Product Description

An epic Chinese tale in the vein of The Last Emperor, Wolf Totem depicts the dying culture of the Mongols-the ancestors of the Mongol hordes who at one time terrorized the world-and the parallel extinction of the animal they believe to be sacred: the fierce and otherworldly Mongolian wolf

Published under a pen name, Wolf Totem was a phenomenon in China, breaking all sales records there and earning the distinction of being the second most read book after Mao's little red book. There has been much international excitement too-to date, rights have been sold in thirteen countries. Wolf Totem is set in 1960s China-the time of the Great Leap Forward, on the eve of the Cultural Revolution.

Searching for spirituality, Beijing intellectual Chen Zhen travels to the pristine grasslands of Inner Mongolia to live among the nomadic Mongols-a proud, brave, and ancient race of people who coexist in perfect harmony with their unspeakably beautiful but cruel natural surroundings. Their philosophy of maintaining a balance with nature is the ground stone of their religion, a kind of cult of the wolf.

The fierce wolves that haunt the steppes of the unforgiving grassland searching for food are locked with the nomads in a profoundly spiritual battle for survival-a life-and-death dance that has gone on between them for thousands of years. The Mongols believe that the wolf is a great and worthy foe that they are divinely instructed to contend with, but also to worship and to learn from. Chen's own encounters with the otherworldly wolves awake a latent primitive instinct in him, and his fascination with them blossoms into obsession, then reverence.

After many years, the peace is shattered with the arrival of Chen's kinfolk, Han Chinese, sent from the cities to bring modernity to the grasslands. They immediately launch a campaign to exterminate the wolves, sending the balance that has been maintained with religious dedication for thousands of years into a spiral leading to extinction-first the wolves, then the Mongol culture, finally the land. As a result of the eradication of the wolves, rats become a plague and wild sheep graze until the meadows turn to dust. Mongolian dust storms glide over Beijing, sometimes blocking out the moon.

Part period epic, part fable for modern days, Wolf Totem is a stinging social commentary on the dangers of China's overaccelerated economic growth as well as a fascinating immersion into the heart of Chinese culture.

Product Details

• Amazon Sales Rank: #228393 in Books
• Published on: 2008-03-27
• Original language: English
• Number of items: 1
• Binding: Hardcover
• 544 pages

Features

• ISBN13: 9781594201561
• Condition: NEW
• Notes: Brand New from Publisher. No Remainder Mark.
• Click here to view our Condition Guide and Shipping Prices

From Publishers Weekly
A publishing sensation in China, this novel wraps an ecological warning and political indictment around the story of Chen Zhen, a Beijing student sent during the 1960s Cultural Revolution to live as a shepherd among the herdsmen of the Olonbulang, a grassland on the Inner Mongolia steppes. Chen Zhen is fascinated by the herdsmen, descendants of Genghis Khan, and by the grassland's wolves, with whom the herdsmen live in uneasy harmony. When Mao's government orders the mass execution of the wolves to make way for farming collectives run by Chen Zhen's own people, the Han Chinese, he makes for a somewhat passive hero. Except for Bilgee, the wise old herdsman, and Director Bao, the face of the Communist government in the Olonbulang, the novel's secondary characters make little impression. The wolf packs, however, are vividly and beautifully described. As Chen Zhen helplessly witnesses the consequences of the order, he risks the enmity of both the herdsmen and the state officials by capturing a wolf cub and lovingly raising it as his own wolf totem. Jiang Rong writes reverently about life on the steppes in a manner that recalls Farley Mowat's Never Cry Wolf. (Mar.)
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Review
“An intellectual adventure story. . . . Five hundred bloody and instructive pages later, you just want to stand up and howl.”
—Alan Cheuse, San Francisco Chronicle

“[Jiang Rong] is on the way to becoming one of the most celebrated and controversial Chinese novelists in the world.”
—The Guardian (London)

“Electrifying. . . . The power of Jiang’s prose (and of Howard Goldblatt’s excellent translation) is evident. . . . This semi-autographical novel is a literary triumph.”
—National Geographic Traveler (Book of the Month)

About the Author
Jiang Rong was born in Beijing in 1946. In 1967, he joined the first wave of intellectuals who moved to the countryside as volunteers, living with nomadic communities on the Chinese border of Inner and Outer Mongolia for eleven years. Following his return to Beijing, Jiang embarked on postgraduate studies in economics and political science and assumed an academic position at a Beijing university. Now retired, he lives in Beijing with his wife. Wolf Totem is his first novel.

Howard Goldblatt is the foremost translator of modern and contemporary Chinese literature in the West. He has published English translations of more than thirty novels and story collections by writers from China, Taiwan, and Hong Kong. He has also authored and edited half a dozen books on Chinese literature. He is a winner of the Translation of the Year Award given by the American Translators Association. The founding editor of the journal Modern Chinese Literature, he has written for The Washington Post, The Times1 of London, Time magazine, World Literature Today, and The Los Angeles Times. He is currently a professor at the University of Notre Dame.

Customer Reviews

Powerful Naturalism and an Extraordinary View into China's National Psyche
During Mao's Cultural Revolution of the late 1960's, a young college student from Beijing named Lu Jiamin was "sent down" like so many of his fellow classmates to live among and learn from the peasants. In Lu's case, his "down" was actually "up" as he was sent to the far northern planes of Inner Mongolia. Some thirty years later, that young man had become a senior academician back again in Beijing and as well the pseudonymous author as Jiang Rong of a startling (for mainland China) book first published in 2004 under the name "Lang Tuteng." The book became an instant best-seller in China, spawning enormous Internet debate along with pirated copies, unauthorized spin-offs and sequels, and reported a movie version in the works. Recently translated by the venerable Howard Goldblatt and published in English under the name WOLF TOTEM (a direct translation of Lang Tuteng), the book has already been honored as the first-ever recipient of the Man Asian Literary Prize (the Asian equivalent of the Man Booker Prize for English Literature).

Although drawn almost autobiographically from Jiang Rong's personal experiences, WOLF TOTEM is essentially an allegorical novel. Its hero is the author's alter-ego, the young and impressionable "sent down" college student Chen Zhen. Chen and other students are assigned to live with sheepherders and learn their ways. Along the way, he learns about animal husbandry and the customs of a Chinese minority group, hunts wolves, steals a wolf cub from its mother's den in order to raise it, and watches the sudden, unstoppable intrusion of Beijing's destructive bureaucracy into Mongolia's life and lands (as embodied to the point of caricature by the stunningly indifferent Bao Shungui).

Of course, the allegorical aspect of the novel is the proximate cause of its notoriety in China. Jiang Rong makes clear that the aggressive wolves represent historically the warlike nomadic tribes such as the Mongols. They are the meat-eaters, the makers of history, and their spirit has been transferred over time to the West. By contrast, the passive and meek sheep represent the Han Chinese by his estimation - settlers, farmers, vegetable eaters, ruiners of the great grasslands, and the people mortally fearful of wolves. Through Chen Zhen's gradual awakening to Mongolian life and that of wolves, the author questions the spirit and soul of the Han Chinese, the massive majority of mainland Chinese people. In a very real sense, WOLF TOTEM calls into question the Chinese national character. It is this national psyche that has been habitually belabored within China by feelings of powerlessness in the face of the West, from the march of the Eight Powers into Beijing in 1900 to sayings like, "In the West, even the moon is bigger." It is also this national inferiority complex that motivates China's responses to currency devaluation, the Olympics, Tibet, and nearly every other aspect of its present-day relationship to the West.

Jiang Rong clearly poses other awkward questions as well about Chinese government policy. The Chinese steamroll blindly or blithely over Mongolian culture and tradition; even the well-intentioned Chen Zhen violates centuries-old custom of not raising a wolf out of self-centered curiosity. Equally discomfiting, the Han Chinese are portrayed as horrific despoilers of grasslands that have supported nomadic tribal existence for thousands of years. Later scenes in the book portray a virtual Mongolian Eden of rich grassland, pure water, and abundant wildlife callously plundered to destruction by ignorant and avaricious Chinese officials and "settlers." Heart-rending descriptions of Chinese wolf hunting by rifle, mass killing of marmots, and slaughter of swans generate strong emotional feelings of anger and irretrievable loss in the reader. The sense of loss is palpable, particularly as expressed through Chen's "adoptive father" Old Man Bilgee. At times, old Bilgee's powerless horror at unfolding events and inescapable loss was reminiscent of Iron Eyes Cody, the "crying Indian" from the 1970's anti-littering television commercial campaign.

On the plus side, Jiang Rong's book is a wonder of wolf naturalism, a literary work that draws pictures of life on the Mongolian steppe as effectively as a National Geographic photo spread. While not nearly competitive with the literary strengths of Cormac McCarthy, some of the "wolf as hunter" and "wolf as hunted" scenes are reminiscent of McCarthy's extraordinary opening scene of man versus wolf in THE CROSSING. In fact, the writing at times waxes so lyrical over wolves and their seemingly extraordinary hunting skills as to border on unbelievable, totemic in the most pantheistically religious sense of that word. The author's intimate descriptions of nomadic herding life in the harsh Mongolian lands are equally powerful. For a mainland Chinese audience perhaps not yet accustomed to the message of ecological systems and symbiosis, Jiang Rong's exposition of the living relationships among herdmen, sheep, horses, wolves, gazelle, marmots, and even field mice must also seem positively revelatory.

On the minus side, WOLF TOTEM's literary merits are somewhat less stratospheric. As the main character, Chen Zhen lacks the necessary internal depth that would enable the reader truly to empathize with him. We never learn anything about his pre-Mongolian life or background, his family, or his feelings about having his education disrupted by Mao's notions of re-education. The wolf cub Chen adopts and hopes to raise to adulthood is in many ways a more empathetic figure, as are the old wolf-hunting dogs Erland and Yellow. Jiang Rong's writing is unnecessarily polemical and too often strident if not didactic. A twenty-page Epilogue taking place as a return visit some thirty years later does not fit the main text stylistically and only detracts by overexposition from the story Jiang Rong has already told.

WOLF TOTEM adds yet another to the list of recent artistic works, mostly cinematic, that idealize Mongolia as a sort of lost Eden or lost innocence (see for example, the movies THE STORY OF THE WEEPING CAMEL, MONGOLIAN PING PONG, THE CAVE OF THE YELLOW DOG, and even the current release of TUYA'S MARRIAGE) This is a wondrously entertaining story and remarkable if only for having originated out of mainland China. Read this book for its fascinating descriptions of wolf behavior and nomadic life and also for the light of self-examination and self-doubt it shines on a growing national power.

one of the best books I've ever read
First of all, let me be honest that I read the original Chinese version. It was one of the best books I have ever read in my life, exciting and conflicting, and inspring.
How is it exciting?-- the stories of wolves and their interactions with humans, particularly the minorities in the northern part of China. The people in that area believed (and probably is the truth, i'm not sure about that part) their very ancestor was abandoned in the wild and was miraculously saved by a mother wolf who fed the human infant with her [...]. Therefore, they respect wolf as the life saver of all of them. They also view wolves as messengers from their God. After someone dies, they leave the body in the wild where wolves constantly come by. They want the wolves to eat the body and carry the dead person's soul to their God. They not only respect wolf, but almost treat it as a superior deity. They worship wolf.
However, they couldn't resist the reality that wolves are not friendly to human. And here's where the conflicts kick in. They have to respect wolf due to their religious view, and at the same time they have to fight wolves to protect themselves and their farm animals. The conflict between emotion and reality makes this book more than interesting.
The inspiration: this book is more than the breathtaking battles between human and wolf. The author analyzes deeply into Chinese history, civilization, and culture using the characteristics of wolf. At the end of the book, the author concludes that the reason China has been a weak player in the world stage in the past few centuries is because long years of peaceful farming culture has turned the country into a gentle sheep, whose people don't even have the courage to stand up to protect themselves when being attacked. It offers a very unique and insiprational view of Chinese civilization.

Worth the information about China and its ethnic miniorites
The publisher of Wolf Totem says that this novel is an epic Chinese tale and that is true. My wife received an advanced copy requesting a blurb, and she didn't have time to read the novel, so I did and it kept my attention. The main reason I kept reading was because I have had an interest in the Mongols since I was a child. Wolf Totem taught me a lot about this almost extinct culture. The one new thing I learned was the fascinating connection between wolves and Mongols and why this connection may have been the reason why Genghis Khan was so successful in his conquests. I recommend this novel to anyone that wants to learn more about the life of the Mongols and another aspect of the Cultural Revolution (Both Balzac and the Little Chinese Seamstress by Dai Sijie Fiction Anchor Trade Paperback and Red Azalea : Berkley Trade Signature Edition by Anchee Min show different aspects too). However, the philosophy of maintaining a balance with nature is a bit overdone. I got the message the first time the characters talked about it but then the topic comes up over and over and over--a bit to much for my taste as I felt it got in the way of the story that was taking place between the main characters and the wolf pup they were attempting to raise. I won't give away the but don't expect it to be a happy. Most Chinese novels don't end with happy endings. The publisher also said that the novel was a stinging social commentary on the dangers of China's overaccelerated economic growth as well as a fascinating immersion into the heart of Chinese culture. That is also true of Wolf Totem.