Product Description

A superb photographic record of the lost treasures of the English country house, featuring 200 duotone images.

Product Details

• Amazon Sales Rank: #700285 in Books
• Published on: 2002-04-01
• Original language: English
• Number of items: 1
• Binding: Hardcover
• 192 pages

From Library Journal
Former Country Life magazine editor Worsley (Classical Architecture in England) has set out to examine why certain country houses that were photographed by the magazine were destroyed or demolished during the last century. He explains how government policies and punitive taxation accounted for the disappearance of some, but the decline in agricultural prices, the diminution of the political power of the landowning classes, and World War II further contributed to the destruction of these houses. Approximately 1700 houses were lost since 1900, and this book documents 100 of them. Following the clear and concise introduction are six chronologically arranged chapters. Within each chapter are sections devoted to specific houses, with excellent interior and exterior photographs. Each house is described in a short history and with the story of its loss. This volume documents an important piece of English social and architectural history, providing the only visual record of these lost structures. Recommended for large public and university art libraries. Martin Chasin, Adult Inst., Bridgeport, CT
Copyright 2002 Reed Business Information, Inc.

From The New Yorker
When the magazine Country Life started, in 1897, featuring a British country house in each issue, the way of life such houses represented was at its height. In the following decades, however, as social change convulsed the country, more than a thousand stately homes were destroyed, and these photographs are in some cases the only pictorial record. Worsley's account avoids Brideshead-style sentimentality as it details both the various economic factors that caused the decline and the often surprisingly pragmatic attitudes of aristocratic owners. Yet the pictures leave a more forlorn impression. The magazine's custom of photographing houses empty of people makes them seem like ghosts already—a kaleidoscope of opulent drawing rooms, abandoned terraces, and silent staircases.
Copyright © 2005 The New Yorker

From the Publisher
Of all the photographs in COUNTRY LIFE magazine’s extensive archive, none are more poignant or intriguing than the images of houses that have been lost. In many cases, these pictures are also the only surviving records of important houses and interiors that were destroyed. For the first time, these images have been collected in one volume, providing a powerful impression of the richness and variety of the English country house and of the treasures that were lost through demolition or fire during the 20th century. The range of buildings is surprisingly wide—from the Rococo Nuthall Temple, Nottinghamshire and the Classical serenity of Stoke Edith, Herefordshire to the richly furnished interiors of Highcliffe Castle, Hampshire and one of the great masterpieces of 17th–century architecture: Coleshill, Berkshire. Giles Worsley’s illuminating text places the demolition of country houses in its historical context, revealing why so many were destroyed in the last century.

Customer Reviews

A superb memento to lost beauty - and ugliness...
In `Brideshead Revisited` Charles Ryder worries about the triumph of `Hooper`, the epitome of all that's mediocre and commonplace, over history, tradition and style. His thoughts are visualised to perfection in a deeply depressing photograph in this book, showing a brand-new street of featureless, drab modern 'cottages' perched literally on the doorstep of dilapidated Beaupre Hall, that is about to be torn down altogether. If you have any feeling at all for English country house traditions and architecture, this book will make your heart ache for all the beauty that was burnt, mutilated, abandoned and left to decay, or, most often and worst of all, deliberately demolished - at a staggering rate of one house a week during parts of the fifties. (Some offering fierce resistance though, like the domed core of magnificent Nuthall Temple, that defied all attempts at demolition and was left to itself for decades, until finally a big load of dynamite blew it away so that the M1 motorway could run its course; Nuthall's foundations remain buried underneath it).
Well, as you can see it would be very easy to write a soppy, sentimental book about the subject - but fortunately Giles Worsley sticks to an eminently sober, scholarly (but lively!) approach. He notes that we lament the loss of 1 in 6 country houses during the 20th century, but that we might rather wonder at the fact that in a century of such huge political, economical and social changes, 5 in 6 survived! Also, he stresses that the downsizing of huge piles into something more convenient or fashionable is not a 20th century invention, but is of all ages. And who could blame the latter-day nobleman for not wanting to maintain a draughty, 150-bedroom Victorian colossus? (the Duchess of Westminster apparently once said that she thought of Eaton Hall as a town rather than a house - and a stay in the immense, British-designed Lalgarh Palace (now hotel) in Bikaner, India, has certainly taught me that Victorian buildings of that size are hardly fit for human occupation!). In fact, the 20th century is exceptional only because it was the first century to produce legislation AGAINST such activities. And finally, not all that was lost was of great historical or architectural importance - much of it was in fact second-rate, plain or downright ugly.
Country Life liberally documented the good, the bad and the ugly (at times snubbing the ugly with elegant irony, some amusing examples of which are cited; at other times providing invaluable visual documentation to inspire later reconstructions), and the breathtaking photographs in this book seem to offer a fairly representative cross-section of all that was destroyed or downsized. The quality of the (black and white) pictures is exquisite. They show a wealth of architectural and interior detail, but many of them are also highly atmospheric, mysterious and haunting. The accompanying text is concise, instructive and always interesting (though inevitably a somewhat depressing recital of fires and bankruptcies). I was surprised, by the way, that the book contains no pictures at all of the process of destruction itself; also, for some houses that were dramatically reduced, I would have been interested to see a `before-and-after' comparison. But these are just minor quibbles. This is a magnificent book, beautifully produced on heavy, glossy paper, and is a definite must-have for anyone even remotely interested in this subject!