as much if not more than "Full Collapse." Although "Full Collapse" was well executed stripped down post hardcore, Thursday have completely transcended that genre over the past couple years... and that is certainly something to be proud of.

Thursday have quite noticeably changed their approach to songwriting as of late. While the essence of the band is the same, they have added a lot more texture to their music. This should not have been surprising in the least as they made keyboardist Andrew Everding a full time member of the band before the last album. They utilized him well on songs like "Counting 5-4-3-2-1" and "We Will Overcome", and guess what, this CD is no exception. The songs are even more atmospheric. "As he climbed the dark mountain" is epic. The last minute and a half of "Beyond the Visible Spectrum" is almost ethereal. "Circuits of Fever" is also a standout in that respect, with the reverberated distant vocals. The atmosphere is ever present on "Common Existence."

The atmosphere is there, but what really makes this CD superior to its predecessors is the execution. Their other four CDs didn't have home run songs like "Resuscitation of a Dead Man" or "Subway Funeral." Thursday even brings things to a halt for the slow, acoustic "Time's Arrow" to keep things interesting. The album closer "You Were the Cancer" starts off slow, but quickly gains steam, and finishes the album off in a face melting manner. This album has everything that Thursday fans love about the band. The energy, the great lyrics, and songs to please fans of all their eras, perhaps save "Waiting."

This CD is well worth the listen, and at $7.99 at Bestbuy and apparently here, there is no excuse for not hearing it. Sure, there will always be the "Full Collapse" fans, but that is their loss. This is another excellent CD in which Thursday have tweaked their highly recognizable sound for the better. Highly recommended!