Product Description

Beginning amid the decadent glamour of China in the 1930s and ending in the 1980s in Hong Kong, this brilliant novel, which formed the basis for the award-winning movie, is the passionate story of an opera student who falls in love with his best friend, and the beautiful woman who comes between them.

Product Details

• Amazon Sales Rank: #727792 in Books
• Published on: 1994-07-13
• Released on: 1994-06-03
• Original language: English
• Number of items: 1
• Binding: Paperback
• 272 pages

From Publishers Weekly
The film version of this novel, which created a furor at this year's Cannes Film Festival, might well be more satisfying than the novel itself, which has both an irresistible setting and a smart plot crying for more heartfelt emotion than the wooden reactions Lee has given to her characters. The title comes from the name of a Peking Opera classic that is also the preferred showpiece of Duan Xiaolou and Cheng Dieyi, two actors who have been together since they started as young boys under the same strict master. Xiaolou becomes a sheng , playing generals and other male leads, while Dieyi becomes a dan , playing his consort, concubine and other female leads in the all-male Peking Opera. Completely immersed in his role, Dieyi falls in love with his "general." Much to his chagrin, Xiaolou prefers a common prostitute. Alternately feted and despised, the two friends weather the vicissitudes of the nationalists, the Japanese occupation, early communism and final humiliation at the hands of the Cultural Revolution. The author of The Last Princess of Manchuria has tailored an intricate brocade gown, but has neglected to put a body inside it.
Copyright 1993 Reed Business Information, Inc.

From Library Journal
Prolific Hong Kong writer Lee ( The Last Princess of Manchuria , LJ 7/92) sets an intricate love triangle against the backdrop of China during the warlord period, the Japanese occupation, the Communist victory, and the Cultural Revolution. Singers Duan Xiaolou and Cheng Dieyi grow up together and come to play leading roles at the Peking Opera; their bravura performance is Farewell to My Concubine , in which the devoted mistress of a general kills herself rather than face her man's defeat. Cheng incarnates female roles so totally that he falls passionately in love with Duan, who feels only brotherly affection for his stage partner and marries a beautiful courtesan. The obsessive Cheng tries repeatedly to undermine the marriage. Unlike most Chinese fiction, this novel seamlessly integrates the personal and the social; its riveting drama of a menage a trois also reveals the burden of recent Chinese history. For most collections.
- Cherry W. Li, Univ. of Southern California Lib., Los Angeles
Copyright 1993 Reed Business Information, Inc.

From Kirkus Reviews
From bestselling Hong Kong writer Lee (The Last Princess of Manchuria, 1992): a breathless and broad-brushed tale of love among the stars of the Peking opera, the movie version of which won top prize at Cannes and is scheduled for simultaneous release. Sold by his prostitute mother to a director of a school that trains young boys to be singers in the Peking opera, timid Xiao Douzi is soon befriended by older and braver Xiao Shitou. Life at the training school is rigorous if not harsh, but Douzi, who shows much promise, is protected for the most part by Shitou, who's strong enough to split a brick in two with his forehead. The boys grow, give performances, and, as their abilities are recognized, eventually become the stars of a leading company. Their favorite opera is Farewell to My Concubine, in which the manly Shitou sings the role of a defeated general, and Douzi, who's perfected all the necessary gestures, plays the role of his beloved and loyal concubine. Immersed in their art, the two young men are only gradually aware of what's happening in China itself. The Japanese invade, occupy; civil war breaks out; and then Mao takes over. Meanwhile, Shitou marries a former prostitute, much to the despair of Douzi, who loves him. The political turmoil curtails their performances, but their troubles worsen during the Cultural Revolution: Douzi is accused of being a collaborator; both are denounced for participating in a decadent art; both are forced to undergo reeducation, brutal interrogations, and exile in the countryside. Years later, they meet up in Hong Kong, and the two old singers sing their favorite duets--but it's too late: The old affection can't survive; ``the glittering tragedy is over.'' A contemporary action-packed Chinese history lesson and love story with as much nuance as a revolutionary slogan. The movie must be better. -- Copyright ©1993, Kirkus Associates, LP. All rights reserved.

Customer Reviews

Farewell My Concubine
This was beautifully written, and well-worth reading. The way Dieyi almost fuses with his opera role is unsettling and elegant, albeit melodramatic, and it is written in a way that really evokes a sympathy and affection for the characters' position. Drawn in a very rounded way, their vividity is what really jumped out from the page at me.
When you read it, you are almost drawn into the play itself because of the parallels it has to the real life of the characters. It's a comparatively short book, but packs a lot of experience into its' pages. A small but densely packed fireball! Many ends are left unfinished or unresolved, but I think this was intentional...not every story has a happy ending, particularly for people involved in political oppression..... A story of contradictions.

Definitely worth investigating......both novel and movie
It was a really sad story. I feel even more sad after the actor Leslie Cheung(the one who starred Deiyi) commited suicide a couple of days ago. I cried every time I watched the movie. What is really sad about Deiyi is that he could never tell the difference between real life and the life on the stage. So did Leslie Cheung.

watch the movie--avoid the book
I hate to rain on the parade, but I found the book to be dreadful. "Farewell My Concubine" is one of my favorite movies of all time, and I was looking forward to the novel immensely, but it disappointed on virtually every level. The prose reads like the book was meant for students in junior high (though I acknowledge that might be the fault of the translator), and nothing is left to your imagination: just in case you're too thick to pick up on the fact that Dieyi, one of the main characters, is merging with his stage role, the book tells you so explicitly over and over and OVER. It's unsubtle and verges on insulting the reader's intelligence. The novel constantly violates the cardinal "Show, don't tell" rule of good writing. The three main characters, so rich and textured in the film, come out flat and two-dimensional here (Juxian is nothing more than a cipher). After a while, I pretended I was reading about three different characters entirely, just so I didn't have to associate them with the characters I loved in the film.

The movie "Farewell My Concubine" is a feast. Every time I watch it, I see something new in it, something else to admire. I couldn't believe it had emerged from this. Watch the movie, but whatever you do, don't read the novel; you'll be wasting your time.