Product Description

Jan Schlichtmann is a cynical, high-priced personal injury attorney who only takes big-money cases he can safely settle out of court. Though his latest case at first appears straightforward, Schlichtmann soon becomes entangled in an epic legal battle ... one where he's willing to put his career, reputation, and all that he owns on the line for the rights of his clients! Also featuring Robert Duvall, William H. Macy, and John Lithgow -- this gripping, widely acclaimed hit delivers edge-of-your-seat entertainment!

Product Details

• Amazon Sales Rank: #4482 in DVD
• Released on: 1999-07-13
• Rating: PG-13 (Parental Guidance Suggested)
• Aspect ratio: 1.85:1
• Formats: Closed-captioned, Color, DVD-Video, Letterboxed, Widescreen, NTSC
• Original language: English, French
• Number of discs: 1
• Running time: 115 minutes

Amazon.com
Jonathan Harr's nonfiction bestseller was a shot in the arm for those seeking more than last-minute heroics akin to a John Grisham thriller. Here was a labyrinthine case involving industrial pollution by two highly regarded corporations, contaminated drinking water, and the deaths of innocent children in New England, circa 1981. The case has hundreds of twists and takes our hero--a steady, respectable lawyer named Jan Schlichtmann--and turns his life into personal disaster. Instead of celebrating the law, the story is a maddening and rewarding look at the elusiveness of the courtroom case.

Steven Zaillian, who won an Oscar for adapting Schindler's List and directed Searching for Bobby Fischer, boils Harr's 502-page book into a complete, satisfactory film experience. Book readers will no doubt jeer the streamlining Zaillian had to perform to make the movie flow. Most changes can be quickly defused with the exception of the film's portrait of Schlichtmann. The lawyer has been turned into a movie star, an ultra-slick, cold-hearted gentleman who finds his purpose in working the case. Casting a stalwart John Travolta again diverges from the book, which right from the opening pages showed us a Schlichtmann with feet of clay. As Schlichtmann's partners (including William H. Macy and Tony Shalhoub) descend into the case, the unbridled sense of power and money is abandoned. This case is ultimately about survival.

Zaillian provides an excellent narrative for the sordid facts of personal injury suits, in which money is the only reward for lost or broken lives (deftly introduced in the film's opening scene). Zaillian also stays away from dwelling on the illness of the children involved, focusing on the gaunt faces of the parents who survive (Kathleen Quinlan, James Gandolfini) in controlled anguish. His evil characters--an industrial plant's owner (Dan Hedaya) and a corporate lawyer (another fine acting spin by director Sydney Pollack)--are so human it's terrifying. Zaillian's final ace in the hole is Oscar-nominee Robert Duvall. Perfectly cast as Travolta's opposition, Jerome Facher, Duvall steals scenes with the abbreviated dialogue; he turns a fancy settlement meeting into a farce with one line. Facher is not a callous, love-to-hate-him lawyer like James Mason in The Verdict. Facher represents the law at its brilliant foundation: to best represent one's client. With a taped-together briefcase and dry humor, Facher, not Schlichtmann, is the character who captures us by the film's end. --Doug Thomas

From The New Yorker
Yet another movie about the redemption of a lawyer. Swathed in double-breasted Italian suits, Jan Schlichtmann (John Travolta), a flashy Boston ambulance chaser, gets caught up in a working-class town's battle with two large corporations that may have polluted their water and caused several deaths. Obsessed, Schlichtmann loses his professional judgment and sacrifices everything to the case. That the story is true (and based on an expertly written book by Jonathan Harr) doesn't make "A Civil Action" any more satisfying dramatically-there's a streak of obviousness in the moral melodrama that dampens one's interest. Robert Duvall gives a witty performance as a seemingly preoccupied and eccentric but actually devastatingly effective litigator; unfortunately, the big confrontation between Duvall and Travolta which the entire movie seems headed for never materializes. Written and directed by Steven Zaillian. -David Denby
Copyright © 2006 The New Yorker

Customer Reviews

A tort lawyer finds new meaning in life and goes down the path of righteous litigation; An underdog against the large corp
(1) A Civil Action is a 1998 film, starring John Travolta (as plaintiff's attorney Jan Schlichtmann) and Robert Duvall, based on the book of the same name by Jonathan Harr. Both the book and the film are based on the real-life case of Anderson v. Cryovac that took place in Woburn, Massachusetts in the 1980s.

(2) John Travolta plays a tort lawyer part of tort law firm making millions from large corporations by filing personal injuries on behalf of their clients.

(3) He is intellectually attracted (seeing the the financial jackpot and oppurtunity to make millions for his firm and partners) to a case about a large corporation polluting the waters of a small town which incidentally shows a high rise of deaths due to cancer.

(4) Travolta law firm tries to proove that the deaths due the cancer of the many residents of that down were actually due to the consumption of the water from the river where the toxic waste from the company were dumped.

(5) In a surprising move , and totally against his nature he decides against taking a reasonably sizable sum of money as settlement (from the corporation) on behalf of the town dwellers to end the case there which would have left Travolta and his partners with sizable monies and would have also left his clients some money. But the clients are not after money, they are after truth and want justice to be served against the large corporation.

(6) The culprit in question are actually 2 companies of which Robert Duvall is the attorney for one of the companies.

(6) Having turned down the offer and having decided to go on the righteous route of litigations for justice and truth, he sinks his whole law firm into bankruptcy fighting the case; His partners leave him (one of whom is William H Macy)

(7) ' An underdog against the large corporation' film

I won't call it the best legal thriller of our times like the DVD jacket proclaims, but it is certainly an above par legal thriller churned out of Hollywood. Travolta surprisingly suits the role very well.


regards, Vikram

A page turner
A heart wrenching page turner! You will root for this guy all along. You will bite your nails, become invested and get your heart broken.

Don't bother renting the movie.

Far from great, but some great performances help keep the audience satisfied...
I'll be completely honest here. I saw `A Civil Action' because I am in love with James Gandolfini. Sadly his character has very little screen time although he is quite convincing with what he has to work with. What I found though was a nice little court room drama that is interesting as much as it is frustrating and deserves at least a little attention. This movie is by no means a brilliant film, but it does sport a few excellent performances that help elevate the plot and leave the audience at least satisfied with the overall effect of the film.

`A Civil Action' is based on a true story of the small town of Woburn Massachusetts where two large corporations through carelessness and negligence poisoned the drinking water thus resulting in the deaths of eight children. The town hires Jan Schlichtmann, a personal injury attorney, to find out what killed their children and get them an apology. Money is not important to them, but as Schlichtmann points out, money is how these corporations apologize. Jan, who was initially apposed to the case, becomes personally invested which, as he brings out, is the worst thing a lawyer can do. As he goes to battle with the lawyers for the two corporations, WR Grace and Beatrice Foods, it appears he may be in way over his head.

Where the movie shines is in interaction between Schlichtmann and rival lawyer Jerome Facher, thanks in large part to the performances by both Travolta and Duvall. John Travolta may play Schlichtmann almost a polar opposite to the actual man himself, but this to me helps aid the film along. Travolta is very cool and collected here, very polished and confident and that helps the audience feel drawn to him. He's going after what he believes in and no one will stop him and that is a very endearing or at least admirable quality. Robert Duvall is the perfect complement to Travolta here. He gives Facher so much charisma that the viewer can't keep their eyes and mind off of him. His performance is brilliantly executed and well deserving of the Oscar nomination.

Where the movie falters though is the one place I was really hoping that it would shine and that is of the aftermath of the events on the survivors. Don't get me wrong, the performances by the likes of Kathleen Quinlan and James Gandolfini are excellent and portray enough pain and even quilt but they are limited in their effectiveness because so much focus is shifted to the battle between lawyers. It would have been nice to have the focus more on the families and their struggle for answers. If this had been the focal point of the movie I think it would have transcended the average legal drama and become something much more.

The performances throughout are all commendable, not just those of Travolta, Duvall, Quinlan and Gandolfini. William H. Macy especially deserves some commendation. His portrayal of James Gordon is brilliant. John Lithgow is also exceptionally good as Judge Walter J. Skinner. He's very powerful, and that's not something I expected from him. Sydney Pollack is great in his cameo, no matter how small his scene is, and delivers with expert conviction and Dan Hedaya is very hate-worthy as the malicious and selfish John Riley. Tony Shalhoub and Zelijko Ivanek (who I just LOVED on `Damages') are sorely underused as Schlichtmann and Gordon's partners Kevin Conway and Bill Crowley; in fact I think I only heard Ivanek utter like two sentences.

In the end `A Civil Action' is one of those movies that will not disappoint but it will not outstand either. Aside from some on point acting it is truly a generic and formulistic film that has been done before, and better I might add, but it won't leave you wishing you hadn't wasted your time either. Watch this for the legal banter and brilliance that is Duvall but don't expect too much in regards to a real emotional drama for, like Schlichtmann advises, the audience is never really allowed to get personally invested.