Product Description

The most celebrated book on counterpoint is Fux's great theoretical work Gradus ad Parnassum. Since its appearance in 1725, it has been used by and has directly influenced the work of many of the greatest composers. J. S. Bach held it in high esteem, Leopold Mozart trained his famous son from its pages, Haydn worked out every lesson with meticulous care, and Beethoven condensed it into an abstract for ready reference.

Product Details

• Amazon Sales Rank: #37726 in Books
• Published on: 1965-06
• Original language: English
• Number of items: 1
• Binding: Paperback
• 156 pages

Features

• ISBN13: 9780393002775
• Condition: NEW
• Notes: Brand New from Publisher. No Remainder Mark.
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Customer Reviews

Absolute Foundation of Tonal Music
This is an indispensable work for anyone with a serious interest in musical composition. It lays out the entire foundation of tonal composition (i.e.: counterpoint) in a lucid, organized systematic manner.
The serious student of musical composition should have this book, work through it not once but regularly. I re-read it constantly and work through all the exercises again once or twice a year.
It should also be used in conjunction with "Structural Hearing Tonal Coherence in Music" by Felix Salzer (Schenker's protégé).

This is a classic for good reason.....
This is a great introduction to species counterpoint. It has been in use for many years and was studied by many great composers. It still engages the modern person today because it is concise, imaginative and teaches concepts in a digestible and easy to follow manner.

The form of the book is a relationship between a teacher and student. The student is not the brightest bulb on the tree, but the teacher shows him concept by concept how counterpoint works. This story format is entertaining, but also serves as a way to anchor concepts.

If you are looking for something that is a quick, easy read with lots of good content and historical interest, you will enjoy this. I feel it is a must have for any serious student of music.

Useful, accessible, and [surprisingly] entertaining
The book has a nice pace. It is not a fat book. Content is presented succinctly. The platonic-type dialog is as charming as it is civilized and effective. There is something inspirational about reading a treatise previously studied by people like Bach, Haydn, Mozart, etc. I would say that even the most anti-traditional composer-person might benefit from the straightforward analytic of it all, even if one's harmonic sensibility differs from those presented in this text. All in all, a book to check out, if counterpoint intrigues you.