Product Description

An ex-boser is taken in by a sexy widow & a crooked cop as a dupe in a con game but their plan is doomed to fail because their pawn is actually an escaped mental patient. Studio: Lions Gate Home Ent. Release Date: 03/26/2002 Starring: Rachel Ward Jason Patric Run time: 114 minutes Rating: R

Product Details

• Amazon Sales Rank: #38959 in DVD
• Brand: Lions Gate
• Released on: 2002-03-26
• Rating: R (Restricted)
• Aspect ratio: 1.85:1
• Formats: Closed-captioned, Color, DVD, Letterboxed, Widescreen, NTSC
• Original language: English
• Subtitled in: English
• Number of discs: 1
• Running time: 114 minutes

Amazon.com
If you like the twisted, amoral characters that inhabit the world of pulp novelist Jim Thompson, you're going to love After Dark, My Sweet, one of the most faithful of many Thompson adaptations. Protagonist Kevin "Kid" Collins (Jason Patric), called "Collie" by those attracted to his shaggy dog side, escapes from a mental hospital and shuffles into a lonely desert town (and Patric really has the gait of a former pugilist down). Enter widow Fay Anderson (Rachel Ward), with legs that could stop a truck and a half-baked scheme to kidnap the scion of a rich family, which she's dreamed up with her unctuous and untrustworthy Uncle Bud (Bruce Dern), and it's the beginning of the end for the likable Kid.

After Dark, My Sweet is a film about judging people. No one is who they seem. Only by guessing their true intentions can Collins have a chance to survive. The film also has brilliant performances by the three leads, especially Dern, whose Uncle Bud is delightfully unhinged. Director James Foley (Glengarry Glen Ross, The Corruptor) is subtly adept at fleshing out the characters and their ambiguities, which solves the problem inherent in adapting Thompson's sleazy tales--namely, that much of the drama is internal, and therefore unfilmable). --Wayne Karrfalt

Customer Reviews

Will Grow In Stature Over Time
It was easy not to notice this in theaters a decade ago, but time has been exceedingly kind to AFTER DARK & likely will continue to be. Already it stands as one of the 90s best films.
Though its Southwestern locations (Indio, California was used) are both a bit too sparse and modern, in every other way this captures the ineffable aura of Jim Thompson's prose (and anyone who's actually READ "The Getaway" knows how utterly impossible a task translating his best effects to film really is). Director Foley has done a splendid job in setting a tone of dreamlike, sunburned melancholy and maintaining it throughout, aided immeasurably by fine performances by Rachel Ward & Bruce Dern and an absolutely riveting one by Jason Patric. I had faint hopes for this film before seeing it, due mostly to Patric in the lead; I was floored watching it, and all DUE to Patric's performance. Though a little young for the part, he captures perfectly the likable ambivalence and roiling inner pathology of the Jim Thompson Hero: you never stop feeling for the guy even as you know he will inevitably be compelled by his inner torments to do monstrous things before the story ends. Patric's complete immersion into "Kid Collins" steals a little thunder from one of Bruce Dern's most chillingly indelible portrayals of slime personified, "Uncle Bud". (Fans of Dennis Hopper's "Frank Booth" from BLUE VELVET would take to Uncle Bud immediately, I think.)
More than any other film adaptation of Thompson, AFTER DARK -even more than THE GRIFTERS - embodies that peculiar cowtown existentialism of his that tells us we're each of us alone in a world where things start bad and only get worse, pretending we're sane the way kids pretend there's a Santa Claus. A film without an audience in 1990, but little by little, year by year, a growing and appreciative audience is building. See this movie.

Jim Thompson on film--and punchy!
Very nice piece of work with strong casting. How can you do better than have Bruce Dern play an ex-cop sleazeball? Or Rachel Ward as a dangerous femme fatale? Or Jason Patric as a semi-addled former boxer with smoldering sexuality?

Answer: you CAN'T. Yep, we're in Jim Thompson land--aka Desperation City, and each one of these three characters has some kind of desperation going on, as do just about all of Thompson's characters. This is neo-noir at its best; you reduce the story down to fundamental elements and have James Foley directing--a rock solid director--and you got yourself one humdinger of a flick.

So yeah, there's sex and violence and yeah, they both come out of Desperation. Oh yeah. The flashbacks of Patric (as Kevin Collins), a former boxer, when he was in the ring, add just the right element for cementing the story and its Thompsonesque flavor. So there's a planned heist and stuff, but the formula isn't important. What's important is the atmosphere, the acting, the emotional punch on display. And it's definitely here.

Great piece of work. Go for it.

A great little film noir
Film noir focuses on desperate people doing desperate things. And that is exactly what this movie entails.
Others have gone over the plot here so I will not do that. I will say that all actors did exceedingly well in what can be very difficult roles to play. They all acted off each other in a believable manner.
Bruce Dern was never seedier than he is with this character. Jason Patric and Rachel Ward also excel at thier characters.
What is decieving here is the setting....somewhere in the southwest, desert area. Film noir is typically dark and shadowy but here there is lots of sunlight. It takes the focus off the setting and puts it on the plot, which I found to be an interesting twist and quite effective.
In the heat, the emotions bubble over. Lust, greed, deception, lies, mistrust and paranoia all play out in layer upon layer and is accented by Jason Patric's character very effectively.
For those who like film noir with a twist you will certainly like this little known gem. It is immediately captivating and magnetic. I don't know how I missed it on it's original release but certainly glad I caught up to it. Take a chance folks... you won't be disappointed.