Product Description

No Description Available.
Genre: Popular Music
Media Format: Compact Disk
Rating:
Release Date: 20-APR-1987

Track Listing

1. Crazy
2. There She Goes Again
3. Burning Down
4. Voice of Harold
5. Burning Hell
6. White Tornado
7. Toys in the Attic
8. Windout
9. Ages of You
10. Pale Blue Eyes
11. Rotary Ten
12. Bandwagon
13. Femme Fatale
14. Walter's Theme
15. King of the Road
16. Wolves, Lower [*]
17. Gardening at Night [*]
18. Carnival of Sorts (Box Cars) [*]
19. 1,000,000 [*]
20. Stumble [*]

Product Details

• Amazon Sales Rank: #10237 in Music
• Brand: R.E.M.
• Released on: 1990-10-25
• Number of discs: 1
• Dimensions: .19 pounds

Amazon.com
While purists will insist on an undiluted copy of the band's 1982 Chronic Town EP, R.E.M. completists (and those who just like a lot of tracks for their money) will be grateful for the inclusion of 15 additional B-sides and curios on this 1987 compilation. Not surprisingly, the non-Chronic material is a mixed blessing: while R.E.M. were much beloved for being notorious cover-whores during those early Athens live shows, their reverent takes on Velvet Underground classics stand the test of time far better than their odes to Roger Miller and Aerosmith. But all that will be forgotten by the time Chronic Town's "Wolves, Lower" kicks in, signaling the official arrival of a band that forever changed the face of Southern rock. --Bill Forman

Customer Reviews

You kind of had to be there....
... which is not to say I was hitting the Athens club scene in the mid-late-80s, I was a disgruntled high schooler in a hick town with a few cool-nerdy friends and we spent a lot of time trying to figure out ways to obtain beer and places to sit around and drink it. That's when we began to stain our pink lungs with cigarettes and sit on the hoods of cars in fields, playing music on a one-speaker boom box: Elvis Costello's "Trust" and "Armed Forces," Warren Zevon, They Might Be Giants, "Nebraska," the Violent Femmes and, especially, REM's "Dead Letter Office."

I completely respect a band's right to make the music they want to make, but at the same time I'm firmly a fan of REM's pre-"Losing My Religion" stuff (so fans of latter albums should take my 5-star rave with several grains of salt). And I love "Reckoning" and "Fables" and "Murmur" and most of all "Life's Rich Pageant." They're great, hand-tooled classics.

But "Dead Letter" is loose, banged-out, sloppy music by a surly young band for surly young people growing up in the waning days of the Reagan era.

"Ages of You" and "Voice of Harold" and "Rotary Ten" and "King of the Road" just kind of sum up winter, 87, for me and I can't listen to them without thinking about warm cans of Milwaukee's Best, Lucky Strikes and cottonmouth. And the covers of "There She Goes Again" and "Femme Fatale" led me directly to the Velvet Underground. Let me say that again: This Album Led Me to The Velvet Underground. Can an album, or anything, do more for a listener than that? I don't think so.

Best of the Rest
"Dead Letter Office" is a housecleaning effort from R.E.M.'s days on IRS records (1981-1987). As such it provides an interesting alternative view of the band. Several of the tracks reveal a goofy sense of humor that doesn't show itself on their "proper" albums. Two examples are "Voice of Harold," which features the backing track from "7 Chinese Brothers" as singer Michael Stipe reads a studio promotional flyer, and a cover of the Roger Miller country staple "King of the Road." The band acknowledges its considerable debt to the Velvet Underground by covering no less than three songs ("There She Goes Again," "Pale Blue Eyes" and "Femme Fatle") that are among the best performances here. Aerosmith's "Toys in the Attic" even gets a workout. The CD includes the contents of the band's 1981 EP "Chronic Town" as a (very considerable) bonus.

Overall, rarities albums don't get much better than "Dead Letter Office."

Great REM, a great listen and a great buy
This is, quite simply, my favorite REM CD for repeat listening. The only track I feel is even remotely substandard is the mangled rendition of "King of the Road", and even that track is pretty good listening compared to the filler most bands use to fill out an album. The inclusion of the Chronic Town EP as the last five tracks on the disc are an added listening bonus, as this album provides one of the longest-playing REM CD's I own, and I'm just as happy to start over again at the beginning immediately after listening to it.