Product Description

A distinguished Shakespearean scholar found tortured to death . . .

A lost manuscript and its secrets buried for centuries . . .

An encrypted map that leads to incalculable wealth . . .

The Washington Post called Michael Gruber's previous work "a miracle of intelligent fiction and among the essential novels of recent years." Now comes his most intellectually provocative and compulsively readable novel yet.

Tap-tapping the keys and out come the words on this little screen, and who will read them I hardly know. I could be dead by the time anyone actually gets to read them, as dead as, say, Tolstoy. Or Shakespeare. Does it matter, when you read, if the person who wrote still lives?

These are the words of Jake Mishkin, whose seemingly innocent job as an intellectual property lawyer has put him at the center of a deadly conspiracy and a chase to find a priceless treasure involving William Shakespeare. As he awaits a killer—or killers—unknown, Jake writes an account of the events that led to this deadly endgame, a frantic chase that began when a fire in an antiquarian bookstore revealed the hiding place of letters containing a shocking secret, concealed for four hundred years. In a frantic race from New York to England and Switzerland, Jake finds himself matching wits with a shadowy figure who seems to anticipate his every move. What at first seems like a thrilling puzzle waiting to be deciphered soon turns into a dangerous game of cat-and-mouse, where no one—not family, not friends, not lovers—is to be trusted.

Moving between twenty-first-century America and seventeenth-century England, The Book of Air and Shadows is a modern thriller that brilliantly re-creates William Shakespeare's life at the turn of the seventeenth century and combines an ingenious and intricately layered plot with a devastating portrait of a contemporary man on the brink of self-discovery . . . or self-destruction.

Product Details

• Amazon Sales Rank: #217148 in Books
• Published on: 2007-04-01
• Released on: 2007-03-27
• Original language: English
• Number of items: 1
• Binding: Hardcover
• 480 pages

From Publishers Weekly
Starred Review. In this ingenious literary thriller from Gruber (The Witch's Boy), the lives of two men are changed forever by William Shakespeare and the letters of Richard Bracegirdle, a 16th-century English spy and soldier. Jake Mishkin, a Manhattan intellectual property attorney and a bit of a rake, goes on the run from Russian gangsters. Albert Crosetti, an aspiring filmmaker working for an antiquarian bookstore, finds that life is more exciting than movies—perhaps too exciting. Together, Mishkin and Crosetti travel to England in search of a previously unknown Shakespeare manuscript mentioned by Bracegirdle. Though the pace sometimes slows to allow Mishkin, Crosetti and Bracegirdle to divulge interesting aspects of their personal lives, these digressions only make the story more engaging. The suspense created around the double-crosses and triple-crosses works because of the close connection readers forge with Crosetti in particular. The mysterious murder of a Shakespearean scholar, shootouts in the streets of Queens and an unlikely romance all combine to make for a gripping, satisfying read. (Apr.)
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

From The Washington Post
Reviewed by Ron Charles

Contrary to what you may have heard, the life of a book reviewer is not unending adventure. It's lots of speed-reading and sitting around in your bathrobe, trying to finish the next review while scouring the cupboard for more chocolate chips and wondering if that mole on your shoulder is looking weirder. Oh sure, "There is no frigate like a book/ To take us lands away," but give me a frigate break; sometimes you wouldn't mind a few thrills.

Which may be why I'm such a sucker for this relatively new genre of books that are literally literary thrillers -- stories in which some pudgy book guy is propelled into a vortex of romance, crime and intrigue. If you love books -- their physical presence, the craft of making them, the art of collecting them -- then you already may well have enjoyed Ross King's Ex Libris, Carlos Ruiz Zafón's The Shadow of the Wind and a dozen others. Now make room on the shelf for a new guilty pleasure from Michael Gruber called The Book of Air and Shadows. It's smart enough to let you think you're still superior to that cousin who raves about The Da Vinci Code, but it's packed with enough excitement to keep your inner bibliophile as happy as a folio in vellum.

Gruber's story revolves around the search for the most sought-after document in the world: a new play by William Shakespeare. In his own handwriting. To get an idea of how precious such a treasure would be, consider that for 400 years the entire Shakespeare industry has managed to find only six tiny samples of the playwright's handwriting: signatures (all misspelled) on a few legal documents. What would a Shakespeare scholar do to find an entire play in the Bard's hand? Whom would a criminal mastermind kill to steal it?

Enter The Book of Air and Shadows, stage right. The story begins with a fire at a rare bookshop on Madison Avenue. The next day, while trying to salvage some of the merchandise, Carolyn Rolly (gorgeous, mysterious) and Albert Crosetti (lives with mom) discover some pages hidden in the binding of an old book. After struggling for hours with the difficult handwriting and archaic spelling, Crosetti determines that he's reading a letter written by a 17th-century soldier on his deathbed.

Excerpts of this letter appear throughout the novel in alternating chapters, and it's not easy going: "Now my father seeyng this taxed us sayyng what shal you not only be idle thyselfe but also tayke my clerke into idlenesse with thee?" You'll be tempted to skip these rough patches, but don't. First of all, they get easier as you get used to them, and second, they're a chance to experience the mingled tedium and thrill of discovery. The letter describes a spectacularly exciting life, which culminated in an assignment to spy on a popular playwright and suspected Roman Catholic, Shakespeare.

Meanwhile, another thread of the novel takes up the story of Jake Mishkin, an intellectual-property lawyer who's holed up in a cabin in the Adirondacks. While waiting for some Russian gangsters who will surely kill him, he's typing out the story of how he got in this mess. "Although there is a kind of lawyer who can reasonably expect a certain level of physical danger as part of the employment picture," he writes in his witty, rambling narrative, "I am not that kind of lawyer." Once an Olympic weightlifter, he's long since settled down to shuffling paper, cheating on his wife and leading a generally dull and morally vacuous life. But several months earlier, a frightened English professor came to his office. He wanted advice about how to secure the rights to a 17th-century letter that may point to the location of an unknown manuscript by Shakespeare. Jake promised to advise him and took possession of the letter, but soon after that meeting, the professor was found tortured to death, and Jake found his exquisitely ordered and pampered existence thrown into deadly disarray.

What follows is a wild story of double-crossings, forgeries, kidnappings and murders that's engrossing even when it's ridiculous. (At one point, the code secret is tattooed on a beautiful woman's thigh -- so handy.) We've got Russian mobsters, Jewish gangsters, Nazi thieves, international models and currency traders, oh my. And all of this madcap adventure in the present is mirrored in a story we gradually decipher from that 17th-century letter, describing a nefarious plot by radical Puritans to entrap "the secret papist Shaxpure." While twisting the plot into great knots of complexity, Gruber mixes in fascinating details about rare manuscripts, intellectual property, and ancient and modern cryptography.

Sadly, the women in this novel don't come off much better than they do in the average James Bond movie, but Jake is a truly engaging narrator, who's forced by this crisis to face up to a lifetime of moral weakness. And young Crosetti, who works in the rare bookstore only to put himself through film school, constantly reminds us -- even in the most dire circumstances -- that movies determine "our sense of how to behave. . . . Movies shape everyone's reality." That's a pop echo of Harold Bloom's Shakespeare: The Invention of the Human (1998), which argued that the Bard's plays literally created modern consciousness, assembling a vast index of human personalities and experiences in which we continue to find ourselves. Gruber never reaches for Bloom's gravitas (thank God), but, as Bottom would say, it's "a very good piece of work, I assure you."

Copyright 2007, The Washington Post. All Rights Reserved.

From Bookmarks Magazine
With literary-historical thrillers still piling up on bookstore shelves, Michael Gruber (Night of the Jaguar, ***1/2 July/Aug 2006) took a risk with The Book of Air and Shadows. While the novel will appeal to those who enjoyed The Da Vinci Code or The Rule of Four, critics agree that its lively dialogue, compellingly flawed characters, sense of humor, and intelligent exploration of religion and cryptology elevate it far above the genre's standard fare. Readers expecting car chases, kidnappings, globe trotting, sex, and murder won't be disappointed, either. A few reviewers stumbled a bit over the excerpts of the Jacobean-style letters, but all agreed that the novel "hits the ground running ? until disparate plot threads are brought together in a heart-stopping climax" (Denver Post).

Copyright © 2004 Phillips & Nelson Media, Inc.

Customer Reviews

Bookseller's dream!
Imagine the possibility of finding a new play by William Shakespeare! During restoration work on a 16th century book enticing letters are found that hint at the existence of an unknown play by Shakespeare. Obviously a major coup and soon after the discovery everybody seems to after this unknown manuscript, including a bunch of Russian mobsters and some Jewish gangsters.

The novel is made up of three story lines that converge as the story develops. Richard Bracegirdle, the letter writer from the 16th century; Jake Mishkin an Intellectual Property Lawyer; and Albert Crosetti an aspiring filmmaker making a living working for an antiquarian bookshop. The author uses the written word eloquently to bring three distinct characters to life in such a way that you get absolutely and completely absorbed in the narrative. The novel does not totally focus on the thrill of the chase to find the illusive manuscript, but incorporates the (dysfunctional) lives and loves of the main characters to give a rounded whole.

This is a literary detective story, where you will find it difficult to anticipate where the narrative will take you next, with the only way forward to turn the pages quickly to the next and the next. I think the novel holds something for everyone, even if you don't know anything about Shakespeare or books. I have to admit that this book is one of the best I have read so far this year and will definitely anticipate the next book of this author.

Disliked enough to drive me to write my first review
In all the years that I've been buying books on Amazon I have never taken the time to write a book review. Lazy? Yes. Selfish? Probably. But this novel irked me enough that I had to finally post words online. Let me say that I am a book a week reader with a wide variety of tastes. Only about once or twice a year do I put a book aside unfinished. And Book of Air and Shadows gets that dubious distinction for 2008.

The main reason? Jake is unbearable to read. I'm all for an anti-hero. In fact I kind of dig them. But Jake is so smarmy and proud of his bedroom conquests that I couldn't help wondering if the author was perhaps giving us insight into his own frustrated sexual fantasies.

So okay. Jake likes sex. Cool. Go for it guy. But when 75% of what he has to say is about bedding women it's not exactly helping propel the story forward.

My frustration was compounded by the fact that the other narrators were more interesting and actually had something to say...storywise. Each time I turned the page and saw it was a Jake chapter I groaned outloud. Finally I had to just give up the fight.

There it is. My first ever review. Sure hope it helps someone else out there in Amazon-land.

Two thumbs up!
Having read Gruber's first two books Tropic of Night and Valley of Bones I wasn't sure I was ready for a third. The first two having left me a bit nonplussed. Don't get me wrong, I enjoy books and movies that take a detour around reality but those two books made a right angle turn somewhere and I'm not sure I'm over them yet!

TBoAAS is a whole other beast. Slow moving, tedious at times, it none-the-less hooked me and drew me in until I could not walk away. I felt that that the first 2/3's of the book moved at a glacial pace. Which is great if you want to fully involve youself in the characters and the plot. At some point, which I can't precisely pin down, the pace picked up and hauled me, open-mouthed, to the final pages.

Honestly, who would have thought combining a self-absorbed, womanizing lawyer (a heavy lifter, literally, to boot) with a dreamy young man who believes life is literally determined by the movies and setting them on what may or may not be a wild goose chase for an unknown Shakespearean manuscript could prove to be so entertaining?

As a mark of how well done the book is, I shed a few tears at the end, not because it was sad but because the story was over. To date only two other writers have affected me that way.

You don't have to be a literary, artsy type to get into this story, btw. You DO need to persevere long enough to let the story get hold of you. Then you're stuck. Happily so, I might add.