Product Details
The Nonesuch Guide to Electronic Music

The Nonesuch Guide to Electronic Music
Beaver & Krause

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Average customer review:
This 2-LP set is how I first learned about analog synthesizers, along with a Moog IIIp studio machine I rented at Mills College with my buddy Dave; an excellent tutorial even today!

Track Listing

  1. Peace Three - Beaver & Krause, Paul Beaver, Bernie Krause
  2. Signal Generators: Sine Waveform: Slow-Motion Audible Example - Beaver & Krause, Paul Beaver, Bernie Krause
  3. Sine Waveform: Composition
  4. Sine Waveform: Harmonic Synthesis
  5. Sine Waveform: Non-Harmonic Synthesis
  6. Sawtooth Waveform: Slow-Motion (Neg and Pos-Going)
  7. Sawtooth Waveform: Composition
  8. Rectangular Waveforms: Slow-Motion Audible Example (1/8-1/2)
  9. Rectangular Waveforms: Composition (Using 1/8, 1/7, 1/3, 1/2)
  10. Triangular Waveform: Slow-Motion Audible Example
  11. Triangular Waveform: Composition
  12. White Sound Composition
  13. Control Generators: Transient Generator, Amplitude, Frequency and ...
  14. Sequential Voltage Sources, Composition
  15. Frequency Modulation: Keyboard Control: 12 Tone
  16. Quarter-Tone (One Real Octave = 2 Keyboard Octaves)
  17. Ditone (Four Real Octaves Played in Keyboard Range of One Octave)
  18. Portamento: Ribbon Control
  19. Periodic: Vibrato (S) (Speed Increases as Pitch Rises)
  20. Periodic: Sine-Higher Frequency
  21. Periodic: Sawtooth-Swept
  22. Periodic: Rectangular 1/2 - Swept (L2)
  23. Periodic: Triangular - Swept
  24. Periodic Combined: 3 Square Waves at Different Frequencies
  25. Periodic Combined: 3 Triangular Waves at Different Frequencies
  26. Periodic Combined: 4 Different Waveforms (2L), (2N), (2V), (2S) At ...
  27. White Sound
  28. Transient: Up an Octave, Back to Pitch
  29. Transient: Up a 3rd, Back to Pitch
  30. Transient: Down an Octave, Back to Pitch
  31. Transient: Down a 3rd, Back to Pitch
  32. Amplitude Modulation: Keyboard
  33. Ribbon Controller
  34. Periodic: Tremolo
  35. Periodic: Sine - Higher Frequencies (S Sweeping S)
  36. Periodic: Sawtooth (Neg-Pos - Going Swept)
  37. Periodic: Rectangular (L2) Swept
  38. Periodic: Triangular - Swept
  39. Periodics Combined: 4 Square
  40. Periodics Combined: 3 Triangular
  41. Periodics Combined: 4 Different (S), (N), (L2), (V)
  42. White Sound
  43. Transient: Slow
  44. Transient: With Rising Pitch
  45. Transient: (Graphic Jagged Lines)
  46. Ring Modulation: Sine Waves: Series of Sub-Audible Constants
  47. Sine Waves: Tune in Parallel
  48. Sine Waves: Tuned in Opposite Direction
  49. Sine Waves: Sawtooth
  50. Sine Waves: Rectangular (L2)
  51. Filtering: White Sound - With Fixed Filters Selected 3rd Octave
  52. White Sound - Tuned Filters: Broad
  53. White Sound - Tuned Filters: Sharp
  54. Low-Frequency Sawtooth - Tuning Through Harmonics
  55. Composition - Tuning Through 2nd, 3rd, 7th and 16th Harmonics
  56. Swept with Ribbon Controller
  57. Periodic: Sine-Timbre Vibrato Effect
  58. Periodic: Sine-Variable Rate and Depth
  59. Periodic: Sawtooth (Descending and Ascending)
  60. Periodic: Rectangular (L2)
  61. Transient (Sawtooth with Transient Controlled Filter): 1
  62. Transient (Sawtooth with Transient Controlled Filter): 2
  63. Transient (Sawtooth with Transient Controlled Filter): 3
  64. Transient (Sawtooth with Transient Controlled Filter): 4
  65. Tape Delay: Single Repeat
  66. Tape Delay: Multiple Repeat
  67. Peace Three (Recap)

Product Details

  • Amazon Sales Rank: #135515 in Music
  • Released on: 2006-05-16
  • Number of discs: 1

Customer Reviews

A Fundamentals Classic5
If you are interested in the building blocks of analog synthesis, this is an essential tool. Even if you are into digital synthesis, it is a great primer for the fundamentals of electronic music. The record begins with a short, pleasant piece and then proceeds to sonically illustrate what sounds are and what they sound like. To some, once they get past the full piece, the rest will be tedious. To others, the rest will be like being taught the ABCs and will become a point of departure for conscious and knowing listening and composition. Like the Beach Boys' "Pet Sounds" boxed set, you hear the finished product, and then you get to hear it deconstructed and put together. Hopefully the CD will have the book that accompanied the record. It augments visually what the record demonstrates aurally. Originally an LP-based boxed set released by Nonesuch when it was a leading edge budget label headed by the honorable Teresa Stern and when synthesizers were still exotic, mine is a worn, battered and valued part of my record collection.