Track Listing

1. Life In Technicolor
2. Cemeteries Of London
3. Lost!
4. 42
5. Lovers In Japan/Reign Of Love
6. Yes
7. Viva La Vida
8. Violet Hill
9. Strawberry Swing
10. Death And All His Friends

Product Details

• Amazon Sales Rank: #2 in Music
• Released on: 2008-06-17
• Number of discs: 1

Amazon.com

Coldplay Photos

Amazon.com
To say there has been a lot of anticipation for Coldplay’s fourth album, Viva La Vida, is an understatement. Having enlisted legendary leftfield producer Brian Eno, borrowed their album title from a painting by renowned Mexican artist Frida Kahlo and made tantalising remarks about sonic reinvention, the world has been curious (to say the least) to hear what the ‘new’ Coldplay might sound like. Viva La Vida definitely makes some departures from the band’s usual formula, which happens to be one of the most commercially successful rock-pop blueprints of recent years. The plangent chords, emotive melodies, stadium-rock rhythms and universal lyrical concerns remain, but Martin and co. have gone out on several limbs here, incorporating instrumental tracks ("Life In Technicolour"), using subtle North African and Latin elements ("Yes", "Strawberry Swing"), and overhauling previously strict verse-chorus-verse structures in favour of slightly more avant arrangements. The old Coldplay still shine through (see tracks like "Violet Hill" and the title song) but even their classic sound feels more muscular and confident. The band’s new flourishes, cosmetic and self-conscious as they may be, are enough to make Viva La Vida a welcome break from the old routine --Danny McKenna

People en Español
Cuando Coldplay anunció con bombo y platillo que su cuarto disco, bajo el ambicioso título de Viva La Vida or Death and All His Friends, vendría acompañado de la producción de Brian Eno, dos escenarios se convertían en posibilidad: o se trataba de su peor álbum o la obra maestra de su carrera. Afortunadamente, la producción de Eno no lleva a la banda británica a imitar a U2 por ningún momento, y en cambio, el grupo liderado por Chris Martin presenta el mejor disco en su trayectoria, ofreciendo un sonido distinto, en el que por fin se alejan del pianito hartante de sus primeros tres álbumes y suenan como lo que siempre prometieron ser: una de las mejores bandas del mundo. "Life In Technicolor," "Viva la Vida," y sobre todo el tema "Lost!," representan a Coldplay en su momento cumbre. --Ernesto Sánchez (People en Español )

People en Español
Cuando Coldplay anunció con bombo y platillo que su cuarto disco, bajo el ambicioso título de Viva La Vida or Death and All His Friends, vendría acompañado de la producción de Brian Eno, dos escenarios se convertían en posibilidad: o se trataba de su peor álbum o la obra maestra de su carrera. Afortunadamente, la producción de Eno no lleva a la banda británica a imitar a U2 por ningún momento, y en cambio, el grupo liderado por Chris Martin presenta el mejor disco en su trayectoria, ofreciendo un sonido distinto, en el que por fin se alejan del pianito hartante de sus primeros tres álbumes y suenan como lo que siempre prometieron ser: una de las mejores bandas del mundo. "Life In Technicolor," "Viva la Vida," y sobre todo el tema "Lost!," representan a Coldplay en su momento cumbre. --Ernesto Sánchez (People en Español)

Customer Reviews

As Pink Floyd as it gets...
This album is horrible when compared to their earlier discography. I don't know why people like it so much unless they are just fans turned into mindless zombies by the media industry's hype about it. I became a fan of Coldplay because of their first album, Parachutes. In my opinion, they've been going downhill ever since they broke out into the mainstream and their sound lost its guitar-driven base. "X & Y" was a major let down and I only like "Fix You" and "Til Kingdom Come" on that album. "A Rush of Blood to the Head" isn't much better with the only stand out gem being "The Scientist." This album only has "Viva La Vida" as a stand alone song of any merit and even that is just so-so when held up against the songs I just mentioned. The major flaw with this album, it would seem, comes in the form of the producer. To put it into the words of Amazon.com's review, the flaw lies in the following statement: "Having enlisted legendary leftfield producer [Roger Waters]..." I spliced the name of Pink Floyd bassist and singer/songwriter into that sentence because this album sounds just like their later work with Waters. It's not a bad album if you're in a slow, thoughtful mood and have the time to sit through the whole thing but there are NO good songs save for the title track. The last track has a nice catchy part that is stuck in my head right now, but the part starts at 1:18 and ends at about 3:20 and it's too much trouble to mess around on my ipod to zero in on it. Pink Floyd albums also suffer from this problem. In conclusion, it's a "great" piece of experimental mood music as far as the overall sound of the album is concerned but the songs are just terrible. My advice, skip this and buy Keane's new album set to come out later this fall!

Coldplay
Great album probably their best to date.
I thoroghly enjoy their music and always buy their albums.
Great selection of music.

A Beautiful, Masterful Pop Album -- NOW I'm A Fan
It's really weird how the same music can affect different people in such radically different ways. The varied opinions of VIVA LA VIDA on this forum are striking. I've never really considered myself to be much of a Coldplay fan (was always more into Radiohead, by comparison) but - wow! - they really won me over on this one. I took a liking to it immediately.

Every song here is top quality and every song is expertly composed and orchestrated. Major props to Brian Eno whose production style is clearly evident. The musicians are never flashy - every instrument serves to compliment Chris Martin's superb vocal melodies. Chris has grown quite a bit as a vocalist and he sings in surprizingly different ways throughout the album.

Even though there are no mind-blowing solos or proggy freak-outs to be heard, the arrangements are sophisticated and reveal greater depth upon repeated listens. The instrumentation and musical textures are varied and engaging, yet the songs breathe naturally. Nothing feels contrived or forced.

No song on VIVA LA VIDA sticks out or dominates like previous pop juggernaut "Clocks." Rather, the album works as a cohesive whole. As with most any group, echos of influence can be detected, yet the album still feels original rather than derivative. "Cemetaries of London" employs a rythm reminiscent of an old sea shanty while "Yes" makes use of a Middle Eastern sounding violin before it launches off on an exuberant alt-rock tangent to close out the track. Meanwhile, "Violet Hill" sounds kinda like the best Supertramp or updated old-school Genesis song you've never heard (it's way better than those groups but employs their same sort of style). And the beautifully orchestrated "Strawberry Swing" is "feel-good" music of the highest order. In fact, this whole album feels so good it practically makes me high (well, not quite but close!). This despite some of the rather dark subject matter including politics, war, religion and death. I also love the luminous opening instrumental track whose synthesizer reappears at the end of the last song, a nice way to bookend the album and add to its cohesiveness.

Coldplay had some great hit songs on A RUSH OF BLOOD TO THE HEAD, but I didn't know they (along with Eno and some other first-rate producers) could make an entire record this fantastic. I expect to be listening to VIVA LA VIDA years from now. Highly recommended.

AN ASIDE: yet another FN CD booklet with scrawled, obscured, incomplete and barely legible lyrics and other writing. This highly annoying practice has been around for decades and why anyone ever thought it was a good idea in the first place is beyond me. I'm also not too crazy about the cover, taking a classic painting and trashing it with graffiti. But that doesn't bother me nearly as much as the junky words all over the inside of the CD booklet. C'mon people: either publish your lyrics legibly and in their entirety or don't publish them at all. Don't make us strain our eyes trying to figure out what, if anything, you're trying to say in print. CD booklet rating: D