Not Since Carrie: Forty Years of Broadway Musical Flops
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Average customer review:Product Description
From such legendary catastrophes as Breakfast at Tiffany's and Carrie to the failures of Alan Jay Lerner and Rodgers and Hammerstein, this hilarious account of some "lost" theatre history provides stories of nearly 200 musical flops that played from 1950 to 1991. "Best Theatre Book of 1991."--USA Today. 150 photographs.
Product Details
- Amazon Sales Rank: #142251 in Books
- Published on: 1992-08-15
- Original language: English
- Number of items: 1
- Binding: Paperback
- 384 pages
Features
- ISBN13: 9780312082734
- Condition: NEW
- Notes: Brand New from Publisher. No Remainder Mark.
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Editorial Reviews
From Library Journal
While ample material on hit Broadway musicals is readily available, detailed critical information on musical flops has been difficult to come by. Mandelbaum's ( "A Chorus Line" and the Musicals of Michael Bennett , LJ 6/15/89) informative and entertaining survey of almost 200 musical flops from 1950 to 1990 fills the void admirably. Framed by the 1988 megaflop Carrie , which theater buffs still speak of in hushed tones, the shows are presented thematically rather than chronologically, thus better underscoring the reasons for failure. While Mandelbaum can be scathing about mediocre material, he carefully analyzes each show, pointing out both problems and strengths, and demonstrates a keen insight into Broadway musical history. Brief synopses and fascinating backstage gossip combine with intelligent criticism and well-chosen illustrations to make this study a required addition to all theater collections. Highly recommended.
- Eric W. Johnson, Teikyo Post Univ. Lib., Waterbury, Ct.
Copyright 1991 Reed Business Information, Inc.
Review
"A must-read."--Alex Witchel, The New York Times
"Best theater book of 1991...breathtaking research and pointed, but not cruel, wit."--David Patrick Stearns, USA Today
"Of all the theater books I've come across lately, none has entertained me more than Ken Mandelbaum's Not Since Carrie, a lively, illustrated account of forty years of Broadway musical flops."--Doug Watt, New York Daily News
"An enormously amusing read...I cannot recall enjoying a theatre book as much as Not Since Carrie in a long time."--Hap Erstein, The Washington Times
"The book we have all been waiting for. Not only does [Mandelbaum] identify more than two hundred flops by name, he analyzes each and every one of them at some length and misses very little in the way of backstage intrigue. Mandelbaum's chapter "Don't Let This Happen to You" could double as a primer for people who write musicals or aspire to write them. Fascinating book, this-- most definitely not a flop. It practically reads itself. And just chockful of stuff that's hard to find elsewhere."--Nels Nelson, Philadelphia Daily News
"Essential and hilarious."--The New Yorker
Customer Reviews
A must-have for any theatre enthusiast.
The others who have reviewed this book have said little beyond the fact they haven't really read it. Not Since Carrie is not, in any way, about gossip, unless you consider the published words of dozens of theatre critics and statements from those involved with the works in question gossip. The story of some of Broadway's greatest musical flops is told through the people that were there--the stars, the composers, and even an important element, the audience, as represented by Mr. Mandelbaum. He has done his homework, and has created a brilliant, must-have book for any theatre enthusiast's library.
Endlessly fascinating look at Broadway's worst
"Not Since Carrie: 40 Years of Broadway Musical Flops," by Ken Mandelbaum, is a fascinating look at its title subject. Mandelbaum breaks this vast collection of flops into a number of categories--star flops, flops based on movies, "missed opportunities," etc. One particularly intriguing section of the book is Chapter 5, "Don't Let This Happen to You"; here the author gives a list of rules to follow in order to avoid creating a flop. Example, rule #9: "Don't do sequels" (such as "Annie 2").
Mandelbaum's prose is clear, authoritative, and often appropriately biting. Many accounts of flops stand out as particularly fascinating--Peter Allen's disastrous "Legs Allen," the aforementioned "Annie 2," etc. The book is full of black-and-white photographs--playbill covers, shots of the performers, promotional art. This gives the book great visual appeal. Some of the musicals described are almost too bizarre to be believed (such as "Into the Light," a show about the Shroud of Turin).
Mandelbaum opens and closes the book with spellbinding in-depth sections on "Carrie" the musical, complete with photos. This helps give the book as a whole a satisfying structure. Indeed, "Not Since Carrie" ultimately reads like a vast multigenerational epic--at times funny, absurd, and/or tragic.
Fascinating!!
I've often speculated that the true sign of a musical theater aficionado is when one puts Les Miz and Phantom behind them and begins to find allure in the world of the flops. If that's the case, then certifiable musical theater queens need this book for reference. For anyone who believes the shows that didn't make it are more fascinating, this book is for you. A lot IS based on the author's opinions, but I nevertheless find myself reading this book over and over again. If you are someone who would rather learn about the genesis and failure of "Annie 2: Miss Hannigan's Revenge" rather than the success of "Annie," then buy this book!!




