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The Cigarette Century: The Rise, Fall, and Deadly Persistence of the Product That Defined America

The Cigarette Century: The Rise, Fall, and Deadly Persistence of the Product That Defined America
By Allan M. Brandt

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The definitive history of the cigarette, the product that shaped twentieth-century America--from modern advertising to science, from regulatory politics to our sense of glamour and style.

The industrial manufacture of cigarettes began in the late nineteenth century, but it wasn't until the invention of the modern consumer, advertising campaign--pioneered by cigarette brands--that the product really took off at the turn of the century. The cigarette became an indispensable accessory of glamour and sex appeal: from Marlene Dietrich to Humphrey Bogart to Anne Bancroft, we have imagined stars with cigarettes in their mouths, and imitated them.

The cigarette--the ultimate icon of our consumer culture--serves as a vehicle for historian Allan Brandt to explore critical aspects of American life. From agriculture to big business, from medicine to politics, The Cigarette Century shows how smoking came to be so deeply implicated in our culture, science, policy, and law. In this magisterial book, Brandt demonstrates how the cigarette reflects the most powerful debates of our time about risk, responsibility, and human health. The Cigarette Century reaches across many disciplines to form a broad and compelling synthesis, showing how one humble (and largely useless) product came to play such a dominant role in our lives and deaths.


Product Details

  • Amazon Sales Rank: #268642 in Books
  • Published on: 2007-03-12
  • Original language: English
  • Number of items: 1
  • Binding: Hardcover
  • 600 pages

Features


Editorial Reviews

From Publishers Weekly
Starred Review. Once so acceptable that even Emily Post approved, cigarette smoking is an integral part of American history and culture, as demonstrated in this highly readable, exhaustively researched book: the cigarette's "remarkable success ... as well as its ignominious demise ... fundamentally demonstrates the historical interplay of culture, biology, and disease." Brandt, Havard Medical School's Amalie Moses Kass Professor of the History of Medicine, explores the impact and meaning of cigarettes, from cultural, scientific, political and legal standpoints. Particularly fascinating (and shocking) is the scientific community's struggle to prove the harmful effects of smoking, even as scientists found, "in 1946, that lung cancer cases had tripled over the previous three decades." As any contemporary history of tobacco must, the narrative becomes a tale of the lies, deceit and eventual public exposure of Big Tobacco. But, the author warns, it's too soon for the ever-growing anti-smoking contingent to think they've beaten the industry: Big Tobacco is busy selling cigarettes to developing countries, threatening "a global pandemic of tobacco-related diseases that is nothing short of colossal." Though the industry can't be stopped, Brandt says, "understanding the history of cigarettes may be a small but important element in ... knowing their dangers and having strategies for their control"; fortunately, this rigorous history has that first step covered.
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

From The Washington Post
Reviewed by Bryan Burrough

Recent years have seen a flurry of what might be called "inanimate" biographies -- that is, books devoted to the life of a thing rather than a person. Salt got one, cod, too, even some naughty words. While I admire the scholarship that goes into these studies, they tend to leave me a bit flat. I mean, it's the rare cod that battled the Boers alongside Winston Churchill or ate fried eggs off Ava Gardner's chest. And while I love a heaping spoon of Morton's as much as the next guy, no matter how you shake it, salt will simply never own up to losing its virginity to the upstairs maid. By their very nature, these books can come off as bloodless digests of minutiae. Given a choice between Kitty Kelley's latest and A Brief History of the Booger, I'd hold my nose and pick the Kelley. You'd have to.

Next up: the cigarette. In The Cigarette Century, Allan M. Brandt, a Harvard Medical School professor with a very long and impressive job title, does a nice job of putting Kools and Salems on the couch. The tobacco industry has become well-worn territory for authors and journalists, but Brandt, an expert witness in a number of anti-tobacco lawsuits, enlivens a familiar story by scanning with the widest possible lens, easily unbundling and reassembling the narrative threads of the cigarette's rise and mid-career flameout.

It's all here: the Marlboro Man's drug-fueled orgies with Ravi Shankar, Joe Camel slapping Elizabeth Taylor that night at the Palm. Okay, okay, I made those up. The book actually doesn't go anywhere near Elizabeth Taylor, which is too bad, but Brandt manages to weave all the diverse elements of the cigarette's history -- medical research, advertising, lawsuits, public relations, corporate intrigue -- into a surprisingly unified narrative. It's a good story, well told.

Most inanimate biographies score or flop on their success at delivering two things: memorable minor characters -- the president who downed 17 cod every morning for breakfast, the sultan who built an empire on salt -- and especially the "Honey-you've-got-to-read-this" detail. In my experience, you need at least one of these forehead-slapping factoids every five pages to keep the cod-curious reader interested. By and large, Brandt rates an A-minus on the detail, maybe a C-plus on the minor characters. His people, from the turn-of-the-century tobacco monopolist Buck Duke to the latter-day apologists who sweat before Mike Wallace, could use more flesh on their bones.

The modern cigarette, Brandt reminds us, was born in the late 19th century but for the longest time remained the industry's neglected stepchild. Chewing tobacco (also known by its technical name, God This Stuff Is Gross) and even pipe tobacco sold better. Hand-rolled cigarettes cost too much to make and sold for too little to justify greater investment. Besides, the dowdy matrons bustling around the country decrying the use of alcohol tended to moonlight at decrying cigarettes as tiny engines of filth, sexual depravity and downward mobility. All in all, the death merchants of yore judged cigarettes more trouble than they were worth.

But then came rolling machines. For the first time, cigarettes could be made for pennies apiece, and at that point no one much cared about the naysayers. (Did you know that 16 states briefly outlawed cigarettes in the 1920s? Liar.) In the 1910s, Big Tobacco all but created national advertising to peddle Lucky Strikes and other brands. Still, cigarette use didn't catch fire until -- bing! memorable detail! -- World War I, when American soldiers found a cheap smoke the perfect way to unwind after a tough day in the trenches. Doughboys so craved cigarettes that -- bing bing bing! -- the YMCA handed them out for free. By the Great Depression, an avalanche of ad campaigns had transformed the cigarette into an easily recognized symbol of both male virility and female liberation.

The rest, as they say, is cancer. The golden age of the cigarette during the 1930s and '40s -- think Humphrey Bogart in "Casablanca," Lauren Bacall in anything -- was followed in short order by the downbeat news that rates of lung cancer, a heretofore all-but-unknown malady, were skyrocketing. Here Brandt confronts the elephant in his narrative kitchen. The outrage many Americans felt during the 1990s, when internal industry documents exposed Big Tobacco's Machiavellian strategies to subvert the science of lung cancer, is no longer fresh. If Brandt can't make the reader feel that outrage again, he's headed to the showers.

Well, he does it. Big time. I defy anyone to read the middle chapters of The Cigarette Century, the ones that detail the foundation of the Tobacco Institute and the industry's efforts to muddy scientific waters, and not come away with a burning need to drive down to North Carolina and find someone to throttle. Or Madison Avenue. Among the many villains Brandt skillfully waterboards are executives at the public relations giant Hill & Knowlton, which during the 1950s single-handedly orchestrated Big Tobacco's campaign to undermine anti-smoking advocates and scientists up to and including the surgeon general. No lie was too big to tell, no bit of pseudo-science too ridiculous to pass off as legitimate. Parents, if you have teenagers considering a career in p.r., have them read this first. I can't remember the last time I read a more scathing indictment of corporate malfeasance.

One thing that surprised me about The Cigarette Century is how well it's written, given that the author is, well, a college professor. Whether he's describing laboratory work or the intricacies of a lawsuit, Brandt seldom lets the story drag; he has a fine sense of what detail to use and when to stop using it. The worst that can be said is that the book feels "textbooky" in spots, which is probably to be expected given that Brandt is a Harvard lecturer and not Christopher Buckley. The Cigarette Century isn't exactly beach reading, but for anyone interested in tobacco, public relations, medicine or law, I promise you won't miss Ravi Shankar. Well, maybe a little.

Copyright 2007, The Washington Post. All Rights Reserved.

From Booklist
In the mid-1800s, cigarettes were considered a curiosity and represented a minuscule portion of tobacco consumption. The transformation of cigarettes into a mass-consumer product would have deep and lasting effects on our cultural values and on our legal and political systems. Brandt, Harvard professor and respected medical historian, was able to examine vast amounts of internal confidential industry correspondence, reports, and memos due to tobacco litigation "discovery" and Internet access. This exhaustive study reveals how the ascendancy of a product that clearly threatens the health of the user caused its manufacturers to deny and obfuscate the facts for decades, meanwhile secretly ensuring that their addictive product would hook an increasingly younger population. The issue goes right to the core of America's belief in freedom and the right to do as we choose, but also the right to live free from the imposition of harm imposed by others from secondhand smoke. Most important, Brandt reminds us that this battle is far from over, as Big Tobacco sets its sights on developing nations, threatening to create a deadly pandemic of global proportion. David Siegfried
Copyright © American Library Association. All rights reserved


Customer Reviews

An absorbing read!5
This is an engrossing, exhaustively researched, and very entertaining history of the culture, science, politics and law of the cigarette. While I knew that cigarettes were deadly, the persistence noted in the subtitle caught my eye. While I often think that "no one" smokes anymore, I was shocked to find out that over 400,000 Americans die from cigarettes each year! The figures about globalization and the massive death toll of cigarettes were even more astonishing and dismal.
Brandt's examination of the promotional tactics employed by the industry was particularly interesting. It is easy to forget that the Marlboro Man is not a natural American icon, but the product of an aggressive and highly calculated advertising campaign. I was reminded, too, of the disproportionate number of cigarette and alcohol advertisements in the inner city of Chicago--Brandt's analysis of the industry's interest in racial and ethnic minorities put this in an unfortunate context. One can only hope that policymakers pay attention to Brandt's findings. (Be sure to read the epilogue for an interesting and timely mention of tobacco in current politics.)
This book is a must-read for anyone interested in history, medicine, science, politics; in short, for anyone interested in understanding more about our past, present and future.

a meaty read, in a good way5
Anyone who doubts the veracity of Brandt's title should revisit the local Piggly Wiggly -- Post, Maxwell House, Nabisco, Kraft, and Oscar Mayer are only a few of the trademarks currently owned by the parent company of Philip Morris. This is a much-needed and painstakingly researched book, and Brandt's credentials make him a highly qualified author. As other reviews have stated, if you're not changing your bologna's name to a four-letter word now, you will after reading a few chapters.

Outstanding - A contribution to your understanding of America5
Read this book. Read this book if you wish to be an educated citizen. Brandt provides a well thought out discussion of the collision between cigarettes and our consumer culture. I found that the "behind the scenes" look at the activities of a major industy left me with questions about other industries, such as autos and drugs. Perhaps Ralph Nader needs to update "Unsafe at Any Speed". Hopefully Mr. Brandt will write a follow up with more of the details of how Congress was unable to control the cigarette industry.