An album by the Church that confirms they are Borgesian readers. Loveblind is a song about a detective hired to search for a man without a face. He finally catches up to him and finds out he was looking for himself all along.

Time, space, and dimensions intersect to create a labyrinth as the main character enter dream states, a place Borges loved to write about.

When I heard this movie's title, I rushed to see it. Although it was a good movie, it did not work the labyrinthian angles for a maze that has come to be associated most with Borges. The chronology game does succeed in a metaphorical labyrinth however.

Two films that capture Kurosawa giving birth to spaghetti westerns. Borges was fascinated with Gauchos of old South America. They were mercenary cowboys and knife-wielding meanies. Toshiro Mifune embodies this.

Kafka was an inspiration to Borges, and Kafka's The Castle is certainly brought to it's illogical absurd infinity in the masterful hands of Michael Hanneke.

A film that is reminiscent of Borges's later years, when he has lost his vision and had to write all his poetry from memory, before dictating them to Maria Kodama. Schnabel's murals really translates well in this film. If you had one good working eye left, it should be spent on the beautiful Marie-Josee Croze or the majestic tidewater glaciers.

Jafar Panahi's superb film about the lives of eight Tehranian women enclosed in a restrictive society. Despite the fact that the incidents of their lives are linked in a linear order, the plot swings in a wide arc and returns the the point of origin, an entire lifetime encompassed within the course of one day.