Track Listing

1. Beautiful Day
2. Stuck in a Moment You Can't Get Out Of
3. Elevation
4. Walk On
5. Kite
6. In a Little While
7. Wild Honey
8. Peace on Earth
9. When I Look at the World
10. New York
11. Grace

Product Details

• Amazon Sales Rank: #1630 in Music
• Published on: 2000
• Released on: 2000-10-31
• Number of discs: 1
• Dimensions: .23 pounds

Amazon.com's Best of 2000
The foursome come roaring out of the blocks with their latest collection. The album's first single, "Beautiful Day," raced to the No. 1 slot on the U.K. singles charts and received a similar rapturous reception stateside. From its shimmering preamble to its sweeping, infectious chorus, it perfectly stakes out the middle ground between the anthemic U2 of the '80s and the more grounded group of the '90s. With Daniel Lanois and Brian Eno sharing production chores again after having taken a break with Pop, the U2 team enters the new millennium with their lineup--and mission--intact. --Steven Stolder

Amazon.com essential recording
If U2 hadn't used the title already, "A Sort of Homecoming" might have suited this, their 10th studio album. All That You Can't Leave Behind sounds, at various points, like any or all of U2's previous albums, as if the band is sending postcards back from a protracted ramble through previously conquered territories. The euphoric opening track, "Beautiful Day," reintroduces Edge's signature delay-laden guitar, which has been pretty much absent since The Unforgettable Fire. Elsewhere, the gospel stylings of Rattle and Hum resurface on "Stuck in a Moment," and the deranged, Prodigy-influenced dance textures that characterized 1997's Pop crop up on "Elevation." None of which suggest that this commendably restless bunch is running out of ideas. Having spent the '90s making three of the most bizarre and adventurous albums ever delivered by a stadium-rock band (the consecutive masterpieces Achtung Baby, Zooropa, and Pop), it's as if they're now trying to figure out what is the one particular thing they've always done best. Based on the evidence presented here, their forte remains a facility for making the epic statement alongside Bono's increasing lyrical intimacy: "Walk On" and "Peace on Earth" are two of the best things he's ever written or sung. All That You Can't Leave Behind confirms that U2's laurels are still making them itch. --Andrew Mueller

Customer Reviews

They have done it again!
Once again U2 have shown that they are alive and well in the rock and roll scene. Teaming up again with Brian Eno and Daniel Lanois who were with U2 on their hit albums Unforgettable Fire, Joshua Tree and Achtung Baby, U2 have shown that they are a band of the 80s, 90s and the new millenium.

Beautiful Day is a brilliant poppy song that hides its deep overtones of meaning and lack of value in material things. Personally it inspires me as I consider, as the person does in the song, what it would be like to lose everything and still be able to realize that the day is wonderful, that there is still life, the earth and creation(in green and blue!) is valuable in and of itself. The biblical overtones of Noah and the ark are quirky and effective.

The Edge is still a shining star in songs like When I Look at The World. His screaming guitar solo, reminiscent of Unforgettable Fire days gives me goosebumps. You can hear Eno's influence in this song. Lanois' skill at giving a great beat to the music is as inspiring as ever.

Bono can still write, there is no doubt about that. From the spiritual beauty of Kite to the frolicking romp of New York he weaves stories and thoughts that are as captivating as ever.

Some claim that this album is a return to their roots. Its hard to say. I think they are still trying new things but just are not in the mood for the dance loops, and electronic sounds of their previous 3 albums - which, by the way, gave them great success. This is about how they want to continue to be a band with feeling and emotion.

I regret that Bono's voice just is not what it used to be in the album. The strain is detectable - and yet this strain somehow brings out a differnt kind of yearning and emotion to his voice that still makes me stand transfixed as I listen to the best rock band around.

Cherubs' eyes
Oh, my AP English class has finally paid off, because now I understand why U2 has gone from "brilliant" to "more brilliant" to "more brilliant still."

I'm talking about William Blake, the 18th-century poet who authored the "Songs of Innocence and Experience." Don't click away--even if you know nothing about poetry, if you know something about U2, you'll appreciate this...

The theme of the "Songs" is this: We enter the world with a pure, unaffected point of view. As such, we perceive it with unadulterated clarity, but we lack the understanding to appreciate what we see.

With experience comes this understanding, but at what price? We lose the clarity of perception we were born with.

As understanding increases, though, we realize this. And then we become whole. Only through innocence can we become experienced. Only through experience can we appreciate innocence.

Now, who's that sound like? An Irish rock group, maybe, who started out waving a white flag, proclaiming, "I Will Follow"? Who saw the world in black and white and knew exactly which side they were on?

The same group saved themselves by diving headfirst into the black, as it were. With the Zoo TV experience, they immersed themselves in the sensual and the secular. In fact, they did that so thoroughly that to this day, older, more simpleminded fans resent them for it.

The simpletons can rejoice, and so can us Achtung Babies who understand what U2 did and why they had to do it, and love them for it. It started on "Pop," and it's happened on "All That You Can't Leave Behind": U2 have come full circle, become whole. They are innocent again. They understand the world around them, and now they know why this is black, why that's white, and why there's so much gray.

The band who created "All..." aren't afraid to wear their collective heart on their collective sleeve again. They aren't afraid to ask for "Peace on Earth." They can write the sweetest, most lovingest love song they've ever written now--"Wild Honey"--because they know now that beyond the darkness love is certainly waiting.

They've made their phone calls from Hell, and they are more aware than ever that, while the dark places won't go away, the world is still a true, beautiful place. They're seeing with cherubs' eyes now--the eyes of wise children.

They said they wanted to make an album about joy, and that it wouldn't be easy. They've more than risen to the challenge.

Buy this album. Buy it now. Click now. It will make your problems go away, at least for a little while. It will make your soul soar. It will make you sing.

Limited Edition
What a great new album by U2. The boys from Dublin, who spent most of the mid to late 90's working with electronica culminating in the solid "Pop", return to their roots with a simple yet effective album. The Edge's signature guitar style, Bono's touching vocals, and the steadiness of Larry Mullen and Adam Clayton have all returned. This album is reminiscent of "The Unforgettable Fire" and dare I say "The Joshua Tree", albums in which U2 focused harder on the message and emotion. Nothing can match the emotion captured on those two albums, but "All that you can't leave behind" comes close, with beautiful tracks such as "Walk On", "Kite", "Peace on Earth", and the first single "Beautiful Day".

This limited edition also contains a bonus cd with one track, titled "Summer Rain". I was really surprised with the song, another solid U2 effort. And because the limited edition is the same price as the regular edition, I figure more U2 is better. I think most U2 fans will be very satisfied with this new album; and if you aren't at first, give it a couple of more listens. This cd will definitely grow on you, it grew on me.