Product Description

Two drifters are passing through a Western town, when news comes in that a local farmer has been murdered and his cattle stolen. The townspeople, joined by the drifters, form a posse to catch the perpetrators. They find three men in possession of the cattle, and are determined to see justice done on the spot.

Product Details

• Amazon Sales Rank: #9305 in DVD
• Released on: 2003-11-04
• Rating: Unrated
• Aspect ratio: 1.33:1
• Formats: Black & White, Closed-captioned, DVD, Full Screen, NTSC
• Original language: English, Spanish
• Subtitled in: English, Spanish
• Number of discs: 1
• Running time: 75 minutes

Amazon.com essential video
The Ox-Bow Incident is one of the essential Westerns, directed by William Wellman. A study of the effects--and aftereffects--of mob violence, this film (based on a true story) begins with the murder of a popular rancher. Angry townspeople form a posse, find suspects, and, without waiting for a trial, summarily hang them in an expression of biblically tinged frontier justice. But the one cowboy who tried to turn the mob aside ultimately proves that they executed innocent men. Made in 1943, the film features stunning black-and-white cinematography and a solid dramatic sense about what a deadly combination ignorance and self-righteousness can be. Fonda made this film between The Grapes of Wrath and My Darling Clementine, at a point when he was at the peak of his powers as a young actor. --Marshall Fine

Customer Reviews

FRONTIER INJUSTICE...
This is a classic, black and white western about frontier justice gone awry. Based upon a true incident that was memorialized in Walter Van Tilburg Clark's best selling novel, this film was a Best Picture Academy Award nominee in 1943, losing to "Casablanca".

This timeless and classic western, about how mob rule can carry the day, is set in Nevada around 1885. Cattle rustlers are the bane of the town's existence, when cowboys Gil Carter (Henry Fonda) and his illiterate side-kick, Art Croft (Henry Morgan), return to town. On the heels of their return, word gets around that a popular rancher, Larry Kincaid, has been murdered, shot in the head, and his cattle stolen.

The townspeople, mostly men, decide to deputize a posse on their own and take justice into their own hands, rather than wait for the return of the sheriff from the Kincaid ranch. The one woman, "Ma" Grier (Jane Darwell), is a harridan as bloodthirsty as the men. The mob disregards the sane, rational advice of the town's judge and of those townspeople who have cooler heads. Instead, those with blood lust in their veins prevail, and the so-called posse rides out in pursuit of frontier justice. Gil and Art join them, despite being of a mind that it would be best to wait for the sheriff.

The posse happens to come across three sleeping travelers with a herd of cattle. A dapper Mexican (Anthony Quinn), a young husband and father (Dana Andrews), and a piteous, slow-witted, old man constitute the hapless trio. With blood lust rampant, the mob obtains some seemingly damning information from them and quickly forms an opinion as to their guilt. Even though seven men, Gil Carter and Art Croft among them, disagree with the decision, the merciless majority prevails, and rough frontier justice is meted out without benefit of formal trial or due process.

This film is similar in some ways to the 1957 film, "12 Angry Men", also starring Henry Fonda. There, despite a seemingly open and shut case, twelve men are prevailed upon to weight the facts very carefully and to examine the evidence in an objective rational fashion to ensure that justice be done. In "The Ox-Bow Incident", one sees what can happen when one seemingly has an open and shut case but fails to examine the evidence in an objective and dispassionate manner. In one case, justice is done. In the other, a travesty of justice occurs.

This is a superb film, deftly directed by William A Wellman, who exacts marvelous performances from the entire ensemble. Despite its brevity, being only approximately seventy-five minutes in length, the film manages to pack a dramatic wallop. Moreover, the sets are realistic looking, with a dirty, dusty, and gritty feel, as are the seemingly threadbare, dirty, and ratty clothing worn by some of the actors. The film deservedly earned its 1943 Academy Award nomination for best picture.

The transfer to DVD is great, as the print has apparently been re-mastered, providing the viewer with clear, crisp visuals and excellent audio. The DVD also provides some extras, such as a commentary by western scholar Dick Eulain and William Wellman, Jr., the director's son, an excellent A & E Network "Biography" episode, "Henry Fonda: Hollywood's Quiet Hero", as well as a stills gallery. This is a well-priced DVD of a great film, which should find its place in the personal collection of all those who love such films.

A not-so-famous gem!
When, oh when will this movie come out on DVD? I often don't agree with "film critics", but this Western deserves all the accolades it gets. This movie speaks to the dangers of mob rule. Films so often become preachy and condescending when trying to tell a story with a `moral' behind it such as this, but William Wellman pulls it off here with beauty and finesse.

Henry Fonda is at his most believable in this role, much better in my opinion than in `12 Angry Men', where he single-handedly convinces 11 other jurors of a teen's innocence in a murder trial. Here, Fonda is far more human. He cusses. He drinks. He fights. And, most importantly, because suspicion has already been cast on him and cohort Harry Morgan as possible suspects in the murder/rustling case, he ultimately allows the execution of 3 innocent men to take place. Although he serves as the mirror for law, order, and justice, his own human weaknesses make him powerless to stop the lynching.

The supporting cast is excellent. Morgan does a surprisingly good job as Fonda's buddy `Art'. Jane Darwell is perfect as the untamed Ma Grier. And Leigh Whipper as the black preacher `Sparks' gives the film some spice without going over the top. My only criticism is with Dana Andrews - his performance comes off as rather stagy, but not enough to reduce the powerful impact of the film.

This movie was not shot `on location' but in a studio, purportedly to give it a `claustrophobic' effect. It does just that! There are a few interesting sub-plots too, such as Major Tetley's obsession with `making a man' out of his less-than-masculine son, and Gil (Fonda) meeting up with former sweetheart Rose, who is now married to an obnoxious businessman from San Fransisco.

This film has not a boring moment in it. On an emotional level it runs far deeper than most Westerns. And, if you're a Henry Fonda fan and have not seen this movie, do so. He is far more convincing as an `average Joe' than in many of his `hero' type roles. It may be his best performance ever.

Justice Western Style
Ox-Bow Incident

This is a classic, black and white western about frontier justice gone awry. Based upon a true incident that was memorialized in Walter Van Tilburg Clark's best selling novel, this film was a Best Picture Academy Award nominee in 1943

This timeless and classic western, about how mob rule can carry the day, is set in Nevada around 1885. Cattle rustlers are the bane of the town's existence, when cowboys Gil Carter (Henry Fonda) and his illiterate side-kick, Art Croft (Henry Morgan), return to town. On the heels of their return, word gets around that a popular rancher, Larry Kincaid, has been murdered, shot in the head, and his cattle stolen.

The townspeople, mostly men, decide to have the sole deputy left behind by the sheriff deputize a posse ratherher than wait for the return of the sheriff from the Kincaid ranch.

This is a superb film, deftly directed by William A Wellman, who exacts marvelous performances from the entire ensemble. He is especially good when the subject is strong men mano-a-mano The film deservedly earned its 1943 Academy Award nomination for best picture.

The transfer to DVD is great, as the print has apparently been re-mastered, providing the viewer with clear, crisp visuals and excellent audio. The DVD also provides some extras, such as a commentary by western scholar Dick Eulain and William Wellman, Jr., the director's son, an excellent A & E Network "Biography" episode, "Henry Fonda: Hollywood's Quiet Hero", as well as a stills gallery. This is a well-priced DVD of a great film, which should find its place in the personal collection of all those who love such films.

Highly recommended for fans of classic westerns and Henry Fonda.

Gunner November 2007