Product Details

• Amazon Sales Rank: #1217 in DVD
• Brand: PARAMOUNT HOME VIDEO
• Released on: 2008-09-23
• Rating: R (Restricted)
• Aspect ratio: 2.35:1
• Formats: Closed-captioned, Color, Widescreen, NTSC
• Original language: English
• Subtitled in: English, French, Spanish
• Dubbed in: French
• Number of discs: 5
• Dimensions: .25 pounds
• Running time: 549 minutes

Amazon.com
THE GODFATHER: Popularly viewed as one of the best American films ever made, the multi-generational crime saga The Godfather (1972) is a touchstone of cinema: one of the most widely imitated, quoted, and lampooned movies of all time. Marlon Brando and Al Pacino star as Vito Corleone and his youngest son, Michael, respectively. It is the late 1940s in New York and Corleone is, in the parlance of organized crime, a "godfather" or "don," the head of a Mafia family. Michael, a free thinker who defied his father by enlisting in the Marines to fight in World War II, has returned a captain and a war hero. Having long ago rejected the family business, Michael shows up at the wedding of his sister, Connie (Talia Shire), with his non-Italian girlfriend, Kay (Diane Keaton), who learns for the first time about the family "business." A few months later at Christmas time, the don barely survives being shot by gunmen in the employ of a drug-trafficking rival whose request for aid from the Corleones' political connections was rejected. After saving his father from a second assassination attempt, Michael persuades his hotheaded eldest brother, Sonny (James Caan), and family advisors Tom Hagen (Robert Duvall) and Sal Tessio (Abe Vigoda) that he should be the one to exact revenge on the men responsible. After murdering a corrupt police captain and the drug trafficker, Michael hides out in Sicily while a gang war erupts at home. Falling in love with a local girl, Michael marries her, but she is later slain by Corleone enemies in an attempt on Michael's life. Sonny is also butchered, having been betrayed by Connie's husband. As Michael returns home and convinces Kay to marry him, his father recovers and makes peace with his rivals, realizing that another powerful don was pulling the strings behind the narcotics endeavor that began the gang warfare. Once Michael has been groomed as the new don, he leads the family to a new era of prosperity, then launches a campaign of murderous revenge against those who once tried to wipe out the Corleones, consolidating his family's power and completing his own moral downfall. Nominated for 11 Academy Awards and winning for Best Picture, Best Actor (Marlon Brando), and Best Adapted Screenplay, The Godfather was followed by a pair of sequels.

THE GODFATHER PART II: This brilliant companion piece to the original The Godfather continues the saga of two generations of successive power within the Corleone family. Coppola tells two stories in Part II: the roots and rise of a young Don Vito, played with uncanny ability by Robert De Niro, and the ascension of Michael (Al Pacino) as the new Don. Reassembling many of the talents who helped make The Godfather, Coppola has produced a movie of staggering magnitude and vision, and undeniably the best sequel ever made. Robert De Niro won an Oscar®; the film received six Academy Awards, including Best Picture of 1974.

THE GODFATHER PART III: One of the greatest sagas in movie history continues! In this third film in the epic Corleone trilogy, Al Pacino reprises the role of powerful family leader Michael Corleone. Now in his 60's, Michael is dominated by two passions: freeing his family from crime and finding a suitable successor. That successor could be fiery Vincent (Andy Garcia)... but he may also be the spark that turns Michael's hope of business legitimacy into an inferno of mob violence. Francis Ford Coppola directs Pacino, Garcia, Diane Keaton, Talia Shire, Eli Wallach, Sofia Coppola, Joe Montegna and others in this exciting, long-awaited film that masterfully explores the themes of power, tradition, revenge and love. Seven Academy Award® nominations, including Best Picture.

Amazon.com essential video
Throughout his long, wandering, often distinguished career Francis Ford Coppola has made many films that are good and fine, many more that are flawed but undeniably interesting, and a handful of duds that are worth viewing if only because his personality is so flagrantly absent. Yet he is and always shall be known as the man who directed the Godfather films, a series that has dominated and defined their creator in a way perhaps no other director can understand. Coppola has never been able to leave them alone, whether returning after 15 years to make a trilogy of the diptych, or re-editing the first two films into chronological order for a separate video release as The Godfather Saga. The films are our very own Shakespearean cycle: they tell a tale of a vicious mobster and his extended personal and professional families (once the stuff of righteous moral comeuppance), and they dared to present themselves with an epic sweep and an unapologetically tragic tone. Murder, it turned out, was a serious business. The first film remains a towering achievement, brilliantly cast and conceived. The entry of Michael Corleone into the family business, the transition of power from his father, the ruthless dispatch of his enemies--all this is told with an assurance that is breathtaking to behold. And it turned out to be merely prologue; two years later The Godfather, Part II balanced Michael's ever-greater acquisition of power and influence during the fall of Cuba with the story of his father's own youthful rise from immigrant slums. The stakes were higher, the story's construction more elaborate, and the isolated despair at the end wholly earned. (Has there ever been a cinematic performance greater than Al Pacino's Michael, so smart and ambitious, marching through the years into what he knows is his own doom with eyes open and hungry?) The Godfather, Part III was mostly written off as an attempted cash-in, but it is a wholly worthy conclusion, less slow than autumnally patient and almost merciless in the way it brings Michael's past sins crashing down around him even as he tries to redeem himself. --Bruce Reid

On the DVD
People used to say this was Frank Sinatra's world, and the rest of us just lived in it. After watching the multiple special features in the box set The Godfather: Coppola Restoration, one might conclude it's actually time for a cultural and historical revision: This is the Corleone family's world. The rest of us better tread lightly. Actually, the point of the half-dozen or so features crammed onto a disc accompanying the beautifully restored The Godfather, The Godfather II and The Godfather III, is that The Godfather movies have penetrated popular culture in such a deep and meaningful way that they are second-nature to everything. David Chase, creator of and writer on The Sopranos, for example, describes in the featurette "Godfather World" that his hit HBO series was intended to be the story of the first generation of mobsters actually influenced by Francis Ford Coppola's hit trilogy. Joe Mantegna calls the three films "the Italian Star Wars." (Mantegna co-stars in The Godfather III.) Alec Baldwin says no matter what one is doing, one is compelled to stop and watch the films if they're on television. Richard Belzer calls the films "a religion."

And so on. A number of people similarly testify in "Godfather World" to the importance and ubiquitousness of The Godfather and its sequels in American life. There's no point in arguing, so its best to move on to the other featurettes, including "The Masterpiece That Almost Wasn't," reviewing in detail much of what has been said about Paramount's mistreatment of Coppola, about casting fights (Steve McQueen as Michael?), about the studio's assumption they were getting a quick-and-dirty B-movie, and about producer Robert Evans' determination to keep his choice of director and unlikely actors under his wing. Fresh information within the special features, however, begins with "… When the Shooting Stopped," a fine study of post-production on The Godfather, with several surprising and fascinating facts. Among emerging details is an explanation of why Michael Corleone's scream toward the end of The Godfather III is silenced out. (Hint: it was meant to be the inverse of a sound effect in the first movie.) "Emulsional Rescue: Revealing The Godfather" talks about the painstaking work of restoring the first two films, beginning with a phone call from Coppola to Steven Spielberg (after the latter's DreamWorks studio became part of the Viacom family) asking if he'd request money from Paramount for restoration work. "The Godfather On the Red Carpet is a negligible series of fawning statements about the movie from hot young actors, while "Four Short Films" are brief and enjoyable takes on different aspects of The Godfather's impact on modern living. --Tom Keogh

Customer Reviews

The New Restoration Collection does not disappoint!
The new transfers for The Godfather Parts I and II are stunning. It really is like seeing them for the first time. All of the murky, faded colors have been restored to their original glory while still retaining the warmth of the film stock. Gordon Willis' then-controversial cinematography can finally be seen they way it was intended on these new discs. If you have the original box set, it is worth it to double dip if only for the restoration job on these two films.

Carried over from the original set are all of Francis Ford Coppola's commentary tracks for the three films. On The Godfather one, he appropriately enough, starts off by talking about the film's famous opening scene and how it was supposed to start with the wedding but a friend suggested he do something else. Coppola talks about how he organized the elaborate wedding sequence and shot it only 2-3 days! He talks about the pressure he was under by the studio and in read danger of being fired because they didn't like what he was doing. This is pretty solid track that we've come to expect from the veteran filmmaker.

Coppola's contributes another excellent commentary for The Godfather Part II. Initially, he had no interest in doing a sequel and dealing with studio bureaucracy. He suggested Martin Scorsese for the job. The studio balked at this idea and accepted all of Coppola's terms. The veteran filmmaker talks at length about the development of the Corleone family from Part I. Coppola is engaging and very articulate, delivering a top notch track that is well worth a listen for any fan of this movie.

Finally, there is Coppola's commentary for The Godfather Part III. One of the heated debates the filmmaker had with the studio was over Pacino's hair. He wanted Michael to look older and like a man in crisis, while the studio didn't want to mess with Pacino's distinctive looks. Coppola defends his casting of Sofia and feels that she delivered a "real" performance because she wasn't an actor. He also addresses the scathing criticism she received as in fact an attack on him. This is a solid track with good observations and analysis by Coppola -- better than the film itself.

The rest of the supplemental material is spread out of two discs. Thankfully for those who did not buy the first box set all of the extras from it have been carried over with a whole other disc of brand new material.

The fourth disc features all the brand new material and starts off with "Godfather World," which takes a look at how The Godfather films influenced popular culture, including parodies on The Simpsons and South Park, and how it informed the characters on The Sopranos. All kinds of celebrities, from William Friedkin and Alec Baldwin to author Sarah Vowell who sing its praises with clips of shows and films that reference it.

"The Masterpiece That Almost Wasn't" tells the story of how Hollywood had changed at the end of the 1960s with the demise of the studio moguls and the rise of the film brats, the first generation of film students who became filmmakers. One of them, Coppola, ended up being picked to direct The Godfather. This is an excellent look at how the director almost didn't get the gig and why.

"...When the Shooting Stopped" examines the post-production phase of the first film. Coppola battled with the studio over the length of it. Executives initially did not like Nino Rota's score for the film and samples of some of his original and revised cues are played.

"Emulsional Rescue: Revealing The Godfather" takes a look at the newly restored transfers for Part I and II and how they preserve Gordon Willis' gorgeous cinematography. This featurette takes us through the restoration process, showing before and after examples.

"The Godfather on the Red Carpet" is a forgettable featurette shot during the premiere of Cloverfield with various minor celebrities gush about the films.

"Four Short Films on The Godfather" features celebs citing which one they prefer, Part I or II. Another one has Richard Belzer, and the man who adapted the films for the stage, quote their favourite lines, which turns out to be quite funny. The third one sees Coppola talk about his love of cannoli and how made it into the film. Finally, Coppola answers the question about what happened to Clemenza in Part II and why he died.

The fifth disc starts off with "A Look Inside," a feature-length documentary about The Godfather trilogy done when Part III was being made. As a result, a lot of the major players were interviewed. We see Coppola at work on this film with on-set footage of the director working with Pacino. We also see Coppola working on the script with author Mario Puzo. The doc then goes back to the first film with Coppola's battle with the studio over casting Brando, Pacino, et al. with fascinating vintage screen tests and rehearsal footage. This is an excellent extra that goes into great detail.

"On Location" revisits key locations in the lower east side of New York where they shot parts of all three films and how they transformed them into various historical periods.

"Francis Coppola's Notebook" examines how he adapted Puzo's book into the first film. Coppola shows us his notebook that he used as his master document that he would constantly refer to. This featurette provides fascinating insight into the man's creative process.

"Music of The Godfather" features an audio excerpt of a conversation Coppola had with composer Nino Rota about the music for the film. Also included is footage of composer Carmine Coppola (Francis' father) working on Part III. Francis talks about working with his father.

"Coppola and Puzo on Screenwriting" features the author talking about the origins of his novel while Coppola discusses adapting it with Puzo into the films.

"Gordon Willis on Cinematography" features the man talking his approach to the look of the film and the choices he made and why.

"Storyboards - Godfather Part II and Part III" allows you to see sketches for the look of both films and see how Coppola planned to shoot them.

"The Godfather: Behind the Scenes 1971" is a vintage promotional featurette done at the time of the production of the first film. This is a fantastic snapshot of the times.

"The Filmmakers" are text biographies of key crew members.

Also included are 30 additional scenes from the four eras, spanning the entire trilogy. Much of this footage was inserted into the first two films when they were shown on television.

"The Family" gives you a handy organization chart for the Corleone family. You can see who everyone is and how they are related.

Finally, there are "Galleries" with trailers for all three films, stills, a collection of portraits of enemies of the Corleone family, and footage of the Academy Awards wins for the first two Godfather films.

THE GODFATHER, The Coppola Video Game Giftset
This Review is based on The Standard DVD format Restoration, not The Blu-ray Version.

I'm on the fence about this New Restoration Box Set(The Restored GODFATHER III is a cleaner version), but I'm leaning towards an all-out PAN of this New Restoration. Unfortunately, I listened to some of the reviewers here and purchased this Set. (A couple of you owe me a few bucks.) It doesn't look like any of the reviewers here did a side-by-side comparison test of The New Restoration and The Original Versions of these films on DVD. I did mine on a 50" Panasonic plasma.

Yes, the New prints have fewer scratches, dirt, and grain than The Original Set, (which is not as bad as some reviewers suggest). But, the COLOR ENHANCEMENT of The New Restoration Set is OVERLY saturated in many parts. Especially, in the Red Scale. Yellows and orange flesh tones are extremely pronounced, overly brilliant, and unnatural looking in this Set. And it still contains scratches, dirt, and grain. Not as much as The Original Set, but it's still there. A lot of the grain in certain frames has been removed, while other frames remain untouched and appear to be just as grainy as The Original Version. A very uneven transfer in my opinion.

In the opening shot of THE GODFATHER, the Undertaker is so overly saturated with yellow that as the camera pulls back to reveal Don Corleone's desk, it renders The Undertaker almost out of focus. Trust me, this shot looks far better in The Original Set. Compare the shot in THE GODFATHER of Luca Brasi in his apartment, donning his bulletproof vest, in preparation for his meeting with Sollozzo. The colors in The Original Version look natural, while The Restoration renders Luca's apartment in a blazing wash of bright sunshine yellow. These frames are entirely over-saturated with color. I assure you, certain frames of this Restoration DO NOT look anything like the Original film stock print. The warm and natural looking sepia tone of The Original film has been blasted away with digital color in many frames, almost making them look unreal.

THE GODFATHER II has been compressed onto one disc, while The Original Version was compressed onto 2 discs.

(By the way, I could care less about The TV Saga Version. It's not the way these films were shot, and it's not the way they were intended to be seen.)

Some frames of The New Restoration look very grainy, some look incredible, while other frames make these films appear as if Ted Turner Colorized them. At times, I wasn't sure if I was watching THE GODFATHER, or SPEED RACER.

Is this version worth a Double Dip? I'm still on the fence about that. But, I think I prefer The Original Box Set over this half-baked attempt at improving this Classic with an over-saturation of color.

I get the feeling that The Blu-ray Version must look really odd. Blu-ray is great technology for newer films. Older films tend to suffer from over-saturation with this technology. The public is so enamoured with Blu-ray, they don't realize some of the classic older films don't resemble their original celluloid color exposures anymore. And that's a shame. It's going to take some more time before remastering technicians understand the remastering treatment that some of these classic older films deserve. Sometimes less is more.

If you must have The Restoration, turn the brightness and color way down on your TV.

I'm calling this THE GODFATHER: THE COPPOLA VIDEO GAME GIFTSET.

Act accordingly.

UPDATE:

There is no question that this Standard DVD Remastered Version is overly saturated with color. Here is a pretty SIMPLE ADJUSTMENT SOLUTION that seems to work quite well, reproduces truer color, and makes these Remastered films much more enjoyable. At least it did on my 50" Panasonic Viera plasma. (I also use this for The Anniversary Remaster of SCARFACE which is also overly saturated with color.) Stay away from the VIVID and CINEMA Picture Settings. Use the STANDARD Picture Setting which will give you the following numbers: Picture 50, Brightness 50, Color 50, Tint 0, and Sharpness 75. Simply tune the COLOR setting down from 50 to 35. I found that changes to the other settings were not necessary. This should take care of the overly saturated playback color issue. I do not know whether this adjustment will work as well with an LCD, Projection, Tube TV, or Blu-Ray Disc.

Too bad I didn't refuse the offer for the original release !
I don't really care that much about the new extras, the real need to double-dip for this release is the improvement of the video for the three films. If you own the original release you'll have noticed just how un-watchable the three movies were, specially because of the incredible amount of specs and marks which I've found distracting and downright intolerable; there's not a +/-5 second period in which a spec does not appear on I & II while the video in III is affected by terrible color and brightness.
While watching the new release of the Bond fims a few months ago I concluded I couldn't be long before the GODFATHER series received a similar treatment and sooner rather than later, here we are. I really hope the price for this edition is brought down by Amazon from the 62.99 it currently stands but, even if it doesn't, two of the greatest films of all time are worthy of just swallowing and making such expense. I like III very much too but obviously it isn't in the same league with the first two, just about no other film ever made is.
10/13 UPDATE TO THIS REVIEW: Having finally seen this DVDs: fantastic picture, much improved sound. There are plenty of images and sounds there to find which simply couldn't be appreciated in past editions. But you'd think that for $62.99 they'd get the labels on disc 4 & 5 right ! $62.99 !!!! You can find this collection on e-bay for half the amount. Very sorry to say that for the last several months, Amazon has been pricing themselves out of being considered the best option in DVDs.