Track Listing

1. Boquinene
2. Buenos Hermanos
3. La Musica Cubana
4. Guaguanco Callejero
5. Naufragio
6. Como el Arrullo de Palma
7. Perfume de Gardenias
8. Mil Congojas
9. Hay que Entrarle a Palos a Ese
10. No Tiene Telerana
11. Fuiste Cruel
12. Boliviana
13. Oye el Consejo

Product Details

• Amazon Sales Rank: #19436 in Music
• Released on: 2003-03-18
• Number of discs: 1

Customer Reviews

Bueno Musica
I first heard Ibrahim on PBS in the Buena Vista Social Club Special. I have loved his feel for the music ever since, he has just the right cadence, timing, sound and feel for the cubano music, I've heard other cubano's sing the same songs but they come alive when Ibrahim sings them. When I'm in the mood for the latin beat and sound of another era this is the first artist I think about.

Solid comeback from Ibrahim Ferrer
Four years after his successful 'Buena Vista Social Club Presents Ibrahim Ferrer' the now 76-year old Cuban singer still holds on strong and delivers an album that surpasses his "debut" album (I don't mean the quotes in a disrespectful way, but rather with regards to the fact that he was only exposed to the world back in 1999 by Ry Cooder).

With a solid band with some of Buena Vista Social Club's performers and the Cooder father/son team also on board, and having picked an exquisite combination of some compositions of his own and some Latin music standards, Ferrer is bound to make you get off your chair and dance, even if your deaf or have two left feet! From the first chord, time freezes around you and he embarks on a mission to make you smile and have a great time, without regards for anything troubling you. After all, he is the best example there is of getting a break: he made into stardom at age 73, so that oughta tell you something.

Highlights of the album: the opening track (loved it) and the classic "Perfume de Gardenia" with the thoughful participation of the Blind Boys of Alabama. Get it, love it, dance to it!

Too much Ry
Unlike Buena Vista and Mas Cuba Libres where Ry wisely stayed in the background and only occasionally made himself know, here he takes center stage once in a while.
In spite of this, there's just too much talent in this album to give it less than 4 stars.

While Mr. Cooder is to be commended by making such great music (I am particularly grateful for the rebirth of Ibrahim's and Ruben's careers) accessible to Americans after decades of withdrawal feebly filled in by the soulless and superficial commercial sop called 'salsa' it's worthwhile to mention that Europeans have been enjoying the renaissance of Cuban music for years. It was the release of the Estrellas de Areito in France in the late 70's that has snowballed into the rediscovery of this most sublime and richest of all music.

Ibrahim fans, checkout a Edenway's recent release of Ibrahim's 1950's recordings with Chepin's Orquesta Oriental. If you think his voice is honey smooth now, you should listen to him as a youngster.