Puccini for Beginners
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Average customer review:Product Description
Allegra loves her girlfriend samantha but cant commit. When samantha leaves her allegra rebounds with handsome professor phillip as well as with the beautiful recently single grace. Allegra juggles secret relationships with both never suspecting that phillip and grace have a connection of their own. Studio: Strand Releasing Release Date: 07/03/2007 Run time: 82 minutes Rating: Nr
Product Details
- Amazon Sales Rank: #37146 in DVD
- Released on: 2007-07-03
- Rating: Unrated
- Aspect ratio: 1.66:1
- Formats: Color, Dolby, DVD, NTSC, Widescreen
- Original language: English
- Number of discs: 1
- Running time: 82 minutes
Customer Reviews
Cute and complex, yet irritating
SPOILERS AHEAD.
This movie was kinda cute and charming. Fun for a bit of mindless entertainment -- you can't allow yourself to get too focused on the fact that in the city of 8 million people this one chick happens to find herself in a room with her boyfriend, her girlfriend who is also the boyfriend's ex-girlfriend, and her ex-girlfriend at the same time.
The movie would have more endearing if I liked Allegra more. As it was, though, the movie was intended to be a chronicling of her growth, and that pretty much means she has little redeeming qualities in the first instance. And I found it very hard to care about her character when, after finding out that the two people she's "dating" (term used loosely) are an ex-couple and after being expressly advised by her best friends to dump them both, she apparently makes little to no attempt to do so -- as if she WANTED to get busted anyway.
I'm giving this movie 3 stars because I enjoy the acting talent of Mol and Kirk... but Allegra's character leaves a lot to be desired, and while she's meant to be "complex," she's also really kind of a jerk.
Mildly entertaining
I was really looking forward to the release of this film on dvd. I expected great things from it's maker. I was pretty disappointed when I finally got to see it. The film focuses mainly on the 'straight' relationship and none of the characters really have any chemistry. The story was kind of cute and watchable enough but it only really just touched the surface of things. It pretty much played it safe. I guess that's what you have to do if you wanna break in to the mainstream with these kind of subject matters.
Likable Romantic Triangle Comedy Hamstrung by a Lackluster Lead and Plodding Pacing
Directed and written by Maria Maggenti (The Incredibly True Adventures of Two Girls in Love), this disheveled 2007 romantic triangle comedy has several likable elements, but it never seems to coalesce into something more resonant. The chief problem is that the protagonist, a neurotic, opera-loving lesbian writer appropriately named Allegra, is so perpetually self-absorbed that her dilemma never elicits much sympathy. Elizabeth Reaser (superb in Sweet Land - A Love Story) is an appealing character actress but frankly not charismatic enough to get away with the commitment-phobic shenanigans that Maggenti throws her way in the acerbic script. The gap causes an odd imbalance with her more intriguing co-stars Justin Kirk and Gretchen Mol. Kirk, who soared as Prior Walter in Mike Nichols' epic 2003 adaptation of Tony Kushner's Angels in America, harnesses his quirky persona effectively to play Philip, a bored philosophy professor who becomes attracted to Allegra.
In turn, Allegra finds herself drawn to Philip but is still reeling from a break-up with her conflicted girlfriend of nine months. Meanwhile, Mol (refreshingly frank as The Notorious Bettie Page) seems to be channeling a bit of Meg Ryan's flaky self-righteousness in playing Grace, a pert glass-blower who just broke up with Philip. Grace meets Allegra, and the standard complications ensue. Even with the lesbian angle, which Maggenti handles with aplomb, the indie movie feels more like a throwback to a 1930's screwball farce, especially seen in a hectic party scene where all three principals converge in a most haphazard way. Emotional isolation is a worthy theme to explore, but Maggenti can't make the film snap with the strength of her witty observations. One would have also expected a reference to Puccini, in particular, his tragic opera Turandot, to be reflected more fully than it does here through the plodding plot structure. The 2007 DVD has an insightful commentary track from Maggenti and editor Susan Graef, as well as a couple of deleted scenes.




