Product Description

Offers a store of garden plans inspired by some of the bewitching and famous gardens in the world. Each graden is given a historical context and its best qualities, best seasons and times of day are explained. Planting plans given for each scheme with shopping list and suggestions for adapting each plan to limitations of given space.

Product Details

• Amazon Sales Rank: #5048668 in Books
• Published on: 2004-09-01
• Original language: English
• Binding: Hardcover
• 160 pages

Review
"Introduces 16 classically-inspired garden plans scaled for smaller home gardens ... Includes historical context, color plans and photos, and a flexible plant shopping list."—Reference and Research Book News, August 2005 (Reference and Research Book News )

"Stuart's elegant study of historic garden plans balances clear explanation with explicit diagrams listing walkway materials and plants by their Latin names."—Mary Ellen Snodgrass, American Reference Books Annual, 2005 (Mary Ellen Snodgrass American Reference Books Annual )

"With such vivid inspiration, creating an intimate version of any of these classic gardens falls into the range of possibility."—Lili Singer, Los Angeles Times, March 4, 2005 (Lili Singer Los Angeles Times )

Introduces 16 classically-inspired garden plans scaled for smaller home gardens ... Includes historical context, color plans and photos, and a flexible plant shopping list.Reference and Research Book News, August 2005 (Reference and Research Book News )

Stuart's elegant study of historic garden plans balances clear explanation with explicit diagrams listing walkway materials and plants by their Latin names.Mary Ellen Snodgrass, American Reference Books Annual, 2005 (American Reference Books Annual )

With such vivid inspiration, creating an intimate version of any of these classic gardens falls into the range of possibility.Lili Singer, Los Angeles Times, March 4, 2005 (Los Angeles Times )

About the Author
David Stuart is co-owner of Plants from the Past, a nursery specializing in antique garden plants. He has been a garden columnist for The Scotsman, the Sunday Times, The Obeserver and The Independent. He has written and photographed for many magazines, including Gardens Illustrated and Country Homes and Interiors, and is the author of many successful books. He lives in Scotland.

Excerpt. © Reprinted by permission. All rights reserved.
This re-creation of the gardens designed for William of Orange, later the joint ruler, with his wife Mary, of Britain, at the woodland hunting palace of the rulers of the Netherlands has become a classic showpiece of the Dutch baroque garden style. The original designs were drawn up by Daniel Marot (1661–1752) in the early 1680s; documents describe him as a mathematician, which he may have considered himself to be, though he is best known for his designs for gardens and interior decor. Though he worked mostly for aristocratic French patrons, in Holland he adapted to Dutch sensibilities and designed a garden that, though grand and costly, was entirely scaleable — the same idiom and the same planting could be used in the backyard of a tiny house in Amsterdam or Haarlem, and looked as good as it did at palace scale. Many pretty examples can still be found. In France, the immense schemes of André le Nôtre, or even those of Marot for French patrons, worked only at the very grandest scale, and so were of no use to minor gardeners.

The charm of these Dutch baroque gardens is that they not only make a showground for interesting plants, but are attractive throughout the year. Their structure lasts almost unchanged through the seasons. They can look as entrancing under snow as they do in highest summer. They are as pleasing from a window as they are to wander through, or to view from a trellis-shaded seat. And for lovers of symmetry and order, they are perfect.

They do, though, require work. Dutch gardeners were, and often still are, exceedingly diligent. In the scheme suggested, the planting spaces need clearing and refilling twice a year. The bulbs need drying and sorting, unless you plan to repurchase every autumn. Plants need raising from seed for some of the summer planting. The box hedges need at least one pruning a year to keep them sharp. The gravel needs to be kept clear of weeds and fallen leaves. Trellis, unless you have rot-proofed it, needs maintenance and repair after its first few crisp seasons. The grass, if you leave the pair of topmost sections empty, needs constant cutting and weeding. It is a garden of artifice and effort.

Though the garden at Het Loo has some exciting waterworks, the plan shows none. If water is important for you, then narrow canals could be cut running the length of the two central sections, and between the topiary obelisks and globes. The plan also does not commit itself as to the nature of the centrepieces for the lower pair of parterres, or the upper grass plat areas. Princely gardens used statuary, but good garden pieces now cost princely sums. It is hard to find good reproductions at all, and impossible to find anything worth using at most garden centres. Good reproduction urns, in both concrete (even if called reconstituted stone) or fibreglass, are much easier to find. Better still, the larger garden centres sell, or can order, quite good pieces of topiary, often grown in traditional shapes that fit perfectly into parterre gardens. Alternatively, you could centre the parterre on a large earthenware pot, filled with a dramatic plant — something too large or too floppy to go in the narrow planting beds edging the parterres: for example, an oleander, or a brugmansia or even a luxuriant planting of dusky red nicotianas.

The corners of the garden are planted with trees to give some suggestion of the wild landscape beyond the artifice of the parterres. The woodland of the landscape at Het Loo has formal rides cut through it for hunting.

In a garden like this, modern plastics are a huge help. The woven nylon sheeting called 'landscape netting' is especially good. It makes a perfect base for paths, for the gravel infill of the box curlicues, as a weed suppressant, wormcast deterrent and much more. Most sorts even have a grid of coloured strands to help with the placing of the design.

Paths first: brick, as usual, can look enchanting, ideally antique handmade bricks, a bit worn and rounded, placed on edge in a weave or herringbone pattern. They can be easily laid on netting with a finger's width left between them. Brush a dry fifty-fifty mix of sand and cement between the bricks, firm down, then sprinkle with water. Alternatively you can use all sand between the bricks; though this is less stable, and provides a fine germination ground for weed seedlings, the path can easily be altered or repaired. If you do not want brick, use a pea gravel and sand mix for the path. The sand stops the gravel grinding when you tread on it, and the mix soon compacts to make a good surface for walking. It is also resistant to scuffing, and the plastic sheeting remains hidden. Sand, particularly if not clean, can clog the netting and cause drainage problems, but these are easily cured by puncturing the puddle's base with a garden fork.

The planting area between the pair of outer box margins is best left completely clear of netting, which can become a nuisance if it begins to unweave. The nylon strands cut hands, and tangle trowels and handforks. If you use netting under paths, cut and pin down margins with U-shaped pins made of galvanized wire, 7 cm. (3 in.) long, hammered into the soil. The whole parterre region can be netted, and cuts made in the netting wherever a young box plant is to go. Fill the remaining area with light and dark gravels. Use river gravels, which have a nicer texture than crushed stone.

The trelliswork is made almost entirely of horizontal and vertical slats. The plan suggests enclosing the whole garden in trellis. A small parterre works best in enclosed spaces, so that the observer's eye is kept on the garden's detail. If you don't care for trellis, enclose with hedging. Yew is perfect, but holly is faster and equally in period, though picking up the clippings is a chore and fallen leaves are not much fun if you like walking in your garden barefoot. The trellis should be painted a rich mid-blue.

Pots and tubs are an important element in the garden. If possible, use terracotta pots, ideally decorated with swags, masks and so on. Versailles tubs painted deep blue or green are perfect containers for orange or lemon trees. Glazed blue and white pots were popular for smaller 'greens', but good contemporary ones can still be found, or can be made.

The side benches would only have been stone slabs supported on classical brackets. Good copies are easily available. The seat at the top of the garden should be more comfortable — made of wood, and painted in the same colour as the surrounding trellis.

The box hedging offers no difficulties. At the planting distances suggested, two or three seasons will pass before you have a joined-up hedge. In very cold regions where box won't grow, try whortleberry (blaeberry) (Vaccinium inyrtillus) or other local species of Vaccinium. Otherwise, box is tough. It gets occasional aphid infestations, but is never much damaged. It does, though, make a perfect hiding place for snails. A summer shower can bring so many to the surface of the hedge that twigs bend with the weight. Remove them.

For the planted bands around the parterre/plat areas, the design suggests two schemes for spring, one to be used on one pair of matching beds, the other on the other pair. In summer, the pots and tubs will provide enough to look at, so only one bedding scheme is given. The spring and summer schemes are marked by numbers on the plan, and are detailed on the shopping list.

The shopping list makes suggestions for what goes in the pots on the terrace area of the plan. In the 17th century, exotic plants were beginning to reach Europe from North and Central America, from the Middle East and India. Advances in glass technology provided orangeries for even quite modest gardeners to overwinter citrus plants, myrtles, persimmons or pomegranates, Carolina allspice and more. Even the classical olive, with its silvery foliage and picturesque way of growing, can look wonderful if overwintered away from the worst frosts. Smaller plants, including bulbs like sprekelia, eucomis, crinum, even the charming Mirabilis jalapa, are all good. Exotic architectural plants like the agave of Central America or the aloes of Africa also look handsome.

Customer Reviews

plans for all types of gardens with accompanying photos
Color plans of 16 noteworthy and in some cases famous gardens from around the world are filled in with the plants in particular spots, and in many cases the pools, stonework, and other features of them. These plans are complemented by luxurious color photos of the plants in bloom. Stuart's work is not only to highlight the classic gardens, but to aid gardeners in recreating them. Most of the gardens are seen as meeting some purpose of their creators. A Japanese garden is meant to offer surroundings for meditation; an Indian garden is for the concubines of a Hindu emperor; Monet's water garden in France was a place for him to paint and to find inspiration and solace toward the end of his life. A herb garden and an orchard are also included. The oversize "Classic Garden Plans" serves as a guide for garden design or a gift to a garden enthusiast. Stuart is a Scotman with a background in botany and writing who has done previous books on plants in history.

A good addition to any gardening library
As a professional garden consultant and designer, I frequently refer to this book and often show it to clients to help visualize and clarify what they are after for their own gardens. The classic gardens are mostly grand in size, and the plans based on them are not copies, or even miniatures, but interpretations--all scaled to a level site about 40 x 60 feet in size, in a "cool temperate" climate. The descriptions of the original gardens explain important elements without going into exhaustive detail: for example, the description of the Chinese Scholar's Garden mentions architectural elements and traditional plant combinations that are significant to the Chinese. Sometimes a client expresses the wish for a "Japanese" or "English" or other kind of garden, and what they really want is the idea, not a slavish copy. Anything that helps locate the core of the idea is invaluable, and "Classic Garden Plans" has been one of my best resources.

Paradise, complete with apples
I think it was the apples that did it for me. There are 48 types of roses, 12 types of irises, 11 types of magnolias, 11 types of waterlilies and 9 types of tulips in Stuart's "shopping lists." But the apples? "Beauty of Bath," "Lord Derby," "Cox's Orange Pippin," and "Stirling Castle" are just too delicious to pass up. And what about classic garden plans? If Hidcote Manor, Sissinghurst Castle, Barnsley House and Ashton Wold are not enough, Stuart takes us on a grand tour of everything from the Nanzenji Garden in Japan to a Frank Lloyd Wright house in Pasadena, California, stopping along the way at Giverny, France, for a look at Monet's water garden. He also examines the works of some individual garden makers like Gertrude Jekyll and William Robinson. Richly illustrated with crystal-clear photographs and luscious watercolor sketches, Stuart's book is a welcome addition to any garden-lover's collection.