Product Description

The Cold War was the war that never happened.

Nonetheless, it spurred the most significant buildup of military contingency this country has ever known: from the bunkers of Greenbrier, West Virginia, to the "proving grounds" of Nevada, where entire cities were built only to be vaporized. The Cold War was waged on a territory that knew no boundaries but left few traces.

In this fascinating--and at turns frightening and comical--travelogue to the hidden battlefields of the Cold War, Tom Vanderbilt travels the Interstate (itself a product of the Cold War) to uncover the sites of Cold War architecture and reflect on their lasting heritage.

In the process, Vanderbilt shows us what the Cold War landscape looked like, how architecture tried to adapt to the threat of mass destruction, how cities coped with the knowledge that they were nuclear targets, and finally what remains of the Cold War theater today, both its visible and invisible legacies. Ultimately, Vanderbilt gives us a deep look into our cultural soul, the dreams and fears that drove us for the last half of the 20th century.

Product Details

• Amazon Sales Rank: #128316 in Books
• Published on: 2002-04-01
• Original language: English
• Number of items: 1
• Binding: Hardcover
• 224 pages

From Publishers Weekly
Highlighting the Cold War era's obsession with what Vanderbilt (The Sneaker Book) calls "constant protection from an invisible threat," this is a fascinating political and cultural analysis of "cold war architecture": a vast array of structures from missile silos to small towns built to test the effectiveness of an atomic blast, presidential fallout shelters, nuclear waste dumps, monoliths like the windowless PacBell building in Los Angeles, and countless motels and diners named "Atomic." The physical structures that resulted from Cold War ideology and politics also had far deeper and extensive psychological and emotional implications and ramifications: "the domestication of doomsday." Mixing first-person narrative of his travels around the U.S. in search of Cold War sites and objects with an extensive accumulation of provocative historical facts ("the U.S. Air Force bombing raids on Tokyo exacted a higher cost in lives and property" than the later atomic bombings), Vanderbilt takes great pains to reveal the Cold War policies behind the scattered remnants he encounters. Once-ubiquitous fallout shelter signs were a result of the Kennedy administration's National Fallout Shelter Survey, undertaken by "a mobile army of atomic surveyors (many of them architecture students)." As far as blastworthiness is concerned, "the toughest job is myth control," a NORAD civil engineer tells Vanderbilt during his trip 4,400 feet underground to the North American Aerospace Defense Command Center. This book certainly does its part in debunking the "Duck, and Cover" mindset.
Copyright 2002 Cahners Business Information, Inc.

Review
". . . a genuinely engaging book, perhaps because [Vanderbilt] is skillful at conveying his own sense of engagement to the reader." -- Los Angeles Times, May 6, 2002

". . . a retracing of Dr. Strangelove as ordinary life. . ." -- Greil Marcus -- Bookforum, June 2002

". . .if this book teaches us anything, it's that a civilized society will not sacrifice aesthetics for safety." -- Architectural Record, May 2002

"...an admirable journey and an appeal for more detailed geographical studies of the Cold War and its global histories." -- Environment and Planning Journal, February 2003

"Exploring buried traces of the Cold War in America. . .[Vanderbilt finds] a vast, secret and now largely abandoned landscape." -- Architecture, May 2002

"Vanderbilt crafts a travelogue through a history that never happened." -- The Washington Post, May 15, 2002

"a genuinely engaging book...the author is so skillful at conveying his own sense of engagement to the reader." -- The Los Angeles Times, May 6, 2002

From the Back Cover
This is a crucial and dazzling book. Masterful, and for me at least, intoxicating. It reminds us of the absurd and sinister ways humans have attempted to ensure their survival, and, without ever oversimplifying, it manages to be a ridiculously entertaining read. Amid the ruins of a different era in postwar national defense, its stepchild of abject paranoia, Vanderbilt--the perfect guide--finds levity and humanity. Survival City recalls the buoyant spirit of Michael Paterniti's Driving Einstein's Brain and the exacting but soulful reading of misplaced architectural aspirations of D.J. Waldie's Holy Land. - Dave Eggers, Author, A Heartbreaking Work of Staggering Genius

Customer Reviews

Heady stuff, very smartly written
I'm usually a rather tough grader, but this is the best book I've read in quite some time. Vanderbilt takes us on a lively and diverse tour of cold war America's remaining architectural artifacts (the interstate highway system, bomb shelters, missile silos, misc. military installations - some still in use, nuclear waste sites, etc.) and weaves an analysis of same into an interesting and often surprising commentary on the historical period and the society which gave rise to these structures. For me, the novel perspective of looking at things from an architectural standpoint worked quite well at making the history and those times come alive.

The style is part documentary, part story-telling, part travelogue, part cultural anthropology, and part essay on topics in architecture (generally) which I previously would not have thought about, or thought I had any reason to think about. The approach was successful enough that I found myself frequently being simply and skillfully led to surprising and profound insights, which were a delight. I came away from the book thinking Vanderbilt was an excellent writer with many new and important ideas on the fascinating subject of nuclear weapons, the cold war, and national security generally -- subjects which can easily be made drole, heavy, boring and/or tedious. For many, the so-called atomic era seems long gone and forgotten (and slightly silly in many aspects), but Vanderbilt makes the issues faced then seem relevant to many similar problems facing us today by placing them in a context of continuity. Highly recommended to a broad audience.

Buildings, Bunkers, and the Bomb
One of the characters at the end of the movie Dr. Strangelove intones emphatically, "we must not have a mine..shaft..gap!" In Tom Vanderbilt's Survival City: Adventures Among The Ruins Of Atomic America, the reader gets to explore the actual architecture of the Cold War period. The book is a well-written combination of essay, travelogue, architecture text, and archaeology book. Even though the book is published by the Princton Architectural Press, it is well within the reach of, and should be enjoyable to, people outside the community of architects and architectural enthusiasts. Mr. Vanderbilt set out on his travels because he wanted to know what the Cold War looked like, and even though I'm not sure he found everything he was looking for, it was damn interesting to come along for the ride. My only complaint is that the book lacks an index, which I hope is remedied in later printings. If the potential reader is concerned that the postscript concerning 9/11 is gratuitous or merely an attempt to cash in on the disaster, rest assured that it is an appropriate ending to the book. The remnants of the Nike missile base nearest to where I live was recently removed for an encroaching housing development. I recommend that you read Survival City and then take a trip to look for Atomic America before it's all gone.

The fading ruins among us
Author Tom Vanderbilt takes us around the country examining the evidences left by the Cold War, a war which did and yet didn't happen. From missile silos being destroyed to ones being turned into homes, from "proving grounds" to backyard bomb shelters, Mr. Vanderbilt uncovers sites which often sit right in front of us and simply blend into our landscape in spite of their obviously militaristic features. But he goes beyond the aging and disappearing signs indicating "fallout shelters" and discusses how the threat of nuclear annihilation shaped our cities and our thinking. Cities became the targets, and today's suburbs, often denigrated under the label of "urban sprawl," were a reaction to and a defense against the calamities which befell the densely packed cities of Germany and Japan which proved so fatal during the firebombing raids of WWII. Attempts to fortify buildings, strategies for minimizing casualties, underground cities, interstate highways, early warning systems, NORAD, massive retaliation... it all walks a fine line between critical and absurd, interesting and boring.

I can't help imagining the puzzlement the younger generation must feel at seeing some of these things. Growing up in the 70s and 80s I only saw the end of the Cold War, but the Reagan years witnessed an increase in tensions with the USSR (do younger people even know who that was or what it stood for?) and I recall some events like the local opposition which prevented the deployment of MX missiles in the Utah desert in the late 70s. It also reminded me of movies I saw as a teenager like "War Games" and "The Day After," or music by Sting ("Russians") or Frankie Goes To Hollywood ("Two Tribes") which reflected the contradictions of a peace maintained by the ability of two nations to assure "mutual destruction" of each other within minutes. And yet that seemed to be the reality of the world we lived in, and I thought this book captured that sense very well. Mr. Vanderbilt ends with some sobering observations on how September 11th relates to this struggle to protect ourselves without falling into a "bunker mentality." Overall, an interesting and reflective look at a fading time, a look at the darker side of the optimism and technological advances of the 50s and 60s, with lots of great pictures (all in stark b&w) although maybe not quite 4 stars.