Product Details
Giorgio Morandi (Twentieth-Century Masters Series)

Giorgio Morandi (Twentieth-Century Masters Series)
By Karen Wilkin

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Product Description

This much-anticipated volume presents the work of the private, enigmatic Bolognese painter and engraver. The text traces Morandi's many influences, from Giotto to Cezanne and the Metaphysical painters to the Cubists, and discusses the manner in which his life and work have informed the critical interpretations of his art. A wealth of color reproductions illustrates every phase of Morandi's career, including his signature still lifes and landscapes with their serene groupings of muted objects.


Product Details

  • Amazon Sales Rank: #195293 in Books
  • Published on: 1998-03-15
  • Released on: 1998-03-15
  • Number of items: 1
  • Binding: Hardcover
  • 94 pages

Editorial Reviews

From Booklist
Few major twentieth-century artists seem duller at first glance than Morandi (1890^-1964). Except for some very early portraits, his work is "about" just three things: the landscape, with windowless houses, of hilly northern Italy; the courtyard of Morandi's apartment building in Bologna; and bottles, bowls, boxes, and other utensils atop a table. His palette of dusty hues is more subdued than that of the cubists, he regards his subjects from directly in front of them, and, except in the paintings from the year he was influenced by Di Chirico, he eschews dramatic effects. Those who know painting, however, see Morandi as the greatest disciple of Ce zanne and a painter whose subject is seeing itself and who, in the acts of seeing and representing, teases out meaning and feeling. Wilkin, one of the best contemporary writers on art, helps us realize Morandi's relationship to Ce zanne and also to the much earlier Giotto and Piero della Francesca brilliantly well. With 116 plates, an excellent library choice. Ray Olson

Language Notes
Text: Italian


Customer Reviews

Morandi gets a fair shake5
This is one of the best books on Morandi that I've come across. Wilkin's text is wonderfully clear and objective, and mercifully free of "art babble." The illustrations are well chosen and very, very well printed. Not everyone "gets" Morandi, as Wilkin points out, but this representation of his work will certain make a few converts.

My oldest possession.5
It's true, this book is my oldest possession, from an earlier printing, I've had this book since the early 70's. If you are a painter and want to learn how to put space and light into your work then this book is your greatest resource and greatest challenge. For those in the know, Morandi is THE ONE for creating a palpable space in two demensions. The space shimmers and moves - it's real!

Excellent book5
The prints are excellent - both in terms of variety and quality of print. I use them in classes and they are really a treasure. The text is very readable and enjoyable as well (though I care more about the print quality).