Product Description

Oprah Winfrey (THE COLOR PURPLE) and Danny Glover (LETHAL WEAPON IV, THE ROYAL TENENBAUMS) play the unforgettable lead roles in a powerful, widely acclaimed cinematic triumph from Jonathan Demme -- the Academy Award(R)-winning director of THE SILENCE OF THE LAMBS. On a difficult journey to find freedom, Sethe (Winfrey) is constantly confronted by the secrets that have haunted her for years. Then, an old friend from out of her past (Glover) unexpectedly reenters her life. With his help, Sethe may finally be able to rediscover who she is and regain her lost sense of hope. Also featuring outstanding performances from Thandie Newton (GRIDLOCK'D) and Lisa Gay Hamilton (TV's THE PRACTICE) -- you'll agree with critics everywhere who've hailed this landmark adaptation of Toni Morrison's Pulitzer Prize-winning novel as one of the year's finest films!

Product Details

• Amazon Sales Rank: #9370 in DVD
• Brand: BUENA VISTA HOME VIDEO
• Released on: 1999-05-18
• Rating: R (Restricted)
• Aspect ratio: 1.85:1
• Formats: Closed-captioned, Color, DVD, Letterboxed, Widescreen, NTSC
• Original language: English
• Number of discs: 1
• Running time: 172 minutes

Amazon.com
This layered film, a labor of love from director Jonathan Demme and star Oprah Winfrey, covers a lot of turf in its nearly three-hour running time. Part slavery fable, part mother-daughter tale, part ghost story, Beloved demands an audience's full attention from its dramatic, slightly bewildering opening, when a family dog comes down on the wrong side of some angry, unseen force. But Demme and his talented cast provide an unforgettable payoff for those who surrender.

The film traces the life of Sethe (played in her middle years by Winfrey), a former slave who has rebuilt what seems to be a peaceful, productive life in Ohio. Yet through chilling, sparing use of flashback, Demme slowly unveils, as does the Toni Morrison masterpiece on which the film is based, the horrors of Sethe's former life, and the terrible event that led to the haunting of Sethe's home.

While the horrors of slavery and the bloody event in Sethe's family leave undeniable impressions, the film's brilliance is also evidenced in smaller, equally satisfying ways. Rachel Portman's spiritual-influenced score is as uplifting as it is haunting, and the glimpses of the post-slavery African American world--as with a simple family outing to a local carnival, or a ladies' sewing-and-gospel circle--make this a treat for the intellect as well as the heart. The members of the cast, especially Kimberly Elise as Sethe's struggling daughter and Thandie Newton as the mysterious title character, are supremely affecting. --Anne Hurley

From The New Yorker
One of the more high-minded and painful follies of recent years. Toni Morrison's celebrated 1987 novel "Beloved"-difficult, allusive, and filled with ghosts-is probably unadaptable, but Oprah Winfrey, with director Jonathan Demme in tow, went ahead with the project after eleven years of discouragement. Oprah plays Sethe, the former slave who, in 1873, lives in an Ohio farmhouse with her teen-age daughter, Denver (Kimberly Elise), her old friend and new lover Paul D (Danny Glover), and the ghost of the daughter she killed long ago when the girl was about to be retaken into slavery. The ghost, at first an unseen presence, smashes crockery to the floor, then appears as a beautiful young woman (Thandie Newton) who growls and talks very, very slowly. The movie would seem to be completely misconceived: rather than dramatizing the moral condition of people burdened by an unspeakable past, it dramatizes the domestic problems of living with a spirit-demon. For most of the hundred and seventy-four minutes we are stuck inside that farmhouse, and when the filmmakers do cut back to complicated events occurring earlier (during the slave years) we can't always tell what's going on. But there are moments of weirdly poetic natural beauty and also some wonderful actresses-Kessia Kordelle as a half-mad runaway white girl who helps deliver Sethe's baby in the woods, and Beah Richards, who shakes and shouts as the elderly preacher Baby Suggs and momentarily brings the show to life. -David Denby
Copyright © 2006 The New Yorker

Customer Reviews

Home Haunted Home
This story holds a deeper meaning. It is about something coming back to haunt us all. It is about sins that we commit that never really go away until we can learn to forgive ourselves and those who have offended us. It is about putting the pieces of the mirror of life together and looking deeply into it to see what is really in our souls.

Supernatural evil forces surrounding us can scare us in movies, but what should really frighten us is how we have treated people throughout time. How we have enslaved people in many ways and have treated them as less than human. This story echoes these thoughts.

This is a deeply moving film that must be given your full attention to understand the complexities. I was literally captivated: body, soul and spirit. I was glued to the couch, too scared to go anywhere. ;>

The opening scenes are very violent and shocking. If you didn't read the reviews you would really be wondering if you wanted to keep watching the movie as I did. However, they cleverly showed you only enough to make you terribly curious. What throws a dog against the wall? That is why I was watching to find out what the heck had just happened. It is like a puzzle and you have to pick up a piece here and there. For the mind that analyzes everything...this is a dream movie.

The story does not play out in a sequence of events as some stories do. It slips back into time, dragging out the horrific past and adding bits here and there to make you want to understand the entire story. I thought this was very cleverly done.

The basic story running on the first level is about Sethe's life. She is a slave who escapes from a cruel Kentucky plantation called: "Sweet Home." Paul D was also a slave and yet he seems to have more inner strength even though he has seen it all. Sethe is obviously very troubled from her experiences and is determined not to let her children experience the horrors of slavery. She and her family are living on a plot outside of Cincinnati, Ohio eight years after the end of the Civil War.

When slave hunters threaten to take her children back to the plantation, she kills one of her daughters.

She continues to live with her second daughter Denver after her two sons run away. The murdered child then haunts their shack with a red glow until she actually returns in bodily form. Reality and the supernatural are blended together to make this the most creepy movie you will ever see because the creepiness is so subtle it takes you off guard.

Oprah is incredible as an actress. Kimberley Elise (Denver) and Thandie Newton are incredible in their roles. I have never been so freaked out by anyone's facial expressions in my life. The things Thandie Newton can do with her face rival the best. Kimberley's eyes were at times almost ethereal. Danny Glover adds a much needed calm to the movie as he seems to be living in reality most of the time.

Perhaps this movie did not do well because it is more for those who are very patient and caters to a smaller audience with eclectic tastes. This is not really for the mainstream audience. I thought the movie was quite long. Some movies are best viewed at home when they are of this length. The setting in which you view a movie is often very important to your enjoyment.

Rare, vivid, provocative, authentic, intelligent, complex, artistic, scary, emotional, beautiful, sad, delirious, confusing, secretive and overall, great story telling.

~The Rebecca Review

Loved Beloved
For those who did not understand or found it difficult to follow the story line of this hauntingly strange yet beautiful tale, I'm sorry for their loss. Had I closed my mind to this film after its first five minutes or because of the critics reviews, I too would have missed this powerful drama. Winfrey, Glover and the entire cast have my gratitude and respect for bringing Toni Morrison's story to film. Sethe, Paul Dee and Denver were wonderful strong characters. Beauty is indeed in the eye of the beholder. My eyes beheld Beloved and found it a beauiful well done work of art. Like many, I allowed the critics to discourage me from the theater and almost ignored it completely.

The shock of several scenes depicting the horrors and cruelity of slavery wained after my first several viewings, but I continued to find the story powerful, sad, joyous, strange and hauntingly beautiful. I can't seem to get enough and have returned again and again. My purchase of this movie will be a great addition to my most selective library of films.

This film has stayed with me. I though it should be given a chance and have asked several friends who also passed it up to view Beloved just for their opinion. It seems more people than not truly enjoy this film once they give themselves permission to view it with an opened mind and look pass the five second dog scene. It's a shame Winfrey, Glover and the entire cast were so overlooked for their contributions. This film should be given a second chance. What do you think?

Don't let box office failure trick you.
I was so disappointed that my copy of "Beloved" did not mention winning any film awards. I think this movie is one of the most underappreciated works of cinema. It should be deemed a major contribution to women's films and black films. I cried watching the film just because so much of it stirred my emotions.

Critics have said that viewers could not relate to the Beloved character. I usually do not care for Thandie Newton. She's usually just a pretty face in damsel-in-distress roles. However, she really pushed the envelope with this role. It took a lot of strength to play a ghostly woman-baby. It takes tremendous ability to perform the googly-eyed, infantil manners that she makes. In the theater, I screamed twice, once at her entrance and once toward her exit. Additionally, I think Beloved the character may have been a metaphor for us African Americans. She wanted to know about her past. She wanted to know why she was separated from her family. She was one of a kind and shrouded in controversy.

Others have said that the movie did not focus enough upon slavery as the book did. I am quite sure that if more of the horrors of slavery were shown, then people of all races, but especially non-African-Americans, would be scared off and make illogical claims about "playing the race card." This movie does a fantastic job in showing the catch-22 placed upon 19th-century Black American women. It shows how even working-class communities can punish their own members for not enacting middle-class values. Further, if the viewer looks carefully the racism of the time is continuously hinted at throughout the film.

Oprah plays well against her persona. She's the only African-American female billionaire, yet she's playing a poor ex-slave. She is usually seen in glamourous outfits, yet here she and the other characters wear no makeup. On her show, she's portrayed as in control of the world. In this film, her mental state is shattered and even her body can't control itself. Oprah is not a mother, yet she does a wonderful job in showing a mother's unending love for her daughters. I love all of Kimberly Elise's films, Set It Off, Bojangles, you name it. This actress has the Midas touch and this film is one more example of that.

This film, despite the computer graphics, showed the beauty of Midwestern flora and fauna. The actresses wore rich indigo dress and ornate hairstyles. This was a strong period piece. The script is filled with rich dialogue. "Your love is too thick, Sethe." "Love is or it isn't. Thin love ain't no love at all." "She my best thing." "No, you're your best thing." "Sometimes I think she was my sister and sometimes I know she was."

"Beloved" is becoming one of the most read texts in American English classes. I think this film will help students understand a rigorous author like Morrison. However, because this movie only shows a slice of the book, students will still have to do their reading and not just rely on the film.