Product Description

No affairs. No criminal connections. No DNA. No clues. Eve Dallas may be the best cop in the city - not to mention having the lavish resources of her husband Roarke at her disposal - but the Swisher case has her baffled. The family members were murdered in their beds with brutal, military precision. The state-of-the-art security was breached, and the killers used night vision to find their way through the cozy middle-class house. Clearly, Dallas is dealing with pros. The only mistake they made was to overlook the nine-year-old girl cowering in the dark in the kitchen. . .

Now Nixie Swisher is an orphan - and the sole eyewitness to a seemingly inexplicable crime. Kids are not Dallas's strong suit. But Nixie needs a safe place to stay, and Dallas needs to solve this case. Not only because of the promise she made to Nixie. Not only for the cause of justice. But also to put to rest some of her own darkest memories - and deepest fears. With her partner Peabody on the job, and watching her back - and with Roarke providing the kind of help only he can give - Lieutenant Eve Dallas is running after shadows, and dead-set on finding out who's behind them.

Product Details

• Amazon Sales Rank: #1771678 in Books
• Published on: 2005-08-28
• Released on: 2005-08-28
• Formats: Abridged, Audiobook
• Original language: English
• Number of items: 4
• Binding: Audio Cassette

From Publishers Weekly
In the 20th fine volume of Roberts's futuristic mystery franchise, police lieutenant Eve Dallas is called in when lawyer Grant Swisher and his family are massacred with eerie skillfulness on the Upper West Side. The only survivor is 10-year-old Nixie, who evades—and witnesses—the killers as she creeps down to the kitchen for a midnight snack. Despite the painful memories of her own childhood that Nixie's presence calls up, Eve decides to hide the girl in the high-tech mansion she shares with her husband, billionaire businessman Roarke. With help from Roarke; her faithful sidekick, Peabody; and others, Eve discovers the existence of a shadowy former military operative with a grudge against Swisher—the lawyer helped the operative's battered wife divorce him right before she disappeared. The relatively early disclosure of the villain's identity and the dearth of other viable suspects dulls the suspense in the first half of the book, but tension escalates toward an absorbing denouement as a trap Eve sets for her target ends up with Nixie as its unintentional bait. Throughout, the series' colorful supporting cast and Eve's prickly personality—smartly showcased in her power struggles with everything from space-age vending machines to her own past—remain as vividly appealing as ever.
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

Review
"'This is sheer entertainment, a souped-up version of Agatha Christie for the new millennium' Maxim Jakubowski, The Guardian"

Review
"Any 'In Death' book should be at the top of any reading list."
-- Grand Forks Herald (UNKNOWN )

Customer Reviews

A Great Addition to The Series, but Eve is a Bit Unlikeable
The first thing that's important to know about this book is that it is best read as part of the on-going "In Death" series. If you do choose to read it out of order, you'll likely not enjoy it very much.

If, on the other hand, you're someone who has read all the other books in the series, I think you'll enjoy Survivor. It's definitely one of the more intense and emotional installments, although not as good as Divided in Death or Portrait in Death.

The case is riveting from the start, but as in all the other books, the murder mystery pales in comparison to the emotional interaction between Eve and Roarke. This particular mystery starts very strong, but by the end, it's a bit of a mess and you'll probably be scratching your head in confusion. The first chapter hooks the reader, though, and you might find yourself in tears when you read about little Nixie's plight.

The one thing preventing me from giving this book 5 stars is the characterization of Eve. Now, I do think Eve reacts in-character to Nixie: she's brash, emotionally distant, and difficult. She also feels that she could best serve the child by finding out who killed her parents. I didn't expect or want Eve to be cuddly with Nixie or cooing over her. That wouldn't have been the Eve I know. But sometimes I think Roberts goes a bit too far with Eve's grouchy, foul moods. In several places in this novel, Eve is downright unlikeable, even cruel. She's obnoxious with Summerset in one scene where he humbles himself enough to apologize and even as Nixie clearly grows to love Eve, Eve can only express her fondness by noting that Nixie did a "dumbass" thing in risking her life.

Roberts repeatedly balances Eve's rough edges with reminders of her terrible childhood. As awful as that childhood was, I feel like the death of Nixie's parents was not the type of crime that would affect Eve any differently than it did the other characters. Roarke, Peabody, and Summerset were also deeply upset, and Roarke and Summerset in particular have experienced things in their own pasts that made them particularly pained by what occured. And yet Eve is the only one whose harsh behavior is excused because of what she went through as a child. I want Eve to be strong, and I like that she's not a typical heroine, but this book felt like a big step back in terms of Eve's growth. Her coldness to Nixie was ultimately as unbelievable as extreme warmth and fuzziness would have been. Roarke needed to confront her, and let her know that her work is important and vital, but sometimes she needs to give people like Nixie her time, not just her dedication as a cop.

The book has some great scenes, including Roarke remembering his past while spending time with Nixie, and Summerset caring for the child. In fact, I fell more in love with Roarke than ever, which made it even more frustrating that Eve was so irritating. There are also two wonderful love scenes, including one involving a flower that heightens sensation, and a long-awaited (at least by this reader) discussion between Eve and Roarke about the possibility of starting a family.

But overall, the end never fulfilled the emotional promise of the initial chapters.

Maturing themes
Before I read this book, I read the reviews here on Amazon and was thoroughly confused about what to expect. Some saw it as a complex police procedural with maturing relationships and a lessening of the explicit rehash of Eve's & Roarke's traumatic childhoods. Others thought the details of the crimesolving were neglected and cast Eve as increasingly and somewhat randomly witchy.

Well, I'm going to vote with the former group:

* Eve and Roarke retain their passion, yet are depicted with an increasing amount of trust and a decreasing need for conflict which often was simply a painful stage set for a lusty truce. The characters are shown giving each other a growing amount of credit and respect; still, acerbic and affectionately humorous debates abound.

* Plot and police work were good enough for me. I mostly read murder mysteries, when I'm not reading technical manuals, but I'm not in law enforcement, so I'm a connoisseur without having insider knowledge. The books wouldn't work without some semblance of police methodology, but really, we all read these for the characters, and especially for the witty dialogue between and among these interesting characters, don't we? :)

* Contrary to the comments of some, Eve actually seemed more mellow in Survivor, as did Roarke, both without losing their edge. For those who find Eve's conversations mean, cold, etc., I recommend listening to the conversation between good friends who are also smart, articulate, and in the habit of entertaining themselves and others with verbal play. Yes, she seems like a serious witch to Summerset, who, in return, chides her annoyingly. Their relationship is a bit of a caricature (for *our* entertainment) and that's how *they* play. In this book, as in previous ones, they also make allowances and back off when someone they share is in need.

*Peabody and McNab continue to emerge as alternative and complementary versions of Eve and Roarke. Looking forward to seeing how that develops; Peabody is very much her own person and McNab is an entertaining foil.

*Finally, as a devoted mother of 2, former teacher and, on the whole, person who appreciates many of the fine reasons for reproducing and the excellent qualities of individual children - no, most definitely, Eve and Roarke do not need to be awarded offspring. As in real life, something would most definitely have to give. In real life, that can be positive, or at least not negative. But hey, this is entertainment. I don't need my heros and entertainers to reflect my own personal self. We *love* Eve and Roarke expressly because they are *not* like us, no? Let's not beat up the author for refusing to morph them into Middle America.

*Oh, and by the way, I found Eve's conversations with the surviving child constructive and honest, unlike some who read this good story.

Another winner in the In Death series
I have either read or listened to on CD all of the previous books in the In Death series and I look with eager anticipation to new ones coming up. As others have outlined the plot, I will give my impressions of the CD. Susan Ericksen does a great job narrating the series. The characters are endearing, predictable but with good evidence of development and growth. The plot in this series was excellent, the pacing excellent as well. There is suspense sprinkled with humor. The author is sensitive and can bring you to tears in one moment and have you laughing out loud the next.
I thoroughly enjoyed this book and highly recommend it.