Product Description

Cigarettes are bad for you; that is why they are so good. With its origins in the author’s urgent desire to stop smoking, Cigarettes Are Sublime offers a provocative look at the literary, philosophical, and cultural history of smoking. Richard Klein focuses on the dark beauty, negative pleasures, and exacting benefits attached to tobacco use and to cigarettes in particular. His appreciation of paradox and playful use of hyperbole lead the way on this aptly ambivalent romp through the cigarette in war, movies (the "Humphrey Bogart cigarette"), literature, poetry, and the reflections of Sartre to show that cigarettes are a mixed blessing, precisely sublime.

"An elegant display of prose. . . . [Klein’s] polemic is bravely cranky. The book is important for . . . situating the act of smoking in Western culture and telling us addicts, without condescension, what kind of dance we’re doing 10 or 20 times a day."—Laura Mansnerus, New York Times Book Review

"[A] wise and timely book: it is also sly, funny, and peculiarly seductive. . . . [A] remarkable achievement."—John Banville, New York Review of Books

"[A] compact history of compulsion. . . . [Klein’s] book is a farewell to a loyal companion."—Colson Whitehead, Voice Literary Supplement

"[A]n elegant and erudite examination of the question: If cigarettes are so bad, why do so many people insist on smoking them? A breath of fresh air in a debate that has become too stale."—David Streitfeld, Washington Post Book World

"Lively, obsessive."—Anthony Lane, The New Yorker

"Witty and subversive."—John Leonard, The Nation

"Klein has written an exquisite book which takes us beyond a consideration of smoking as rite de passage."—Max Farrar, Times Higher Education Supplement

"A languorous meditation on humanity’s most futile and wasteful habit."—Christopher Hitchens, The Independent on Sunday

"Many people, deciding to quit smoking, go cold turkey; others use nicotine gum or a patch. Klein, however, has taken a unique approach: the writing of this learned, elegant, and fanciful analysis of—and ‘elegy’ for—the cigarette. . . . [It is] full of delightful whirls of logic and puffs of insight."—Kirkus Reviews

Product Details

• Amazon Sales Rank: #80952 in Books
• Published on: 1995-03
• Original language: English
• Number of items: 1
• Binding: Paperback
• 232 pages

From Booklist
Klein's survey of the history of cigarettes and their gestalt of ritual, seduction, contemplation, and danger is fruitful and often surprising. For Native Americans, tobacco was a minor divinity, and smoke a prayer. For writers and artists, smoking has often been part of the creative process. The sharing of cigarettes has long been a gesture of courtship and sensuality, an expression of rebelliousness and bravado, and a balm for the terrors and tragedy of war and other intolerable circumstances. As Klein discusses the representation of cigarettes in literature and film, he also tracks various attitudes toward smoking. He believes the current zealous condemnation goes far beyond matters of health and drifts into issues of personal freedom. But he never denies the fact that smoking cigarettes is bad for you. Of course they're hazardous, that's why they're sublime: they combine pleasure with an "intimation of mortality." Donna Seaman

From Kirkus Reviews
Many people, deciding to quit smoking, go cold turkey; others use nicotine gum or a patch. Klein (French/Cornell), however, has taken a unique approach: the writing of this learned, elegant, and fanciful analysis of--and ``elegy'' for--the cigarette. Smokers smoke not just for the nicotine, contends Klein, but also--perhaps primarily--because cigarettes offer ``a darkly beautiful, inevitably painful pleasure that arises from some intimation of eternity.'' By granting access to this sublimity- -which the author says can transform even one's relationship to time (``cigarettes are fiery batons with which you can summon the future and conduct it'')--smoking becomes a symbolic act, a ``dance'' performed between the smoker, the cigarette, and the world; furthermore, it's only by knowing this dance in all its allure that a smoker can then forsake it. Klein examines smoking's symbolic powers through a wide range of cultural references, from Sartre to Mallarm‚, Bizet's Carmen, and Casablanca. Crucial to his argument is his analysis of the first chapter of Italo Svevo's 1923 novel, The Confessions of Zeno, in which the narrator recalls his life as a series of health-oriented resolutions to quit smoking- -each resolution followed always by another cigarette. It's only when, as an old man, he realizes that he's already healthy--i.e., alive--and that smoking is just one way of life, that he quits. In fact, holds Klein, it's not the dream of health that primarily drives America's current antismoking campaigns; rather, it's moralists' censorship of cigarettes' ``discursive performance,'' which hitherto has ``regularly been linked to strong currents of sexual and political freedom.'' Some might find all this just a smoke screen hiding addiction's raw grip--but, even so, it's a lovely one, full of delightful whirls of logic and puffs of insight; moreover, Klein claims that the writing of it has allowed him to quit, ``definitively.'' (Photographs--not seen) -- Copyright ©1993, Kirkus Associates, LP. All rights reserved.

Customer Reviews

Excellent Book !
I can not remember the last time I read such a well written book. Klein is an amazing wordsmith & this book is a treasure in understanding the lure, beauty, and sublime charms which keep 1.4 billion people in the world smoking every day.

A superbly spun, well-researched "In Your Face" to the Nanny State!
In this iconoclastic gem of a book, Klein manages to provide a wonderful tool to those of us readers who resonate with his wonderful voicing of one giant "in your face" to the new and stultifying "Nanny State". This statement summarizes the message of "Cigarettes are Sublime" !
Usually we who chafe at "Big Brother" telling us how to treat our bodies, resort to arguments like: "Well, I want to have the right to smoke on my balcony at work 'dammit'!" Such protest can sound a bit like an adolescent stamping one's foot. Klein however, in this so well-spun book, with its rich historical analysis spanning many cultures, gives us a unique and powerful tool to use, in voicing our protest.
"Cigarettes are Sublime" manages to capture what is the CULTURALLY EMBEDDED power, and perhaps (if you agree with Klein) what is in fact the VALUE, as means of self-expression, of smoking, as a social symbol and act. As the Editorial reviews note, "vices" in general (drinking, playing poker, smoking, eating gloriously at sumptuous tables with friends) are all very powerful "games" or "props" in that very underappreciated arena of how we humans "play" with each other in private life--what mischief we toy with, what message we project to others about our "attitude"; to death, to sex, to an embrace vs rejection of the message (broadcast daily in ominous bulletins from our media),that our bodies are entities vulnerable and besieged by a barrage of "risks" that we must always vigilantly guard against, at any cost, including sacrifice of our bodies as instruments of pleasure and work. In this light, the puff on a cig is not JUST recklessness, but in fact, can give that same royal pleasure that one gets in reveling on one's roof to catch rays, as others , anxiously monitoring the daily published "cancer index" of the sun, huddle indoors.
Seen from this very often ignored angle of pleasure and play and social intercourse, cigarettes--as are so many of our personal habits and messages to others in our myriad relationships--are a sublime pleasure in the playground of life, the very thing that those who cry for quantity of life, ignoring quality of the play, indeed need heed, if life is what they wish to "celebrate".

Philosophically speaking, "What is a Cigarette?"
"Cigarettes, in fact, are never what they appear to be."

Cigarettes are arguably hazardous to one's health, which is exactly what makes them such a sublime pleasure. They combine pleasure with an "intimation of mortality." As any smoker knows, smoking cigarettes is one of the most sensual experiences in life. Despite the the anti-smoking hysteria and worldwide bans on public smoking, more than one billion people in the world continue to smoke. It is the only new pleasure man has invented in the last 1,800 years. In Cigarettes Are Sublime, Richard Klein addresses the philosophical question: "Qu'est-ce que la Cigarette?" (What is a Cigarette?) (p. 28). For Klein, who wrote this book out of his desire to stop smoking, the allure of the cigarette is "a darkly beautiful, inevitably painful pleasure that arises from some intimation of eternity."

Klein's equally eloquent and provocative treatise on the aesthetics of smoking draws from Sartre, Mallarm, Bizet's Carmen, and the "Humphrey Bogart cigarette" in Casablanca, to chronicle the 1,800-year evolution of the cigarette through history, culture, art, film, literature, music, and philosophy, from its religious inception (smoking as a form of prayer) to smoking as a part of the creative process for writers and artists. Klein believes the current anti-smoking campaign goes beyond health concerns and raises issues of personal freedom. He argues that it is not health concerns that motivate the current anti-smoking hysteria and public smoking bans, but a moralistic censorship of one's sexual and political freedom associated with cigarettes. (For further reading on this point, see Joe Jackson's well reasoned exercise in skepticism, "Smoke, Lies, and The Nanny State:"

www.joejackson.com/pdf/5smokingpdf_jj_smoke_lies.pdf.

Klein's erudite meditation on smoking offers fresh insights into what many of us do ten times a day. Highly recommended.

G. Merritt