Product Description

Carry Nation is on the loose again, breaking up discos, smashing topless bars, preaching clean living to men more intent on booze and babes. And what of Tonto, ever-faithful companion of the Lone Ranger, turning 40 without so much as a birthday call from the masked man? In these and 13 other short fictions, Fowler once again demonstrates the imaginative virtuosity that is fast winning her critical acclaim Author readings .

Product Details

• Amazon Sales Rank: #972784 in Books
• Published on: 1999-05-25
• Released on: 1999-05-25
• Original language: English
• Number of items: 1
• Binding: Paperback
• 272 pages

From Publishers Weekly
Gifted novelist Fowler (Sarah Canary and The Sweetheart Season) delights in the arcane, and, as a result, these 15 clever tales are occasionally puzzling but never dull. In the long title story, temperance activist Carry Nation is resurrected in the 1990s ("We're talking about a very troubled, very big woman," says one shaken barman to reporters) and becomes such a nuisance that the DEA is forced to dispatch her with voodoo. Other plots are only slightly less outrageous in conceit. In "Lieserl," a lovesick madwoman dupes Albert Einstein into believing he has a daughter; in "The Faithful Companion at Forty," Tonto admits to second thoughts about his biggest life choice ("But for every day, for your ordinary life, a mask is only going to make you more obvious. There's an element of exhibitionism in it"). "The Travails" offers a peek at the one-sided correspondence of Mary Gulliver, who wants Lemuel to come home already and help out around the house. The homage to Swift makes sense, for, when Fowler doesn't settle for amusing her readers, she makes a lively satirist. The extraterrestrials who appear in her stories (whether the inscrutably sadistic monsters in "Duplicity" or the members of a seminar studying late-1960s college behavior in "The View From Venus: A Case Study") seem stand-ins for the author herself, who, in elegant and witty prose, cultivates the eye of a curious alien and, along the way, unfolds eccentric plots that keep the pages turning.
Copyright 1998 Reed Business Information, Inc.

From Library Journal
This stunning collection of stories by the author of Sarah Canary (LJ 5/1/92) so carefully intertwines the ordinary with the extraordinary that what should seem incredible is fully believable. Though the stories may appear to be about a DEA agent who unwittingly revives the spirit of Carry A. Nation, two women held captive by aliens in the Brazilian rain forest, a magic potion made from a unicorn's horn, or a classroom of Venusians learning about Earthly love, at their core they are about human relationships and all the more startling for their insight from seemingly unrelated points. A few pieces puzzle more than they enlighten, but the reader may be motivated to return to them for a slower reading. Highly recommended.?Christine DeZelar-Tiedman, Univ. of Idaho Lib., Moscow
Copyright 1998 Reed Business Information, Inc.

From Kirkus Reviews
Fifteen ferociously imaginative and provocative new stories from the author of a previous collection (Artificial Things, not reviewed) and the highly regarded novels Sarah Canary (1991) and The Sweetheart Season (1996). There are three different kinds of stories here: vignettes that elliptically portray women's fantasies of escaping the figurative (and sometimes literal) prisons men build for them; more fully developed tales of girls and women in and out of love with variously disappointing partners; and revisionist comedies (Fowler has been called ``an American Angela Carter''), in which the fantastic and magical-realist elements that crop up in her novels are central and crucial. The best of these latter include the title story, where temperance crusader Carry Nation returns to life, to the consternation of a henpecked DEA agent; the moving ``Lieserl,'' in which Albert Einstein learns of the birth of his illegitimate daughter, but excuses his neglect by claiming ``experience is a hindrance to the scientist''; and ``The Faithful Companion at Forty,'' a piece distinguished both by wickedly rendered contemporary psychobabble and by Tonto's exasperation over the Lone Ranger's disrespect for him (``You want to bet even Attila the Hun had a party on his fortieth?''). Fowler stumbles with murky stories about impaired father-daughter relationships (``The Elizabeth Complex,'' ``Go Back'') and in an overattenuated exploration of young moderns' sexual politics and role-playing (``The View from Venus: a case study''). But she's at her best in a heart-tugging story of a woman war-protestor's separation from the pacifist intellectual who was the love of her youth (``Letters from Home''); the fascinating ``Duplicity,'' about a woman who seeksand unfortunately findsan alternative to her unadventurous lover; and ``Game Night at the Fox and Goose,'' in which an abandoned pregnant woman's encounter with a female who promises her entry into ``another universe where the feminist force was just a little stronger'' reaches an astonishing climax. Accomplished, risk-taking, exciting new work from one of our most interesting writers. -- Copyright ©1998, Kirkus Associates, LP. All rights reserved.

Customer Reviews

Fifteen Dark Gems
As wonderful as Fowler's novels are, her short stories pack an even bigger punch. The blurb on the inside front cover wants you to notice that there are stories here about Gulliver's Travels, Carry Nation and the Lone Ranger and Tonto, but don't let the publisher's name-dropping turn you off; Fowler doesn't need to invoke names of legend or other fictions to tell her stories. She's got wit and intelligence and a total lack of mercy when it comes to her characters.

Take a story like "Duplicity," where a pair of women are captured by what might or might not be aliens, who manage to slowly and chillingly turn the captives against each other. Or a story like "The Elizabeth Complex," a multi-faceted meditation on women and their fathers. Or the way Fowler uses history to paint unpleasant pictures of our own present, as she does with "Shimabara." Fowler is as much at ease with stark and unsanitized childhood remembrance ("Go Back," "The Brew") as she is with ironic reflections on radical Berkely ("Letters From Home," "The View From Venus: A Case Study"). Her stories are funniest when they are biting, her characters cut deepest when they are smiling, and she is never, ever, one hundred percent reliable.

This is a great collection. I await more.

Possibly the most original writer in English today
Fowler is probably best known for the novel Sarah Canary (also highly recommended), but it's in her short fiction that this writer's unique and impressive talents shine brightest. All the stories in this collection are outstanding, displaying Fowler's characteristic intelligence, wit, and instinct for organic story structure. If you're daunted by the length and complexity of the title story, skip forward and start with "Contention" -- in just a few pages, this tale of domestic disgruntlement and tabloid sensationalism packs in more sharp humor, observation, imagination and political acuity than most novels. The "Reader's Circle" edition of this book includes an interview with Fowler as well as some less-than-insightful "discussion topics."

Lily Red more than Black Glass
Other than the longest, first, and book titling short story being my least favorite, "Black Glass: Short Fictions" is varied and filled with surprises. I'm glad I got past "Black Glass" and kept reading. I would much preferred to have the volume titled after another story, "Lily Red." Karen Joy Fowler is able to capture our imaginations quickly, develop the story, give us enough twists and leave us satisfied but wanting more. Many of these stories have a science fiction flare. Lily Red was perhaps my favorite. I could see it developed into a haunting romantic film script. Lily is stopped by a police officer, directed to "Mattie's," a little bed and breakfast, where everyone asks her if she's come to see "the caves." The police officer turns out to be an American Indian named Henry who is quite older than his appearance of 33 years. The torrid love story of Henry and Lily in the cave comes as somewhat of a surprise, and then more twists of reality occur. I did not care for "Black Glass" because of the issue of drugs, but appreciate the way Fowler twists language and traditional story structure to reflect a hallucinogenic experience. It was quite individually done. "The View from Venus: A Case Study" was an excellent exploration of the conundrum of romance. My second favorite story was "The Brew" which connects the magical traditions of the past, witches and unicorns, to the real story of friendship in present day. Mr. McBean is such a drunken and delightfully crotchety character that he scares us and makes us curious at the same time. He begs to be put on the stage. I honestly don't know what to make of "Game Night at the Fox & Goose," but I liked it. The story seemed to leave off just as it was beginning, leaving my mind to suggest how it might have worked out. Fowler's language is hardly lyrical, but is rooted in the conversational patterns and idioms of the present. This volume offers plenty of material for oral literary performance; and the often used first person enhances the stories when read aloud. I might have wished for a bit more of a spiritual level, a couple stories of faith and joy, but as is, these stories are fresh, well written, and greatly entertaining.