Product Description

In Classic Georgian Style Henrietta Spencer-Churchill explores the Age of Elegance, a heritage which is strongly evident in her own classic style. She tours a variety of Georgian houses and estates throughout the British isles to give a fascinating overview of the period (1700-1830).

Looking first at the styles and fashions of the time, we are given a real sense of Jane Austen's England-- the refined elegance of the furniture, the classic lines of the architecture and the rolling slopes of Capability Brown's landscapes. Next comes a detailed look at Georgian exterior elements-- the architecture in its setting, including town and country buildings, cottages and grand estates, courtyards and lodges, follies and outbuildings. Moving indoors, we examine the rooms and decor in fine detail, from hallway to living room, staircase to bedroom, with all the furniture, moldings, finishes and textiles that made the era unique.

A final, invaluable section in this complete source of Georgian style provides a palette of paint colors and short biographies and style guides of the influential architects, cabinetmakers and craftsmen of the period, such as Robert Adam and George Hepplewhite.

Illustrated throughout with specially commissioned color photographs and original architectural drawings and plans, Classic Georgian Style is an essential resource for details of the period. Lade Henrietta Spencer-Churchill's own decorating sense informs her authoritative discussion of the style to allow an understanding of the spirit of period decoration and its place in today's interiors. This is a beautiful guide for decorators, collectors and those who cherish the refined tastes of Georgian England.

Product Details

• Amazon Sales Rank: #617599 in Books
• Published on: 1997-09-15
• Released on: 1997-09-15
• Format: Illustrated
• Original language: English
• Number of items: 1
• Binding: Hardcover
• 192 pages

From Library Journal
As with her other books, Classic English Interiors (LJ 10/15/92) and Classic Fabrics (LJ 1/97), Spencer-Churchill presents a lavishly illustrated primer on the subject even when claiming that it is "not meant to be an historical reference book." Beginning with a review of the Georgian and Regency period in England from 1714 to 1830, the author mostly focuses on the landscaping and interior design that define Georgian style. She concludes with a glossary and design directory that discusses those people who shaped the style, including 16th-century architect Palladio, cabinet-maker Thomas Chippendale, and landscape architect Humphrey Repton. Purchase where there is an interest in Georgian design or 18th-century England.
Copyright 1998 Reed Business Information, Inc.

From Booklist
In interior design, there is absolutely no substitute for visuals--photographs, illustrations, etc.--as major teaching aids. Designer, author, and British TV host Spencer-Churchill wisely lets her four-color pictures do most of the instruction as she tackles the subject of Georgian style. Encompassing the reigns of four King Georges, and including four different artistic movements, Georgian interiors and exteriors have become synonymous with the age of elegance prominent from 1700 to 1830. Photographs peek into every room and corner, featuring the stateliest terraced city houses to humble gatehouses. Accompanying text discusses general design trends, whether the 1616 introduction of marble floors to England or the application of coffering, ornamented recessed panels that form a pattern. Ten well-known and influential architects cum designers are profiled, including such household names as Chippendale, Hope, and Sheraton. Barbara Jacobs

About the Author
Lady Henrietta Spencer-Churchill is the eldest daughter of the 11th Duke of Marlborough, whose family home is Blenheim Palace. Her interest in interior design began in the baroque grandeur of Blenheim and the other great houses in which she and her family live. She pursued this interest by studying fine art in Florence and Paris, and her formal studies were completed in England at the world-famous Inchbald School of Design.

Lady Henrietta now runs the highly successful interior design company Woodstock Designs, and undertakes commissions worldwide. Her fabric and wallpaper collections, marketed as Spencer-Churchill Designs Ltd, are sold through leading interior design stores, as well as in her own outlets in London and Woodstock, England, and through Grey Watkins in the United States. She has also designed two collections of fabrics and wallpapers for Marvic Textiles Ltd. She is a Fellow member of the Interior Decorators and Designers Association (IDDA) and a past president, currently Regional Director, of the International Interior Design Association (IIDA) UK Chapter. Her latest venture is in British television for Granada Sky, presenting the program "Classic Interiors."

Customer Reviews

Stylish, and jaw-droppingly jealous making.
Georgian Style, think of those beautiful curved terraced houses in Bath in their soft-buttery colours. It was an age of clean lines and classical influence.

It would be unfair to say that, being the daughter of the 11th Duke of Malborough, it is natural that Henrietta Spencer-Churchill should have all the advantages to publish a book like this. Not only would she have been bought up in beauty such as this at Blenheim and probably a host of other stately-home-ish settings - but no doubt she has the connections to get this published.

Spencer-Churchill's book certainly rises well above the ordinary. It is beautifully illustrated, her points are simply put and they are generally very clear. She has chosen to illustrate 130 years of interior, exterior and architectural design - from 1700 to 1830 - broadly the Georgian era . With a time frame this broad this book can certainly not qualify as a deeply academic study of the transition of the design. However she illustrates the broad designs trends and how they flowed into one another. She also picks some of the main names of the period (Robert Adam, Capability Brown and so on) and puts them into historical perspective.

The styles and their advent are explained, but also much about how design was influenced from the Chinese influence to the invention of wallpaper. Even the type, and use of colours and the range of colours available gets a mention.

As an interior designer herself, Spencer-Churchill no doubt has a feel for this sort of thing. I was a little disappointed because I felt with a few areas such as window treatments, she often failed to explain if these were original designs of hers based on previous drapes, or 'a georgian style' she had dreamt up. I would have liked to have seen more of Ackermann's period prints for instance - as they showed quite breath-taking interior detail of the latter part of Georgian age.

Occassionally too I found myself grating my teeth as she illustrated a 'Georgian' ideal, but failed to point out at what period in the 130 year time span she was talking about it would have been relevant. But I am being really picky about that.

Overall I found this an absolutely breath-taking book. It at once made me sick with jealousy that I didn't have one of these beautiful homes. I found her style easy to read, informative and if nothing else the illustrations are so beautiful I would keep it simply to look at them.

This is a great book for fans of the Regency period, Heyer or Patrick O'Brian type of books. It is also lovely if you just like beautiful things.

Inspirational Architecture; Decorating, Not So Much
See my review for the 1997 hardcover edition. U.S. readers might be confused with the inclusion of Regency and Adamesque (what we call Federal) architecture into the catagory of Georgian, but the British houses are all top notch and great models for study. The decorating is more of a Use-What-You-Have variety, pleasant but not particularly noteworthy. Presented in a very attractive book, the lack-luster decorating was not a detriment to the building of Lady Spencer-Churchill's career, however, so it may be more a matter of taste.

very good book
i just got the book - havent read much of it yet. there are a lot of good photos, some of them, however, are just different angles of the same room. it seems that by reading the book a great deal of information will be learnt about georgian homes. my direct interest here was to learn about lighting and there isnt anything to direct me here. i think its a good book for the price.