Track Listing

Disc 1:

1. Max Bruch: Scottish Fantasy, Op. 46
2. Pablo de Sarasate: Airs ecossais, Op. 34

Disc 2:

1. Sir Alexander Mackenzie: Pibroch Suite, Op. 42
2. Sir John Blackwood McEwen: Scottish Rhapsody ("Prince Charlie")
3. Rachel Barton Pine.Alasdair Fraser: Medley of Scots Tunes
4. Video Documentary: "The Making of Scottish Fantasies"

Product Details

• Amazon Sales Rank: #18417 in Music
• Released on: 2005-06-28
• Number of discs: 2

Album Description
Rachel Barton Pine's brand new disc of Celtic flavored works is the first to present Bruch's beloved Scottish Fantasy in an insightful and virtuosic interpretation that highlights its Scottish roots. The album also features Sarasate's Airs Ecossais* and two pieces by Scottish composers: Mackenzie's Pibroch Suite and McEwen's Scottish Rhapsody "Prince Charlie."* Ms. Pine's own Medley of Scots Tunes,* arranged and performed with famed Scottish fiddler Alasdair Fraser is also included.

As a bonus, the package includes a video documentary on the making of Scottish Fantasies.

From the Artist
It all started in Little Rock, Arkansas. In 2001, the Wildwood Festival invited me to give a recital built on the theme of "Scotland." Works like Bruch's Scottish Fantasy and Beethoven's Variations on National Airs came immediately to mind, but I wasn't sure that there would be enough classical repertoire for a complete program. Searching for hidden gems at Chicago's Newberry Library, I quickly found enough music to fill at least 10 recitals. The challenge was choosing what not to play.

Wonderful books by David Johnson and John Purser not only discussed classical music, but exposed me to the connections between Scotland's classical and folk music. It was fascinating to learn about the influence of classical violin playing on traditional fiddling in the 18th century. In turn, Scottish folk music has inspired numerous classical compositions throughout the last three centuries.

19th century Spanish violin virtuoso Pablo de Sarasate's great affinity for Scotland and its folk music is well documented. Bruch dedicated his Scottish Fantasy to Sarasate. At Sarasate's request, Mackenzie wrote his Pibroch Suite. Sarasate himself wrote a piece called Scottish Airs. Each of these pieces utilizes traditional Scottish folk tunes -- a wonderful theme for a recording project.

As the project evolved, it was suggested that I collaborate with the renowned Scottish fiddler Alasdair Fraser on a short twin fiddle piece. Alasdair and I first met in 2003, when he headlined Chicago's Celtic Fest. I'll never forget playing a melody from the Prince Charlie Rhapsody and hearing Alasdair pick up his violin and improvise a beautiful descant. Our approach to music was so similar; I was thrilled by the possibility of working together.

Alasdair's contribution to this album goes far beyond our twin fiddle medley. He helped me identify each folk tune in the classical pieces. He acted as a "dialect coach," showing me how the original versions would be played by an authentic fiddler and identifying spots in the music where the limitations of 19th century notation failed to capture an effect accurately. By incorporating as much traditional Scottish flavor as I could, I have tried to bring out the roots of these sophisticated symphonic works.

Given Sarasate's familiarity with Scottish fiddling, I suspect that he also may have added "gaelicisms" to these pieces when he performed them. This raises an intriguing question: If the Scottish Fantasy had been composed in the 21st century, would it be considered a "crossover" fiddle concerto rather than a German classical violin concerto?

I hope that this recording expands your appreciation of Scottish folk music and that you enjoy the glorious works for violin and orchestra that bring these beautiful fiddle tunes into the realm of high art.

About the Artist
A passionate and dedicated musician, American violinist Rachel Barton Pine is an inspiration to audiences everywhere. She has received worldwide acclaim for her profound and thoughtful interpretations delivered with tremendous enthusiasm and intensity, which she applies to extremely diverse repertoire.

Ms. Pine has appeared as soloist with many of the world's most prestigious ensembles, including the Philadelphia Orchestra, and the Chicago, Atlanta, St. Louis, Dallas, Baltimore, San Diego, Montreal, Vienna, New Zealand, Iceland, and Budapest Symphonies. She has worked closely with such renowned conductors as Charles Dutoit, Zubin Mehta, Erich Leinsdorf, Neeme Järvi, and Semyon Bychkov. Ms. Pine participated in the January 2000 Mozartwoche in Salzburg at the invitation of Franz Welser-Möst and made her Salzburg Festival debut in the summer of 2001. Her US festival appearances include engagements at the Marlboro, Ravinia, and Grant Park Music Festivals. Notable collaborations include pairings with Daniel Barenboim, Christoph Eschenbach, and Mark O'Connor, and performances with the Pacifica String Quartet. As a recitalist, Ms. Pine's appearances have included live broadcast performances of the complete Paganini Caprices and of all six Bach Sonatas and Partitas. In January 2005, Chicago's WFMT broadcast three live performances comprising Beethoven's complete works for violin and piano, including all ten sonatas and the world premiere of the fragment in A. On Minnesota Public Radio's Saint Paul Sunday Morning, Ms. Pine performed the world premiere of Augusta Read Thomas's Rush, written for the artist. She is a member of Trio Settecento, with cellist / viola da gamba player John Mark Rozendaal and keyboardist David Schrader.

Customer Reviews

Scottish Fantasies For Violin and Orchestra w/ Rachel Pine
A very beautiful piece of music that is brilliantly played by a wonderfully talented violinist. A technicly challenging piece that Ms. Pine truely brings to life.

Scottish fantasies at their best
This double CD is a real treasure, and a showcase of both the musicianship and scholarship. Rachel Barton Pine has researched both the composers and the history of the performances of the works she has recorded. She has produced the most attractive booklet which goes with the CDs, in which she teaches the subject in an effective, friendly and captivating way. Particularly interesting is her documentation of Sarasate's familiarity with Scottish fiddling. Rachel Barton Pine has also a very attractive and informative web site on which one can find information about this project. Just "Google" her and her site comes right up. I think that her web site is great. One can find the schedule of her concerts and all sorts of interesting educational things. I only wish that all great performers would do the same.
Rachel Barton Pine is a virtuoso, but her musicianship shines and it makes her virtuosity just a tool. She is so much more than the flying fingers. In a winning combination with Maestro Alexander Platt, an immensely talented conductor, they have produced a classic which will be listened to for years to come. There may never be a comparable Scottish Fantasy and Pibroch Suite performance. Mr. Platt leaves no note unexpressed. As opposed to the lesser conductors, who sometimes overpower the soloist, or who seek their own limelight at the expense of the soloist, Mr. Platt achieves a perfect union of the soloist and the orchestra, just as it should be. The Scottish Chamber Orchestra is also at its best.
These records' main value is in the interpretation, which is insightful and elegant. There are no over-interpretations, however, in which the soloist or orchestra would push their own detailed view of this music. Instead, certain dreaminess is allowed, and the listeners can build their own Scottish Fantasies and become active participants in this music.
Sarasate's Airs écossaise is a totally charming piece. The Medley of Scots Tunes, by Rachel Barton Pine and Alasdair Fraser, a master Scottish fiddler, is an event. I admit to listening to it consecutively eight times, and would have listened to it more times, but was afraid of a total addiction.
The great art of fiddling, the artists' dreams about their countries of origin, pictures of beautiful Scotland, and the musical finesse and musicianship are all the impressions you will come out with after listening to these great recordings.
This review is dedicated to Dr. Andrew B. Dempster for his birthday. Andrew has shown me his native country, Scotland, and guided me through its history. I came back with wonderful memories, and a book of music sheets on Scottish fiddling, my most precious music sheets ever.

really, really good
A very pleasant, often lively, evocative and enjoyable set of CDs. The video documentary included in the second CD tells about how Barton Pine studied Celtic/Scottish music before making her recording, and the extra work shows in her ability to render the Bruch as a far lovelier recording than any other violinst has. She finds the tensions, the delicacies and the warmth of this piece. Add to that, the Sarasate is also beautifully done -- sorry it was so short a piece. On the second CD, the Mackenzie and the McEwen, not heard that often, are also really well done. This isn't fiddling -- you get true classical versions of the folk tunes hidden in these selections. Because of that, Barton Pine brings out nuances that were never before explored, and she does it by showing you just how good, how rich, this music can be. The final piece, Barton Pine's arrangement of scottish tunes, is also enjoyable --a fun way to end an album that is both relaxing and delightful. Highly recommended.