Product Description

Alexander Dovzhenko, one of the four giants of early Soviet revolutionary cinema, shattered the film world with his silent masterpiece "Earth," even though few outside the director's native Ukraine connected with its specific references to place and topic. But the deep feeling and poetic imagery of this film transcends locale and era, moves strong men to tears and has frequently won it a place on critics' lists of the greatest films of all time.

Product Details

• Amazon Sales Rank: #73377 in DVD
• Brand: Image Entertainment
• Released on: 2002-01-22
• Rating: Unrated
• Aspect ratio: 1.33:1
• Formats: Black & White, DVD, Subtitled, NTSC
• Original language: Russian
• Subtitled in: English
• Number of discs: 1
• Running time: 101 minutes

Amazon.com
Some Soviet films from the 1920s occasionally feel like work, but not this one. By general consensus, Earth is among the most exalted of all silent films. Alexander Dovzhenko drew upon memories of his rural Ukrainian childhood for this lyrical ode to peasants (in true Soviet fashion, they are radicalized by the arrival of a new tractor). What is so remarkable about the film is not merely the visual poetry, but Dovzhenko's earthy (there is no other word for it) appreciation for the human being: a grandfather pauses in his dying to gobble up a ripe pear, farmers urinate into the radiator of the overheated tractor, a child happily munches on a melon after a tragic death. Dovzhenko embraces it all, and his image of a man dancing alone on a moonlit road is one of the cinema's great expressions of simple joy. This is a true masterwork. --Robert Horton

DVD features
Also on the Earth DVD is a partial reconstruction of Sergei Eisenstein's Bezhin Meadow, one of the great director's many lost works. It was shot in the mid-1930s, banned by Soviet authorities, and destroyed during World War II. The half-hour reconstruction is made up of stills and single frames that survived. It's a valuable artifact for Eisenstein enthusiasts, and what remains makes the Soviet officials' decision seem rather puzzling, since the film appeared to contain the customary tropes of Stalinist cinema: an anti-clerical message, sickles raised in rebellion, and lots of tractors. --Robert Horton

Customer Reviews

About the Image DVD version of EARTH
The Image DVD version of the 1930 Russian silent film EARTH has a disappointing video transfer. It is made from the same video source that was used for Kino's VHS tape version released in 1991 ... . The image is replete with scratches, dirt, and looks out of focus (which often indicates duplication from another source). Fortunately, the film's artistic audacity -- its striking compositions and innovative editing -- makes it watchable despite of the poor video quality.

The DVD also includes a still-frame reconstruction of Sergei Eisenstein's 1937 lost film BEZHIN MEADOW, a film about an allegorical struggle between the "old" and the "young". The video quality is much better here, but still isn't as sharp and clean as the edition included in Criterion's EISENSTEIN: THE SOUND YEARS DVD set. (The Criterion disc even includes a few extras such as production photos and articles on BEZHIN MEADOW, while the Image disc has none.)

Image's EARTH (and Criterion's EISENSTEIN: THE SOUND YEARS, for that matter) is an all-region DVD.

Classical Ukrainian Beauty
Earth was supposed to be a Russian propaganda film promoting collectivism. Instead, Aleksandr wrote a love story extolling the beauty of the Ukrainian countryside and promoting the cycle of life and death there amidst the natural beauty and plentiful bounty of nature.

You can see the basic outline that the Russians wanted. Backwards farmers resist tractors coming in to make their life better. Rich landowners are upset at upstart farmers coveting their lands. But look beyond that, to the way the people interact, to the straw-roofed houses, the dancing, the fields of wheat, the love of the land. Appreciate the beautiful way in which the film was done, capturing a series of picture-perfect scenes that would be gorgeous if framed and hung on a wall.

This is definitely a movie to savor and to appreciate the lush landscape that was pre-Stalin Ukraine. I was fortunate enough to watch Earth with my parents and both sets of my godparents, and tape recorded their commentary to it. For me, that commentary will serve far better than the default musical soundtrack that comes with the film. If you can, watch the film with older Ukrainians, or read commentary on the web to get a sense of what this time was all about.

Forget the Propaganda
Dovzhenko's quasi Soviet art film "The Earth" isn't really a propaganda film at all - it is one of those happy miracles in which the heavy hand of state control of the arts occasioned a work that went far beyond the funders' intentions and produced a jewel of the form. Dovzhenko wasn't at all sure how he felt about collectivization before the fact, though we know that he was appalled by its consequences afterward, but on the way to another square wheeled political epoch something happened; he was a keen enough observer of humanity to, capture a boy meets tractor love story that will look familiar, and bring a smile, to farm people anywhere, anytime; he recorded a universally persuasive evocation of youthful optimism, and finally Dovzhenko made an eloquent case for time, renewal and fecundity as the ultimate solace of human life - not the State, not the Church. Time and the Land alone suffice for happiness. The little stories embedded in this film are not finally the point; Dovzhenko was ordered to make a celluloid pamphlet, and fooled everyone by making a love offering to the Ukrainian countryside in all its living, dying, breathing and eternal glory. The cyclic images are everywhere: young people climb out of their underground shelters in the warming morning, an old man returns to sleep in the earth as he dies, lambs jump and young people dance while fecundity is rampant with apples, apples, apples everywhere. The political advocacy that occasioned this film is irrelevant to the modern viewer - its cause is dead, dead. Color it dust. What remains is one of the finest examples of the visual songs-without-words style ever made. The Earth is a must-see for all serious students of cinematic art.