Product Description

Photographs by Robert Capa, Lois Conner, Stuart Franklin, Zhang Hai-er, Wu Jialin, Wang Jinsong, Hiroji Kubota, Sebastião Salgado, Liu Heung Shing, and Others

A stirring tribute to china's land and people, and a lasting vision of the country within.

To commemorate the fiftieth anniversary of the founding of the People's Republic of China, Aperture is publishing Imaging China. This magnificent volume unfolds a series of in-depth portfolios by twenty of the most important Chinese and Western photographers of the era, conveying the extent of their involvement in politics, culture, and everyday life. Together with texts by leading thinkers, writings by the photographers, and selections of ancient and modern poetry, this collection offers profound insight into a country that has been closed to the West for more than half of its existence.

Drawn to China by its dramatic upheavals and its rich cultural legacy, the world's greatest photographers offer thrilling proof of the power of photography to explore-and convey-the human experience. From France's Henri Cartier-Bresson, present at the creation of the Republic in 1949, to China's Liu Heung Shing, who chronicled a society in transition following the death of Mao Tse-tung, to Wu Jialin and Stuart Franklin working today, the image makers represented here have created visions of China as broad and diverse as the country and its society. Imaging China is an extraordinary visual exploration of an extraordinary place and time.

Product Details

• Amazon Sales Rank: #1586050 in Books
• Published on: 1999-08-31
• Original language: English
• Number of items: 1
• Binding: Hardcover
• 228 pages

From Publishers Weekly
The China framed by Kubota's camera lens is neither a collectivist utopia lurching toward a high-tech future nor a consumer society adopting capitalist ways, trends overplayed recently in the Western press. Instead we glimpse an immensely varied, post-feudal China struggling to modernize in the face of persistently low living standards. One hundred eighty-five candid color photographs show ferryboats and junks; meat shops where slaughtered cats and dogs are sold as food; careworn peasants, student artists, nude bathers, duck farmers; ancestor worshippers, devout Muslims and Tibetan lamaists. Kubota, born in China but launched on his photographic career in the U.S., traveled through the People's Republic from 1979 to 1984. He roamed from northwestern deserts to Manchurian forests, from ice-fishing in subzero temperatures to tribal "water festivals." Yet, somehow, the Chinese people and the country's political climate remain elusive in all of this. November 25
Copyright 1985 Reed Business Information, Inc.

From Library Journal
The 185 photographs presented here are chosen from 200,000 that Kobota took in China between 1978 and 1985. He filmed all regions, including tropical Kishuangbanna, Guilin's mountains (from the air), the grasslands of Inner Mongolia, and the snow and smokestacks of northern Manchuria. He generally saw people in group activity, whether at prayer or wrestling or bicycling to work, and he waited for the precise moment to photograph. The results are superb, calling the viewer to pore over the wealth of detail in foreground and background. Captions are essential; unfortunately they are segregated at the end. Even so, this sets a new standard of excellence among photographic books on China. Elizabeth A. Teo, Moraine Valley Community Coll. Lib., Palos Hills, Ill.
Copyright 1985 Reed Business Information, Inc.

From Booklist
To mark this anniversary, Aperture has collected the images of 20 Chinese and Western photographers that convey China's political, cultural, and social life and bound those materials together with an essay by Rae Yang (The Spider Eaters, 1997) that discusses China's Communist past and its evolving present. The work is stunning, including the haunting and exhilarating photographs of Robert Capa (e.g., Female Nationalist Army Cadets, 1938) and Owen Lattimore; the captivating immediacy of Lin Heung Shing's work; Sebastiao Salgado's expressionistic compositions; and the painterly images of Hiroji Kirbota. An exhibit of the photographs opened in New York, will travel this month to Canada, and then come back to the U.S. from April 2000 until 2004. Bonnie Smothers

Customer Reviews

A Feast for the Eyes, Mind, and Soul
Imagine if Ansel Adams had been interested in the interaction of nature and people in landscapes rather than the wilderness. Then, imagine that he had traveled widely in China from 1984 to 1999 to capture the country's image, history, and culture. Add a banquet camera and platinum printing using the tritone process. This will begin to give you an idea of what this book contains. I was entranced by these images of what I have not yet seen . . . but now better understand.

Ms. Conner brings several perspectives to her photographs that I found rewarding. First, the horizontal rectangles of the banquet camera remind me of a finely detailed scroll. Immediately, the images bring new understanding to much traditional Chinese art as well as to the impact that landscape has had on Chinese culture. Second, the interaction of people and nature create interesting thoughts for the viewer. Why is human orderliness so much less attractive than the less regular pulses of nature? Third, the people feel like they are in the room with you, providing the basis for potentially having a conversation. What do they think of photography? What do they think of those who will see the photographs? What message would they like to send? What messages have they sent? Fourth, history comes to life with the places. You see the desert boundaries of a dynasty. You see the political stage upon which a government exults in itself. The echoes of foreign domination linger on in other images. So, although these images do not have texts accompanying each one, they carry eloquent messages to both the casual and the careful observer. A helpful foreword by Jonathan Spence, thoughtful essay by Geremie R. Barme, and self-reflective notes by Ms. Conner add to the viewer's understanding of the intriguing, and often breathtaking, scenes.

As in the best photography books, this one uses facing pages well to create contrasts, dialogue, and new thoughts. The quality of the paper and the printing of the images are superb.

Usually, I am moved to pick out a few images for special mention as being the most outstanding. I did not have that reaction to this volume. I felt that almost every image was outstanding. Collectively, they tell a vastly more interesting story than they do individually. In total, there is an impression of China as it has been, is now, and is becoming that are vastly more indelible than the last ten books you could have read about China.

After you finish enjoying this wonderful volume several times, think about where else photographs could add depth of understanding that other ways of characterizing something could not. How can you use photographs to help others understand important lessons in those situations?

Press in all directions to expose new dimensions of reality!

Clear View of China
Conner's photographs provide glimpses into China that most images or photographers seem to hurry or miss. The clarity of image, the use of B&W, the huge format camera provide the format of a Chinese painting and somehow, the accumulated images give me an impression of China that is vast, exotic, laden with dust and reality, life and vitality. There is a solemn appreciation for the grand nature of this land.

I have had this book for a couple years now and every month or so I review the pages in this book and find new meaning. Maybe the juxtaposition with other images or my own perceptions changes as well with time? But what I find remarkable is the clarity of thought behind the images. This book provides me with continued enjoyment and I am sure most who are interested in understanding China will enjoy this book as well.

It takes you to China as you turn the pages!
Wonderful! Having recently travelled to China and seen the still hidden and truelly communist parts of the country I thought that the book did great justice to the country and the people. I felt as if I were back in China as I read further and further into the book! I would recommend reading this book to accent a trip to China. Knowing the history and having a feel for the country before travelling is imperative for a successful journey. ENJOY!