Product Description

"Animals dream about the things they do in the day time just like people do. If you want sweet dreams, you've got to live a sweet life." So says Loyd Peregrina, a handsome Apache trainman and latter-day philosopher. But when Codi Noline returns to her hometown, Loyd's advice is painfully out of her reach. Dreamless and at the end of her rope, Codi comes back to Grace, Arizona to confront her past and face her ailing, distant father. What the finds is a town threatened by a silent environmental catastrophe, some startling clues to her own identity, and a man whose view of the world could change the course of her life. Blending flashbacks, dreams, and Native American legends, Animal Dreams is a suspenseful love story and a moving exploration of life's largest commitments. With this work, the acclaimed author of The Bean Trees and Homeland and Other Stories sustains her familiar voice while giving readers her most remarkable book yet.

Product Details

• Amazon Sales Rank: #50805 in Books
• Published on: 1991-08-01
• Released on: 1991-06-21
• Original language: English
• Number of items: 1
• Binding: Paperback
• 352 pages

Features

• ISBN13: 9780060921149
• Condition: NEW
• Notes: Brand New from Publisher. No Remainder Mark.
• Click here to view our Condition Guide and Shipping Prices

Review
"Kingsolver is a writer of rare ambition and unequivocal talent . . . Animal Dreams is a complex, passionate, bravely challenging book." -- -- Chicago Tribune

About the Author

Barbara Kingsolver was born on April 8, 1955. She grew up "in the middle of an alfalfa field," in the part of eastern Kentucky that lies between the opulent horse farms and the impoverished coal fields. While her family has deep roots in the region, she never imagined staying there herself. "The options were limited--grow up to be a farmer or a farmer's wife."

Kingsolver has always been a storyteller: "I used to beg my mother to let me tell her a bedtime story." As a child, she wrote stories and essays and, beginning at the age of eight, kept a journal religiously. Still, it never occurred to Kingsolver that she could become a professional writer. Growing up in a rural place, where work centered mainly on survival, writing didn't seem to be a practical career choice. Besides, the writers she read, she once explained, "were mostly old, dead men. It was inconceivable that I might grow up to be one of those myself . . . "

Kingsolver left Kentucky to attend DePauw University in Indiana, where she majored in biology. She also took one creative writing course, and became active in the last anti-Vietnam War protests. After graduating in 1977, Kingsolver lived and worked in widely scattered places. In the early eighties, she pursued graduate studies in biology and ecology at the University of Arizona in Tucson, where she received a Masters of Science degree. She also enrolled in a writing class taught by author Francine Prose, whose work Kingsolver admires.

Kingsolver's fiction is rich with the language and imagery of her native Kentucky. But when she first left home, she says, "I lost my accent . . . [P]eople made terrible fun of me for the way I used to talk, so I gave it up slowly and became something else." During her years in school and two years spent living in Greece and France she supported herself in a variety of jobs: as an archaeologist, copy editor, X-ray technician, housecleaner, biological researcher and translator of medical documents. After graduate school, a position as a science writer for the University of Arizona soon led her into feature writing for journals and newspapers. Her numerous articles have appeared in a variety of publications, including The Nation, The New York Times, and Smithsonian, and many of them are included in the collection, High Tide in Tucson: Essays from Now or Never. In 1986 she won an Arizona Press Club award for outstanding feature writing, and in 1995, after the publication of High Tide in Tucson, Kingsolver was awarded an Honorary Doctorate of Letters from her alma mater, De Pauw University.

Kingsolver credits her careers in scientific writing and journalism with instilling in her a writer's discipline and broadening her "fictional possiblities." Describing herself as a shy person who would generally prefer to stay at home with her computer, she explains that "journalism forces me to meet and talk with people I would never run across otherwise."

From 1985 through 1987, Kingsolver was a freelance journalist by day, but she was writing fiction by night. Married to a chemist in 1985, she suffered from insomnia after becoming pregnant the following year. Instead of following her doctor's recommendation to scrub the bathroom tiles with a toothbrush, Kingsolver sat in a closet and began to write The Bean Trees, a novel about a young woman who leaves rural Kentucky (accent intact) and finds herself living in urban Tucson.

The Bean Trees, published by HarperCollins in 1988, and reissued in a special ten-year anniversary hardcover edition in 1998, was enthusiastically received by critics. But, perhaps more important to Kingsolver, the novel was read with delight and, even, passion by ordinary readers. "A novel can educate to some extent," she told Publishers Weekly. "But first, a novel has to entertain--that's the contract with the reader: you give me ten hours and I'll give you a reason to turn every page. I have a commitment to accessiblity. I believe in plot. I want an English professor to understand the symbolism while at the same time I want the people I grew up with--who may not often read anything but the Sears catalogue--to read my books."

For Kingsolver, writing is a form of political activism. When she was in her twenties she discovered Doris Lessing. "I read the Children of Violence novels and began to understand how a person could write about the problems of the world in a compelling and beautiful way. And it seemed to me that was the most important thing I could ever do, if I could ever do that."

The Bean Trees was followed by the collection, Homeland and Other Stories (1989), the novels Animal Dreams (1990), and Pigs in Heaven (1993), and the bestselling High Tide in Tucson: Essays from Now and Never (1995). Kingsolver has also published a collection of poetry, Another America: Otra America (Seal Press, 1992, 1998), and a nonfiction book, Holding the Line: Women in the Great Arizona Mine Strike of l983 (ILR Press/Cornell University Press, 1989, 1996). The Poisonwood Bible, published in 1998, earned accolades at home and abroad, and was an Oprah's Book Club selection.

Barbara's Prodigal Summer, released in November of 2000, is a novel set in a rural farming community in southern Appalachia. Small Wonder, April 2002, presents twenty-three wonderfully articulate essays. Here Barbara raises her voice in praise of nature, family, literature, and the joys of everyday life while examining the genesis of war, violence, and poverty in our world.

Barbara Kingsolver presently lives outside of Tucson with her husband Steven Hopp, and her two daughters, Camille from a previous marriage, and Lily, who was born in 1996. When not writing or spending time with her family, Barbara gardens, cooks, hikes, and works as an environmental activist and human-rights advocate.

Given that Barbara Kingsolver's work covers the psychic and geographical territories that she knows firsthand, readers often assume that her work is autobiographical. "There are little things that people who know me might recognize in my novels," she acknowledges. "But my work is not about me. I don't ever write about real people. That would be stealing, first of all. And second of all, art is supposed to be better than that. If you want a slice of life, look out the window. An artist has to look out that window, isolate one or two suggestive things, and embroider them together with poetry and fabrication, to create a revelation. If we can't, as artists, improve on real life, we should put down our pencils and go bake bread."

Customer Reviews

Still one of my favorite books....
I stumbled upon this book in 1991 when the cover art caught my eye. I had finished it by the afternoon, and by the evening, I was back at it with a pencil. The magical way that Kingsolver weaves language had me marking passages in the text and furiously copying quotes into the margins of my dayplanner. I was a college sophomore at the time, and Codi's sometimes brilliant, often hapless search to find her place in the world was familiar and affirming. I quickly bought Animal Dreams for six or seven women friends and family and each of them, whether they read it that day, or years later, raced to their phones or desks when they finished to thank me for selecting a novel that spoke so personally to them. Twenty-something women seem to especially identify with Codi's journey. While her story, and those of Loyd, Hallie, Doc Homer and the others will stay with you, the novel's impact really comes from it's powerful prose. You'll reread the same passages over and over, savoring the remarkable way Kingsolver constructs the simplest sentance. This book still feels like my personal anthem to that time in my life; thanks to Barbara Kingsolver for giving me such enjoyment and insight. If you like this book, be sure to get a copy of High Tide in Tucson, her essay collection. Don't let the "essay" part deter you. I have copied and circulated the title piece to women friends and family ages 16 to 89 and always it always elicits the same marvelled response. It's breathtaking.

Made me cry it was so beautiful
Animal Dreams is a rich tapestry woven of many threads: mystery, love, politics, environment, benelovance, history, culture, and the finding of oneself. When Codi Noline returns to her hometown of Grace, Arizona, she must confront all these things while taking care of an ailing father, worrying about her sister in the fields of Nicaragua, and dealing with the deterioration of the town's river. She is conflicted with who she is and where she is going; she repeatedly reminds her new lover she is not going to stay yet has no idea why. While Codi searches for something to look for, she unearths a town with many secrets and many stories. Like Codi, the reader learns about the powers of culture and history; of politics and environmentalism; and of family and love. Kingsolver's ability to catch colors, emotions, and life makes for a very engaging, beautifully-written book.

another great Kingsolver novel
This is Kingsolver's second novel and its as good as Bean Trees. Also set in the southwest (this time Grace, Arizona), Animal Dreams revolves around Codi Noline who returns to her hometown to care for her father, who is suffering from Alzheimer's disease. She is content with being alone because throughout her life she has consistently felt let down- first by the lack of attention by her father, by her failure to become a doctor, and lastly her pathetic personal life. Returning home though brings back her past which she has blocked many memories of, and the resurgence of an ex lover who wants to make amends by loving her right. While at home, Codi faces a lot of unanswered questions including the death of her mother, the disappearance of her sister, and the reasons behind her father's disguising (or simply ignoring the truths). Her father, a once non-emotional, inflexible family doctor must also try and remain the composure he has always held, yet his thoughts and mind race and spill out opening secrets that Codi has always wanted to find out.
What makes this book exceptional is that Kingsolver writes honestly, and doesnt have flowery descriptions or paints her characters as immoral or saintly. They are vulnerable, likeable, and faulty. She builds her characters to become stronger, and considers miscommunication a cancer which if not taken care of will spread and cause trouble for years. Kingsolver also has a way of writing about the southwest that makes it come alive. Codi's heritage is American Indian as well as her lover's, and we learn more about their teachings, practices, traditions, and spiritual beliefs. Kingsolver paints a good description of the importance the American Indian way of life.
If this book appeals to you, then Bean Trees may also be a good choice for your second novel. Kingsolver will not disappoint you, she is an excellent and realistic writer.