Product Description

A marked hit man flees with a nightclub singer and stops a fifth-column poison-gas plot. Studio: Uni Dist Corp. (mca) Release Date: 07/06/2004 Starring: Alan Ladd Robert Preston Run time: 80 minutes Rating: Nr Director: Frank Tuttle

Product Details

• Amazon Sales Rank: #14806 in DVD
• Brand: Universal
• Released on: 2004-07-06
• Rating: NR (Not Rated)
• Aspect ratio: 1.33:1
• Formats: Black & White, Closed-captioned, Dolby, DVD, Full Screen, Subtitled, NTSC
• Original language: English
• Subtitled in: English, French, Spanish
• Number of discs: 1
• Running time: 80 minutes

Customer Reviews

This Gun for Hire
Wonderful character actor Laird Cregar plays the oily and overfed Broadway angel and hulking Lothario to singing magician Veronica Lake. By day he's a squeamish schemer, eager to contract out crime most foul just so long as he isn't subjected to recitals of any disturbing details. That he'd double cross Alan Ladd's Raven was as inevitable as his bedtime box of mints and book of racy French stories. That Raven would resent it was unfortunate, indeed.
Cregar died at the tender age of 30, two years after THIS GUN FOR HIRE was released. For old movie fans unfamiliar with him, he was a combination of a bulked up Vincent Price and Sydney Greenstreet with a little more bounce in his step.
As delightful as Cregar is, discussion of THIS GUN FOR HIRE starts and stops with Alan Ladd, who catapulted to stardom with his portrayal of the cold-blooded killer Raven. The emblematic scene occurs early on, when the hired Ladd enters an apartment building to fulfill his end of the contract. He meets a young girl wearing leg braces as he walks up the stairs. What occurs next, and continues on until he leaves the building, is simply a brilliant bit of minimalist screen acting. Raven's face is an expressionless, cold-blooded, inscrutable mask. Ladd plays the sequence almost solely with his eyes. They dart menacingly from the crippled girl to the apartment door, assessing the risks, flashing for a split second before smoldering to a colder temperature. It's a justifiably famous scene, one of the best tough guy sequences ever, a star maker.
The plot bends and twists just enough to throw Ladd and Lake together for most of the last half of the movie. She a hostage with a secret or two, he obsessed with getting back at Cregar. The camera liked what it saw when they shared a frame. Ladd and Lake oozed chemistry, enough for a handful of future teamings. Their characters dance an uneasy minuet in this one - Ladd never lets Lake's considerable charms breach his tough guy shell, she's reminded more than once why he's named for a ruthless carrion killer. The only time this movie stumbles, I believe, is when Ladd talks about the "psych-something doctor" who can make his bad dreams go away. By then the movie was in a hurry to get to the final scene, and it needed to humanize Ladd some before getting there. Still, it feels awkward and stilted.
THIS GUN FOR HIRE is an exceptional movie, one of the best tough-guy crime thrillers ever made.

A nice, slick bit of 40s movie-making
This Gun for Hire was based on the Graham Greene novel A Gun for Sale and was considerably toned down and glammed up for the early 40s movie going public. Not that there's anything wrong with that.

I found this movie rather enjoyable, it is easy to see why Ladd and Lake were made into a screen team. They are supported by Laird Cregar as a plotting spy with no stomach for violence and Robert Preston as Veronica Lake's cop boyfriend. Alan Ladd steals the show as Raven, a killer for hire who really only likes cats. (as a cat lover, I was automatically more sympathetic to him) Cregar's Gates betrayed him to the cops and now he wants revenge.

Raven and Lake's Ellen, a nightclub magician, cross paths throughout the movie and she begins to strip down his tough guy veneer to reveal an abused childhood. Armed with her brains and a considerable amount of flag waving, Ellen tries to persuade Raven to give up his vengeance and uncover an Axis plot.

Ladd, Lake and Cregar are all marvelous but the usually wonderful Preston (best known for his smooth con-man in Music Man) isn't given much to work with and his cop character feels flat especially next to Raven.

This movie is really a must-see for any fan of 40's films and even with its flaws (I also found the final image to be annoying and totally against Lake's independant character), it is still a pleasant way to pass an evening.

RAVEN A CHILLING SCREEN CREATION
"This Gun For Hire" is a watered down, glammed up version of Graham Greene's novel A Gun for Sale. It represents the first of four cinematic outings that teamed sultry Veronica Lake with the stoically handsome Alan Ladd, a potent cocktail of personalities that proved to be much in demand over the next decade. Perhaps a tad heavy on sentimentality than most film noirs, the plot concerns Philip Raven's (Ladd) obsession with Ellen Graham (Veronica Lake) a nightclub dancer with a rough and rumble cop boyfriend, Michael Crane (Robert Preston). Ellen is supposed to be working on exposing Alvin Brewster (Tully Marshall), a chemical company CEO who sold poisonous gas to the Japanese. But an odd and Freudian driven relationship surfaces between Ellen and Raven when she senses his childhood pain and angst. Ellen becomes Raven's willing captive, in the process transcending his nightmares and making him more human. The very first scene in this film is so incredibly chilling it begs special mention. After having been double crossed by ne'er-do-well, Williard Gates (Laird Cregar), Raven (Ladd) contemplates killing an innocent little girl who has seen him. Even though the resulting decision is typical "golden age" morality, Ladd makes one believe, if only for a moment, that such cold blooded silencing might be possible.
THE TRANSFER: Universal's DVD transfer is remarkably solid and clean. The gray scale is very well balanced with deep solid blacks and whites that are almost pristine. There's a hint film grain and some age related artifacts. Also, some edge enhancement and pixelization occur, but nothing that will distract from a visual presentation that is a considerable improvement over previously issued VHS tapes. The audio is mono and very well represented.
BOTTOM LINE: There are no extras on this disc. Nevertheless, it is a good disc to add to your library of classic cinema.