Meter in Music, 1600-1800: Performance, Perception, and Notation (Music Scholarship and Performance)
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Product Description
A Choice Outstanding Academic Book. The notation of seventeenth- and eighteenth-century music is often a puzzle to performers. The symbols look familiar, but their meanings of some have evolved dramatically. The period between 1600 and 1800 witnessed a transition both in notation and in the treatment of meter in performance. Merely transcribing earlier works into modern notation can actually mislead the performer. When performed according to the conventions of its own time, seventeenth- and eighteenth-century music conveys a paradoxical mixture of precision and flexibility that has an enchanting lilt, grace, and vitality. Illustrating his presentation with generous quotations and musical examples from theoretical treatises and instruction manuals of the period, George Houle provides a practical guide to the performance of Baroque and early Classical music, including discussions of notes inegales, fingerings, woodwind tonguings, and string bowings.
Product Details
- Amazon Sales Rank: #1243445 in Books
- Published on: 1987-12
- Original language: English
- Number of items: 1
- Binding: Hardcover
- 192 pages
Editorial Reviews
Review
"More than the notation was different! ... fine addition ... " --Early Music News "All practising musicians with an interest in the baroque owe it to themselves to be exposed to the ideas contained in this book." -Continuo "This is a book from an excellent musician in the early field who turns out also to be a most persistent scholar ... " --Early Music " ... the book offers a vast quantity of data from a wide range of sources... George Houle is to be congratulated for his honest presentation of the entire spectrum." --Music Educators Journal



