Product Description

The most comprehensive way to learn Adobe Audition 2.0!

Classroom in a Book, the best-selling series of hands-on software training workbooks, helps you learn the features of Adobe software quickly and easily. Classroom in a Book offers what no other book or training program does--an official training series from Adobe Systems Incorporated, developed with the support of Adobe product experts.

Adobe Audition 2.0 Classroom in a Book contains thirteen lessons and a bonus CD with lesson files. The book covers the basics of learning Adobe Audition, and countless tips and techniques to help you quickly become an Audition expert. You'll learn how to work and edit in a multitrack mixing environment, create audio effects and original soundtracks with loops, restore poor-quality audio, export to CD and MP3, and more. You'll also learn about Audition 2.0's new features, including low-latency mixing with unlimited tracks, ASIO support, audible scrubbing, analog-modeled Multiband Compressor, recordable parameter automation with external hardware support, and more. You can follow the book from start to finish or choose only those lessons that interest you.

Product Details

• Amazon Sales Rank: #270269 in Books
• Published on: 2006-04-22
• Original language: English
• Number of items: 1
• Binding: Paperback
• 312 pages

About the Author
The Adobe Creative Team of designers, writers, and editors has extensive, real-world knowledge of Adobe products. They work closely with the Adobe product development teams and Adobe's Instructional Communications team to come up with creative, challenging, and visually appealing projects to help both new and experienced users get up to speed quickly on Adobe software products.

Customer Reviews

Good book & CD Examples
Let me preface this review by saying I have not quite finished the book and all the accompanying CD exercises. That being said, I am quite pleased with both the book and the examples that are on the CD. I have owned Adobe Audition for about 8 months, and for me the learning curve seemed steep. There several audio industry acronyms that often get tossed around in other Audition tutorials as though everyone knows and understands them. This is not just in the tutorials, but it pervades the Adobe User forum as well. The book goes a long ways toward explaining what is going on without drowning the reader with audio industry yak. The lessons are thoughtfully put together, and subsequent lessons build on concepts covered in previous ones. I learned more in one evening with the book and its CD than in weeks of studying other material including the Adobe Audition User's Manual. This book extremely useful, and does an excellent job of helping especially neophytes in learning and using the truly powerful capabilities of Audition. Was my moula well spent - absolutely!

Great book!
There doesn't seem to be a lot out there for Audition to help Audition newbies like myself. Fortunately there is this book! It is well written and has taken a lot of the mystery out of the program. I'm sure that there is much more to learn, but this book does a good job of covering enough material to get one started with the program. A drawback would be the price -- it's not a large book, and seems pricey for the amount of material covered. The price of all Adobe Press materials are generally a little high in my opinion anyway. Amazon does offer a better price than most bookstores! This book has a "Getting Started" section, "Quick Tour", "Audition Basics", and 14 other chapters which cover just enough material to be easily absorbed. I like the approach this boook uses -- step by step detailed lessons. The book has a cd which contains lesson files to assist with the lessons. I have no complaints (other than the price). If you want to start learning Audition, this is a good book to consider!

EXASPERATING BUT INDISPENSIBLE
Above all, make sure the version of Audition 2.0 Classroom in a Book IS FOR YOUR OPERATING SYSTEM. Also understand that you must have the program to make sense of the manual.

Classroom in a Book is a good guide, but it has two omissions.

Anyone is in their rights to expect that a guide of this sort would have at least a few passages about live recording---but there is exactly one passing sentence in the entire manual about live recording. In Multitrack View the tracks have a panel wherein (among a great many other virtual dials and buttons and such) there is an "M" button, a "S" button, and an "R" button. "M" is for mute, which is explained more than once (even more than twice over the course of the book). "S" is for "Solo", which is also explained to its death over and over again. But as for the "R" button there is only one sentence regarding it.

"R" is "Armed for Record".

Now, maybe someone with a background in audio-editing software knows full well what "Armed for Record" means. Even for a rank beginner like me it wasn't that hard to figure out, I'll admit, but still for a book to go on and on about the other two buttons and to just mention the third term without any further comment seems to me a fundamental lapse. In my case it made for the beginning of a series of exasperating stumbles.

Going at it blind, I simply clicked on "R" and got a message informing me that the best recording was achieved by switching to ASIO. I knew that ASIO meant "Audio Stream In/Out" and had something to do with the new sound card that I had installed. The old sound card that had originally come with the computer was still in there, but apparently from what the message said I would only get mediocre results if I didn't switch by going to Edit and clicking on Audio Hardware Set-Up and following instructions from there on. Needless to say, this was easily done, and in seconds I had switched the program to my new audio card, which any intermediate or advanced user would have known to do from the get-go. Why install the card and not make sure the program was set to it? Ordinarily I would not even admit to anybody that I had to be told to do this; it's embarrassing; but still Audition is a very involved program; there's a lot to learn; and I was just very new to this whole business.

Anyway, I switched, and that should have been the end of it, but sadly the minute I switched my "R" buttons went gray and became inoperable! What's that? Maybe there's no problem on a Mac; I wouldn't know. All I know is that I'm a Windows XP Home Edition guy as I write this; and I lost my "R" buttons!

To say this upset me and got me mad is an understatement. The next morning I was in a better frame of mind and logically went over the steps and saw that there was a pattern to what was happening. For some reason switching to ASIO will gray out the "R" buttons, but if you close the program and go back to it you'll have your "R" buttons back and still be in ASIO.

It's that simple, but there's no mention of it in the book.

Of course, "Armed for Record" must be followed up by clicking on the circular red button on what is called the "Transport Panel" at the bottom of the screen. You're left to guess this, but anyone who has operated a ghetto blaster or a VCR knows what that red circle is; but still it would nice for Adobe to spell this out for us intimidated newbies.

The other big omission gets back to the same lapse as the other one. The book does not bother to point out that switching to ASIO in Multitrack View will not carry over to Edit View. It may not seem like a big deal, but I freaked out when my stuff sounded so weak in Edit View. I couldn't figure it out. The louder I got it in Edit View the more obnoxiously deafening it became in Multitrack View because the two "views" were coming at me through two entirely different sound cards!

Finally I realized what the problem was. Duh . . .

On the positive side in the last analysis it's actually very nice that the two windows can have different settings to let me know how the same file will sound on different computers. My thing with this will be podcasting, and podcasting is about posting on the Net, so one should be aiming at a happy medium that accommodates ordinary cards and quality cards alike. I'm getting better and better at it. The quality will never be a sound stage level thing, but I'm fast approaching the same smoothness of an FM radio commercial.

So go with this book, yes, but keep my comments in mind as you go.