Product Description

A CRIME-MAGAZINE PUBLISHER KILLS HIS MISTRESS, THEN ORDER HIS EDITOR TO LEAD A MANHUNT.

Product Details

• Amazon Sales Rank: #14824 in DVD
• Brand: UNI DIST CORP. (MCA)
• Released on: 2004-07-06
• Rating: NR (Not Rated)
• Aspect ratio: 1.33:1
• Formats: Black & White, Closed-captioned, Color, Dolby, DVD, Full Screen, Subtitled, NTSC
• Original language: English
• Subtitled in: English, French, Spanish
• Number of discs: 1
• Running time: 95 minutes

Amazon.com
What if you were asked to investigate a murder in which you were the prime suspect? From this seemingly impossible notion comes a grandly entertaining nail-biter. Charles Laughton plays the punctuality obsessed, slave-driving head of a publishing empire who won't let his crime magazine's star editor (Ray Milland) take a day off to spend with his family. The overworked Milland, having just upset a delayed honeymoon trip for the umpteenth time, goes on a sorrow-drowning, bar-hopping bender with a mysterious woman who, it turns out, is Laughton's mistress. Later that night after Milland has gone home, Laughton murders her, and the next day he assigns Milland to investigate, since a number of clues point to her having spent time with another man that night. Milland, then, must not only find the real murderer but sidetrack the investigation away from himself. That both characters are solving the crime in tandem yet unwittingly working toward pinning the murder on each other is at the heart of The Big Clock's labyrinthine brilliance. Helping bring out the dark humor in this adaptation of Kenneth Fearing's noir novel (included in the Library of America's Crime Novels collection) is Elsa Lanchester as a high-strung painter who can sketch the prime suspect (Milland), a time-bomb plot device that only adds to the already unbearable suspense. This is a taut, lean thriller, superbly handled by director John Farrow, who never fails to remind his audience through repeated use of clocks, timepieces, and watches that all too often in our lives that ticking sound is the enemy. This was remade in 1987 with Kevin Costner as No Way Out. --Robert Abele

Customer Reviews

Well Done Noir, Well Worth Watching
This is not, in my opinion, one of the great noirs, but it tells a fast-paced, well-acted story with style, tension and humor. Ray Milland plays George Stroud, dynamic editor of a crime magazine, one of many in Earl Janoth's (Charles Laughton) publishing empire. Through circumstances, he meets Laughton's mistress one evening. She later is killed. Janoth puts Stroud in charge of tracking down the murder to get an exclusive for the magazine...(not much of a spoiler ahead; the killing is shown early)...and to cover the fact that Janoth was the killer. Milland is quickly set up to take the fall.

Milland was edging into middle age and this added to the authority he brought to the role. Although he still had the charm and light comedy springingness, he is believable as a quick-thinking potential victim.

Laughton is first rate. In a couple of scenes he scurries to the elevator or across a hall and looks like a fat, dangerous spider. He helps define Janoth's character as an indulgent, morally corrupt egoist by touching his mouth and grooming a small, ridiculous moustache with a little finger.

Rita Johnson plays the mistress and is terrific. She's shrewd, sexy and sophisticated. She didn't have much of a career and, according to IMDb, apparently had a death worthy of a noir movie.

George Macready plays a smart, cold, condescending lawyer whose ethics are flexible. His range may have been be limited, but Macready was one of Hollywood's great character actors.

You might be able to find an old, used paperback of the book by Kenneth Fearing. He was a good poet who never made it. In the three or four mystery/novels he wrote he uses the device of having the characters speak for themselves in the first person, each to his or her own chapter. It takes getting used to but it becomes quite effective. Dagger of the Mind and The Loneliest Girl in the World also are very good and also, I suppose, long out of print. If you like mysteries (or dead American poets), give him a Google.

Kevin Costner's No Way Out was based on the book and this movie. In the ring, I'd give Milland over Costner on points by a wide margin; Laughton over Hackman on points but close; Macready over Patton by a knockout in the sixth; and Johnson over Sean Young by a knockout in the first. And this version over the other by a knockout in the fifth. No Way Out's conclusion is, for me, unsatisfying because it drains sympathy from the Costner hero. In The Big Clock, the ending is satisfyingly concluded with an elevator shaft and, later, a hug and a laugh.

The DVD transfer is quite good considering the age of the movie, and shouldn't be a reason for not getting the movie.

The Clock's Ticking!
John Farrow's "The Big Clock" is one of the great noir films of the 40's. The downside is many people have 1) rarely seen it. 2) Many haven't even heard of it! Ray Milland stars as George Stroud a man who as the film goes on will have to track down a murderer when all the clues lead to one man, him! How can he prove his innocence. And how will he get anyone to believe him? These are the interesting questions that arise as you watch this film.
George Stroud (Milland) works for a publication that somehow manages to break cases before the police do. He is also suppose to go on his honeymoon with his wife Georgette (Maureen O' Sullivan) which is long overdue ( they now have a 5 year old son!). But, his boss Earl Janoth (Charles Laughton) wants him to postpone his honeymoon. Claiming he'll give him higher pay and a month's vaction. But George knows his wife will kill him if he's not there ready to leave with her lol. Now, one thing leads to another ( I don't want to give anyway too much of the plot). But George ends up missing his train and spends the night with Janoth's mistress! Later on that night, he finds that Janoth's mistress is dead! Was it murder? Well, all directions point that way since George saw Janoth go into Pauline York's (Rita Johnson) apartment. In an attempt to cover up his actions, Janoth tells George he has to solve the case before the police get involved. "The Big Clock" has a great musical score by Victor Young, nice cimatography by Daniel L. Fapp & John F. Seitz. And, fammed costume designer Edit Head does wonderful work. All of these things give this movie the "classic" noir feel to it. There are good, solid performances by everyone, and nice directing by Farrow. This is a very pleasurable film to watch on one of those rainy, dark nights, that just feels like watching a noir film. One of the best noir films I've ever seen.

Ray Milland and Charles Laughton in absorbing 40's thriller
It is a real pleasure to rediscover obscure films from years ago which are still of interest today and "The Big Clock" (made in 1948) falls into this category and is well worth seeing again. At the start of this compelling thriller we find Ray Milland hiding in the "Big Clock" of the title wondering to himself how he ever got involved in murder and deception when he is just a hard working married man devoted to his family and career and completely innocent of any crime. As was usual in forties films at that time we now go into a lengthy flashback which explains everything. Ray Milland plays George Stroud who is the crime editor for "Crimeways Magazine" which specialises in solving real life crimes. Charles Laughton is Earl Janoth, head of the Janoth publishing empire which produces many successful magazines including "Crimeways". George accidentally meets up with Pauline York (Rita Johnson) in a bar unaware that she knows Janoth and is in fact his mistress - George spends the evening with her and goes back to her apartment. Unfortunately he is seen with the girl in several places quite publicly so when she is later found dead in her apartment Stroud finds himself falling under suspicion. Janoth forces Stroud to investigate the case but his personal involvement with the girl means that many witnesses can identify him as being with her on the night she was murdered. He has to use all his investigative skills to keep himself in the clear and track down the real murderer. Wife Georgette Stroud (Maureen O'Sullivan) is not very sympathetic as she is anxious to take the family on holiday (and plans to do so with or without George). Elsa Lanchester has a very good cameo role as Louise Patterson, an eccentric artist who plays a significant part in the unfolding drama. "The Big Clock" has a first rate supporting cast including George Macready, Harry Morgan, Lloyd Corrigan, Philip Van Zandt, Richard Webb and Dan Tobin. The film was directed by John Farrow who also made "Where Danger Lives" and "His Kind of Woman" (both with Robert Mitchum).

Some favourite lines from the film:

Ray Milland: "More guards, the lobby's sewed up like a sack - and they said shoot to kill. They mean you George, you. How'd I get into this rat race anyway, I'm no criminal - what happened - when did it all start?".

Milland (to Charles Laughton): "Wouldn't you steal something if you wanted it badly enough?".

Laughton (to George Macready): "Everybody knows me".

Elsa Lanchester (to Milland): "Never mind, Mr Stroud, I've few enough collectors without sending one to jail".

Charles Laughton won the Best Actor Oscar in 1932 for his role in "The Private Life of Henry VIII". Laughton was a very distinguished British actor who appeared in many prestigious films and directed the splendid "Night of the Hunter" in 1955. Ray Milland deservedly won the Best Actor Oscar for "The Lost Weekend" (directed by Billy Wilder in 1945). Milland had a long and successful career both as an actor and later as a director. Maureen O'Sullivan is best known for her role as "Jane" in the Johnny Weissmuller Tarzan films. She was married to John Farrow (director of "The Big Clock") and one of her daughters is of course the actress Mia Farrow.