Product Description

An ivy league murder, a mysterious coded manuscript, and the secrets of a Renaissance prince collide memorably in The Rule of Four—a brilliant work of fiction that weaves together suspense and scholarship, high art and unimaginable treachery.

It's Easter at Princeton. Seniors are scrambling to finish their theses. And two students, Tom Sullivan and Paul Harris, are a hair's breadth from solving the mysteries of the Hypnerotomachia Poliphili—a renowned text attributed to an Italian nobleman, a work that has baffled scholars since its publication in 1499. For Tom, their research has been a link to his family's past—and an obstacle to the woman he loves. For Paul, it has become an obsession, the very reason for living. But as their deadline looms, research has stalled—until a long-lost diary surfaces with a vital clue. And when a fellow researcher is murdered just hours later, Tom and Paul realize that they are not the first to glimpse the Hypnerotomachia 's secrets.

Suddenly the stakes are raised, and as the two friends sift through the codes and riddles at the heart of the text, they are beginnning to see the manuscript in a new light—not simply as a story of faith, eroticism and pedantry, but as a bizarre, coded mathematical maze. And as they come closer and closer to deciphering the final puzzle of a book that has shattered careers, friendships and families, they know that their own lives are in mortal danger. Because at least one person has been killed for knowing too much. And they know even more.

From the streets of fifteenth-century Rome to the rarified realm of the Ivy League, from a shocking 500 year-old murder scene to the drama of a young man's coming of age, The Rule of Four takes us on an entertaining, illuminating tour of history—as it builds to a pinnacle of nearly unbearable suspense.

Product Details

• Amazon Sales Rank: #438377 in Books
• Published on: 2004-05-11
• Released on: 2004-05-11
• Original language: English
• Number of items: 1
• Binding: Hardcover
• 384 pages

From Publishers Weekly
Caldwell and Thomason's intriguing intellectual suspense novel stars four brainy roommates at Princeton, two of whom have links to a mysterious 15th-century manuscript, the Hypnerotomachia Poliphili. This rare text (a real book) contains embedded codes revealing the location of a buried Roman treasure. Comparisons to The Da Vinci Code are inevitable, but Caldwell and Thomason's book is the more cerebral-and better written-of the two: think Dan Brown by way of Donna Tartt and Umberto Eco. The four seniors are Tom Sullivan, Paul Harris, Charlie Freeman and Gil Rankin. Tom, the narrator, is the son of a Renaissance scholar who spent his life studying the ancient book, "an encyclopedia masquerading as a novel, a dissertation on everything from architecture to zoology." The manuscript is also an endless source of fascination for Paul, who sees it as "a siren, a fetching song on a distant shore, all claws and clutches in person. You court her at your risk." This debut novel's range of topics almost rivals the Hypnerotomachia's itself, including etymology, Renaissance art and architecture, Princeton eating clubs, friendship, steganography (riddles) and self-interpreting manuscripts. It's a complicated, intricate and sometimes difficult read, but that's the point and the pleasure. There are murders, romances, dangers and detection, and by the end the heroes are in a race not only to solve the puzzle, but also to stay alive. Readers might be tempted to buy their own copy of the Hypnerotomachia and have a go at the puzzle. After all, Caldwell and Thomason have done most of the heavy deciphering-all that's left is to solve the final riddle, head for Rome and start digging.
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

From School Library Journal
Adult/High School–A compelling modern thriller that cleverly combines history and mystery. When four Princeton seniors begin the Easter weekend, they are more concerned with their plans for the next year and an upcoming dance than with a 500-year-old literary mystery. But by the end of the holiday, two people are dead, two of the students are injured, and one has disappeared. These events, blended with Renaissance history, code breaking, acrostics, sleuthing, and personal discovery, move the story along at a rapid pace. Tom Sullivan, the narrator, tells of his late father's and then a roommate's obsession with the Hypnerotomachia Poliphili, a 15th-century "novel" that has long puzzled scholars. Paul has built his senior thesis on an unpopular theory posited by Tom's father–that the author was an upper-class Roman rather than a monk–and has come close to proving it. While much of the material on the Hypnerotomachia Poliphili is arcane and specialized, it is clearly explained and its puzzles are truly puzzling, while the present-day action is compelling enough to keep teens reading. There is a love interest for Tom and a lively portrayal of Princeton life. This novel will appeal to readers of Dan Brown's TheDa Vinci Code (Doubleday, 2003) but it supplies a lot more food for thought, even including some salacious woodcuts from the original book as well as coded excerpts and their solutions.–Susan H. Woodcock, Fairfax County Public Library, Chantilly, VA
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

From The New Yorker
A Princeton student has only twenty-four hours to complete his senior thesis—hardly the nail-biting stuff of thrillers, except that the thesis in question purports to solve the mystery of an erotic fifteenth-century allegory littered with ciphers and algorithms. (In the wake of the immensely popular "The Da Vinci Code," there appears to be no shortage of medieval codes waiting to be cracked by intrepid scholar-detectives.) As the student races to meet his deadline, mayhem engulfs the campus: a chase through steam tunnels beneath the grassy quads, an inferno at the school's toniest eating club, and nude frolics in the snow (this last not fiction but a real Princeton tradition). The authors, two recent Ivy League grads, keep up a frantic, somewhat exhausting pace, but the most riveting action sequences take place inside the mind, as the hero wrestles with the manuscript.
Copyright © 2005 The New Yorker

Customer Reviews

YAWN
I have to admit - after two thirds of the book, I could go no further. I put it aside never to return. The plot was a little cliche, riding the tails of other books about mysterious discoveries that shed truth on cultural history. That would be OK. The plot, however, got lost in the personal and sophmoric antics of college students that were frankly uninspiring. However, if all the padding about Princeton were taken out, there would be little left. The pace was too sloooow and the writing not tight enough to make it interesting. The discoveries of protagonist were too infrequent and the impact was lost. I also heard some of this book on tape. The reader was excellent, but it was clear that he was even straining to generate some interest in the listener.

Out of their Ivy League
Compared to other academic thrillers like Rabid: A Novel, The Dante Club: A Novel, or Special Topics in Calamity Physics, The Rule of Four doesn't measure up.

The Rule of Four is set at Princeton, very obviously at Princeton, at look-at-me-I'm-a-Princetonian Princeton. There's a part in this book where the authors (and the characters are obviously the authors,) sneer at someone who is too obsequious, too flashy, not Ivy League subtle enough, and yet that's exactly what they're doing throughout this whole book.

Plotwise, the major turning points were oddly pulled out from under the major characters, much like a duel that happens off-stage and then someone staggers onto stage and tells you about it, and in a boring manner.

It's a first novel, and these two writers are very young. Some of the passages have merit. It will be interesting to watch them mature as writers.

Minna

One of the least compelling books I've read
The premise was interesting, but the characters were lifeless for me. I didn't care about any of them. There was way to much about college life and not enough about the so-called mystery, although if they had stuck to the mystery the book would have been a fraction of the length. If the mystery/suspense aspect hadn't been hyped so much, I wouldn't have bought this in the first place. I have many books that I read and re-read mainly because I enjoy the quality of writing and the characterizations, but this certainly isn't one of them.

The choice of writing in the first person present tense was curious. This works for short stories, but I think this book shows why it doesn't work for novels, at least for me. It made it very difficult to get past the reading process and into the story. I can generally get lost in a story and forget I'm reading, but not with this one.

I rarely get rid of books (I have 3700+ around the house), but this one is headed for Goodwill or Half Price.