Product Description

It's 1939, in New York City. Joe Kavalier, a young artist who has also been trained in the art of Houdiniesque escape, has just pulled off his greatest feat - smuggling himself out of Hitler's Prague. He's looking to make big money, fast, so that he can bring his family to freedom. His cousin, Brooklyn's own Sammy Clay, is looking for a partner in creating the heroes, stories, and art for the latest novelty to hit the American dreamscape: the comic book.

Inspired by their own fantasies, fears, and dreams, Kavalier and Clay create the Escapist, the Monitor, and the otherworldy Mistress of the Night, Luna Moth, inspired by the beautiful Rosa Saks, who will become linked by powerful ties to both men. The golden age of comic books has begun, even as the shadow of Hitler falls across Europe.

The Amazing Adventures of Kavalier & Clay is a stunning novel of endless comic invention and unforgettable characters, written in the exhilarating prose that has led critics to compare Michael Chabon to Cheever and Nabokov. In Joe Kavalier, Chabon, writing "like a magical spider, effortlessly spinning out elaborate webs of words that ensnare the reader" (Michiko Kakutani, The New York Times), has created a hero for the century.

Product Details

• Amazon Sales Rank: #3752297 in Books
• Published on: 2005-01-03
• Released on: 2005-01-03
• Formats: Abridged, Audiobook, CD
• Original language: English
• Number of items: 8
• Binding: Audio CD

Amazon.com Review
Like the comic books that animate and inspire it, The Amazing Adventures of Kavalier & Clay is both larger than life and of it too. Complete with golems and magic and miraculous escapes and evil nemeses and even hand-to-hand Antarctic battle, it pursues the most important questions of love and war, dreams and art, across pages brimming with longing and hope. Samuel Klayman--self-described little man, city boy, and Jew--first meets Josef Kavalier when his mother shoves him aside in his own bed, telling him to make room for their cousin, a refugee from Nazi-occupied Prague. It's the beginning, however unlikely, of a beautiful friendship. In short order, Sam's talent for pulp plotting meets Joe's faultless, academy-trained line, and a comic-book superhero is born. A sort of lantern-jawed equalizer clad in dark blue long underwear, the Escapist "roams the globe, performing amazing feats and coming to the aid of those who languish in tyranny's chains!" Before they know it, Kavalier and Clay (as Sam Klayman has come to be known) find themselves at the epicenter of comics' golden age.

But Joe Kavalier is driven by motives far more complex than your average hack. In fact, his first act as a comic-book artist is to deal Hitler a very literal blow. (The cover of the first issue shows the Escapist delivering "an immortal haymaker" onto the Führer's realistically bloody jaw.) In subsequent years, the Escapist and his superhero allies take on the evil Iron Chain and their leader Attila Haxoff--their battles drawn with an intensity that grows more disturbing as Joe's efforts to rescue his family fail. He's fighting their war with brush and ink, Joe thinks, and the idea sustains him long enough to meet the beautiful Rosa Saks, a surrealist artist and surprisingly retrograde muse. But when even that fiction fails him, Joe performs an escape of his own, leaving Rosa and Sammy to pick up the pieces in some increasingly wrong-headed ways.

More amazing adventures follow--but reader, why spoil the fun? Suffice to say, Michael Chabon writes novels like the Escapist busts locks. Previous books such as The Mysteries of Pittsburgh and Wonder Boys have prose of equal shimmer and wit, and yet here he seems to have finally found a canvas big enough for his gifts. The whole enterprise seems animated by love: for his alternately deluded, damaged, and painfully sincere characters; for the quirks and curious innocence of tough-talking wartime New York; and, above all, for comics themselves, "the inspirations and lucubrations of five hundred aging boys dreaming as hard as they could." Far from negating such pleasures, the Holocaust's presence in the novel only makes them more pressing. Art, if not capable of actually fighting evil, can at least offer a gesture of defiance and hope--a way out, in other words, of a world gone completely mad. Comic-book critics, Joe notices, dwell on "the pernicious effect, on young minds, of satisfying the desire to escape. As if there could be any more noble or necessary service in life." Indeed. --Mary Park

From Booklist
Virtuoso Chabon takes intense delight in the practice of his art, and never has his joy been more palpable than in this funny and profound tale of exile, love, and magic. In his last novel, The Wonder Boys (1995), Chabon explored the shadow side of literary aspirations. Here he revels in the crass yet inventive and comforting world of comic-book superheroes, those masked men with mysterious powers who were born in the wake of the Great Depression and who carried their fans through the horrors of war with the guarantee that good always triumphs over evil. In a luxuriant narrative that is jubilant and purposeful, graceful and complex, hilarious and enrapturing, Chabon chronicles the fantastic adventures of two Jewish cousins, one American, one Czech. It's 1939 and Brooklynite Sammy Klayman dreams of making it big in the nascent world of comic books. Joseph Kavalier has never seen a comic book, but he is an accomplished artist versed in the "autoliberation" techniques of his hero, Harry Houdini. He effects a great (and surreal) escape from the Nazis, arrives in New York, and joins forces with Sammy. They rapidly create the Escapist, the first of many superheroes emblematic of their temperaments and predicaments, and attain phenomenal success. But Joe, tormented by guilt and grief for his lost family, abruptly joins the navy, abandoning Sammy, their work, and his lover, the marvelous artist and free spirit Rosa, who, unbeknownst to him, is carrying his child. As Chabon--equally adept at atmosphere, action, dialogue, and cultural commentary--whips up wildly imaginative escapades punctuated by schtick that rivals the best of Jewish comedians, he plumbs the depths of the human heart and celebrates the healing properties of escapism and the "genuine magic of art" with exuberance and wisdom. Donna Seaman
Copyright © American Library Association. All rights reserved

Review
"...one of the most pleasurable novels of the past few years...[and]...one of the most moving." -- Atlanta Journal-Constitution

"A lyrical [novel] that's exquisitely patterned . . . composed with detailed scenes, and spotted with some rapturous passages." -- Entertainment Weekly

"Chabon is a reader's writer; with sentences so cozy they'll wrap you up and kiss you goodnight." -- Chicago Tribune

"I'm not sure what the exact definition of a 'great American novel' is, but I'm pretty sure [this] is one." -- New York Magazine

"Michael Chabon's new novel is the product of sparkling intelligence, undeniable talent and consummate." -- Sun-Sentinel, Ft. Lauderdale, FL

"The depth of Chabon's thought, his sharp language, his inventiveness and his ambition make this a novel of towering achievement."—The New York Times Book Review

"It's absolutely gosh-wow, super-colossal—smart, funny, and a continual pleasure to read."—Washington Post Book World

"Towering, swash-buckling thrill of a book . . . the themes are masterfully explored, leaving the book's sense of humor intact and characters so highly developed they could walk off the page."—Newsweek

"Well researched and deeply felt, this rich, expansive and hugely satisfying novel will delight a wide range of readers."—Publishers Weekly (starred + boxed)

"Elegant, lyrical writing meets gentle comedy."—San Francisco Chronicle

"Product of a sparkling intelligence, undeniable talent and consummate skill."—Fort Lauderdale Sun-Sentinel

"A lyrical [novel] that's exquisitely patterned...composed with detailed scenes, and spotted with some rapturous passages . . . A-."—Entertainment Weekly

"A page turner in the most expansive sense of the word: its gripping plot pushes readers forward...Chabon is a reader's writer; with sentences so cozy they'll wrap you up and kiss you goodnight."—Chicago Tribune

"This is a gladhearted novel, rich in story and character and invention, and a great escape."—Orlando Sentinel

"Starts out as one of the most pleasurable novels of the past few years. It ends as one of the most moving."—Atlanta Journal-Constitution
-- Review

"The kind of prose that leaps 600 pages of fantasy and social history in a single." -- Time

"Towering, swash-buckling thrill of a book..." -- Newsweek

"Well researched and deeply felt, this rich, expansive and hugely satisfying novel will delight a wide range of readers." -- Publishers Weekly - starred review

"[A] seamless performance, richly imagined and unexpectedly moving,...shows a thoroughbred author writing at the peak of his talents." -- San Francisco Chronicle

Customer Reviews

Far exceeded my expectations
"The Amazing Adventures of Kavalier and Clay" works on so many different levels. It has the thrills, action and pacing of a comic book, yet also has the beautiful language, fully developed, memorable characters, and moving, non-manipulative drama of the finest literary novel. It is rare to see excitement, sadness, history, and humor mix so seamlessly together. I hesitate to write too much about the plot, because this is the type of novel where if you learn too much about the fate of the characters ahead of time, it will ruin much of the fun in letting yourself get absorbed in the suspense of the novel. There are so many things done right in this book that it seems like a disservice to not try to mention as much as I can about its qualities. Chabon is able to include in this novel the history and development of the comic book, Jewish mysticism, mid-20th century American culture, the Holocaust, US involvement in WWII, Houdiniesque escape and magic, all without ever letting this researched information interfere with the flow of the story. It is also rare to read a novel where the setting is so vividly created for the reader. A large part of my enjoyment of the novel, aside from the story itself, was using Chabon's prose as a guide to transport me to New York during the middle portion of this century. This may be the one of the first enduring literary works of our new century.

An Epic & Brilliant Novel!!
This is a stunning novel about the adventures of two boys who write comic books during what was known as the Golden Age of comic books in the 1930's. This book about Joe, Sammy, and Rosa and their lives spans continents, eras, and many years of love and much hardship. The details of their lives is written in such beautiful language it makes you feel you are living in this time period. I have never been so involved in what I was reading as I was in this book, all 636 pages of it. It's a long story but one you will think about long after you have finished it. The characters you will never forget. So I guess I am saying Michael Chabon is a brilliant writer, who can certainly capture the attention of his readers. He has a florid way of writing and I really enjoyed that.

I was never a great reader of comic books, but you don't have to be to enjoy this book. I could go on and on about the story, but you just have to read the book description for that. It's all there. I would highly recommend this wonderful book if you have the time to read it. You'll find yourself staying up late till you reach the last chapter. What a great movie this would make. I really enjoyed Michael Chabon's other three novels, but I think this is his best yet.

The Real Wonder Boys
"A faster read than a Grisham book. More powerful than an Oprah pick. Able to win Pulitzer Prizes in a single bound edition. Look! Up on the bookshelf! It's pulp fiction! It's serious literature! It's `The Amazing Adventures of Kavalier & Clay'! Yes it's `The Amazing Adventures of Kavalier & Clay', written by a strange visitor from Pittsburgh who came to the literary world with powers and abilities far beyond those of mortal men. 'The Amazing Adventures of Kavalier & Clay', a book that can change the course of mighty literary trends, bend public discourse in its bare hands, and which, disguised as Michael Chabon's latest novel, a mild-mannered bestseller for a great metropolitan readership, fights a never-ending battle for Truth! Justice! and the American Way!"

Pretty cheesy, that. But good cheese, no? Actually, the above is just a thinly veiled attempt to usher you into the world of super-hero comic books that Michael Chabon has created for this book. It is a world of convenient coincidences, of nick-of-time rescues, of unbelievable happenstance, and hyper-romanticism. It's a world whose characters are drawn in two tones (black or white), where good and evil combat in epic struggles, and little boys pay ten cents an issue to read about it. It's an entirely made up world, embracing its own fictionality, but one that the reader can easily get lost in. Chabon has written a book that takes the conventions of the comic book and exploits them. If you encounter a situation here that tests the boundaries of reality, try reading it as if spread over six cheerily drawn panels. It'll make much more sense that way.

The reason for this technique, if I may be so bold as to articulate it, is quite simple: Escapism. Joe Kavalier at one point lists the reasons why he loves his comic books: "for their inferior color separation, their poorly trimmed paper stock, their ads for air rifles and dance courses and acne creams..." But most importantly, for this young man newly escaped from occupied Prague, for the way they allowed young boys to escape from reality and dream their dreams. It's a pretty moving message. Joe and his cousin Sammy Clay (nee Clayman) create a comic book superhero to exploit this theme, named appropriately enough "The Escapist". It's popularity ends up rivaling Superman and Batman. I'm not going to tell you what Sammy is escaping from, for that would ruin one of the book's best and most tastefully portrayed surprises.

However, all is not painted in comic book artificiality. In fact, much of the book's sub-text is quite poignant and real. I mean, the book's title, which looks very comic-esque, is actually quite ironic. The boys' adventures aren't really that amazing together (it's run-of-the-mill, everyday stuff, except for a huge joint success). Joe has some topsy-turvy times himself, and Sammy's are more internal and domestic than anything. Even their names are ironic. Joe is certainly not cavalier about the cause he finds himself obsessed with. Sammy's clay (his "fundamental nature or spirit") remains hidden for the majority of the book, only drawn out against his will. Chabon only uses the comic book template as an easy entry point into this world. After that, he creates some complex human situations. And the book is set in and around a very real New York City, during its golden era. Not only are the city's alleyways and seedy apartments and subways represented, but so are some of its most famous landmarks. It's no coincidence that the Empire State Building stands tall and proud on the cover of the book's first paperback edition. It plays a major role in many of the boys' "adventures". As does the recent World's Fair, in a minor but crucial way.

The knock here is that Chabon's prose is a little too purple, a little too flowery, with a vocabulary that may stymie the majority of his readers. Frankly, I've read prose infinitely more difficult. Chabon, by comparison, is actually quite an easy, straightforward read. And for a 600+ page book with little in the way of narrative thrust, it's quite a page-turner. He has a sly little sense of humour, littering the text with some very silly, sarcastic moments (e.g., a brainstorming session almost ends with Kavalier & Clay's super hero being called `The Mandrill', with his "multicolored wonder ass that he used to bedazzle opponents"). But for the most part the book has a very somber tone. Before you begin, though, do yourself a favour and read up on the legend of the Golem (and not just in the Tolkien sense of the world). It'll help you to better understand many of the book's themes.

Chabon has done a wonderful job mixing a lot of research on comic book history (and I mean a lot), with a fake comic book history (perfectly believable in this context), with a story about two young men trying to live the American Dream. Don't be afraid by the book's heft; it's an exciting read, filled with suspense and cliffhanger endings, just like a real comic would be.