Product Description

The Guarneri Quartet is fabled for its unique longevity and high-spirited virtuosity. Here is its story from the inside--a story filled with drama, humor, danger, compassion, and, of course, glorious music.

A player who studies and performs the exalted string-quartet repertoire has opted for a very special life. Arnold Steinhardt, tracing his own development as a student, orchestra player, and budding young soloist, gives a touching account of how he and his intrepid colleagues were converted to chamber music despite the daunting odds against success. And he reveals, as no one has before, the intensely difficult process by which--on the battlefield of daily three-hour rehearsals--four individualists master and then overcome the confining demands of ensemble playing.

Product Details

• Amazon Sales Rank: #91342 in Books
• Published on: 2000-06-15
• Original language: English
• Number of items: 1
• Binding: Paperback
• 320 pages

Features

• ISBN13: 9780374527006
• Condition: NEW
• Notes: Brand New from Publisher. No Remainder Mark.
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Amazon.com Review
Chamber-music lovers will rejoice in this story of the formation, nurturing, and maturing of the Guarneri String Quartet. First violinist Arnold Steinhardt has written a delightful memoir that radiates the love of music and sense of mutual respect and affection that have kept the Guarneri's players together since the ensemble was founded in 1964. How a famous, extremely busy musician learned to write so well is a mystery, but Steinhardt's style is as engaging and captivating as his playing. After sketching his own and his colleagues' pre-quartet careers, he describes how they choose and rehearse their repertoire and how they resolve their inevitable disagreements--and he even throws light on the inexplicable magic that happens in performance. Steinhardt recounts the pleasures and hardships of traveling and the group's partnership with illustrious guests (notably pianist Artur Rubinstein); he tells musical and personal anecdotes, wryly poking fun at himself and others, but never saying a malicious or derogatory word about anyone. Most remarkably, his discussions of a score are illuminating without becoming too technical. Steinhardt describes the emotional impact of music with a strikingly felicitous, often poetic touch, yet his characterizations resonate with his own experience and avoid the overblown or extravagant. Though it helps to know the music he feels so strongly about, this is a book anyone can enjoy. --Edith Eisler

From Publishers Weekly
There are few good books written from inside a notable string quartet, and Steinhardt's effort is a charming one. Having been together for 35 years, the Guarneri quartet, with John Dalley, Michael Tree, David Soyer and Steinhardt as first violin, is the oldest American group to have preserved the same membership. With self-effacing modesty (he is the first to insist that the first violin is not necessarily the leader of the group, though he may play a prominent role), Steinhardt describes both his own career and that of the group. He could have been a soloist or a successful orchestral musician, like most chamber players, but chose otherwise. The reasons he givesAthe unwillingness to be regimented, the need for companionship on the road, the closeness to the musicAare cogent ones, but a chamber group with permanent membership is an extraordinary organism all the same. Steinhardt skillfully describes the tensions, the long-running jokes, the arguments, the determinedly separate vacationsAand the ecstasy when all the skills and long hours of practice come together in performances that strike to the heart of some of the most intimate music ever composed. The Guarneri, while not perhaps the most glamorous of American quartets, has well deserved its sturdy longevity, and Steinhardt's book gives an excellent sense of the dynamics that have kept it going. A discography of this much-recorded group would have been a welcome addition.
Copyright 1998 Reed Business Information, Inc.

From Library Journal
The Guarneri String Quartet, formed 35 years ago by Steinhardt, John Dalley, Michael Tree, and David Soyer, may owe its legendary longevity to any number of elements Steinhardt describes in this cheerful, informative chronicle. That they continue to "have fun" playing great music together may be fundamental to their continuance, but Steinhardt's readers will conclude that the aesthetic and intellectual growth such a long, vivacious, trusting association has afforded them is equally important. This is Steinhardt's musical autobiography, but in addition to commentary on the other quartet members and their interaction, it also contains Steinhardt's engaging musings on four-part music in general, amateur string players, and particular pieces of the repertoire. Recordings, a film, articles, and other books document the group's history, but this inside view from its first violinist, filled with new stories told with great happiness, will be welcomed by all who know and love their work. Recommended.?Bonnie Jo Dopp, Univ. of Maryland Lib., College Park
Copyright 1998 Reed Business Information, Inc.

Customer Reviews

An Insider's View -- Written for Everyone
I had the pleasure of working with the Guarneri Quartet for two years while a Graduate Fellow at the University of Maryland, where the Quartet has a residency. I had the rare chance of working with four distinct, wonderful musical and human personalities. When this book came to my attention, I jumped to purchase it right away. I was not disappointed. It really reflects Mr. Steinhardt's easygoing nature. The prose is relaxed, the stories are genuine, and usually humorous in some way. Coachings with Mr. Steinhardt were always rewarding experiences, with flashes of brilliant insight into the work we were examining that week, and also with moments of humor and a sense of discovering the work together, as if for the first time -- though he'd played the piece hundreds of times! This book made me most thankful for having had the opportunity to work with these four wonderful musicians and human beings, and most thankful of all that they ever got together in the first place, to bless the classical music world with their enduring spirit and with their unique qualities of music-making -- the best of the old and new schools of string playing. Cheers, Mr. Steinhardt -- a wonderful book, worthy of your musical journeys!

entertaining and illuminating account of life in a quartet
Arnold Steinhardt, first violinist in what is arguably the finest string quartet performing today, has given us an entertaining and illuminating account of life in the Guaneri Quartet. Writing with unabashed affection for his colleagues of over thirty years, Steinhardt describes their initial meeting, their formal coming together as a quartet, their experiences with their mentors, some of the outstanding luminaries of their generation: (Rudolph Serkin at Marlboro, Arthur Rubenstein, Sascha and Mischa Schneider, etc.) Steindhardt proves himself to be quite the raconteur as well as gentle psychologist as he describes the Guarneri's journey from hyper-testosterone young quartet to one of the most seasoned groups performing today. His personal and professional portrayal of his colleagues is intimate and respectful, and lends valuable insight for the lay person who has always wondered 1. what goes into string quartet playing 2. what the life of a touring musician is like 3. what it takes for four completely different and powerful peersonalities to forge a successful career. I believe this book offers humor, insight and inspiration for those who are professional musicians as well as afficionados of chamber music and even those who are peripherally interested in classical music. It compares with other memoirs offered by Arthur Rubenstein, Gary Graffman and Gregor Piatigorsky, although definitely with more verisimilitude, especially in terms of the latter book. Enjoy!

Insightful and entertaining
This insightful book by Arnold Steinhardt, the first violinist of the Guarneri String Quartet, is a must-read for anyone, whether musician or listener, with an interest in chamber music. Steinhardt traces his own evolution from aspiring soloist to quartet member, as well as detailing the inner workings of the Guarneri Quartet. Anecdotes abound here, with often humorous, intimate glimpses of well-known musicians such as Pinkas Zuckerman, Rudolf Serkin, and Arthur Rubinstein. Steinhardt's love of music is palpable as he discusses the strengths and pitfalls of specific pieces, the textures of orchestral and chamber music, the playing styles of various musicians. The most interesting aspect of this book, however, is the process by which four highly individual musicians learn to play as one.

Although repetitious at times, this book is a delightful examination of one of the most celebrated quartets of our time.