Product Description

This biography of composer Hector Berlioz (1803-1869) describes with unprecedented intimacy, affection, and respect the life of one of France's greatest artists. After long being regarded as an oddity and an eccentric figure, Berlioz is now being accepted into the ranks of the great composers. Based on a wealth of previously unpublished sources, and on a profound understanding of the humanity of his subject, David Cairns's book provides a full account of this extraordinary and powerfully attractive man. Berlioz, Volume I, previously published only in Britain, is now available to American readers in a revised edition, together with the eagerly awaited, new Volume II. These two volumes together comprise a monumental biographical achievement, sure to stand as the definitive Berlioz biography.

In researching Berlioz's life, Cairns has had access to unpublished family papers, and in Volume I he is able to portray all the people close to Berlioz in his boyhood, and to evoke a detailed picture of their lives in and around La Cte St.-Andr in the foothills of the French Alps. No artist's achievement connects more directly with early experience than that of Berlioz, whose passionate sensibility began to absorb the material of his art long before he had heard any musical ensemble other than the local town band. Volume I also traces the student years in Paris and Italy and discusses Berlioz's three great love affairs, shedding remarkable light on his later character and development. Volume I ends on the afternoon of December 9, 1832, the day of the concert that launched the composer's career.

Product Details

• Amazon Sales Rank: #1334615 in Books
• Published on: 2000-03-06
• Original language: English
• Number of items: 1
• Binding: Hardcover
• 672 pages

From Library Journal
At over 1500 pages, this monumental two-volume biography of France's greatest Romantic composer well deserves the accolades it will surely receive from musicologists. Cairns, chief music critic of the (London) Sunday Times from 1983 to 1992 and a distinguished visiting professor at the University of California at Davis, wrote the first volume more than ten years ago and published it only in Britain. Here, he presents a revised and corrected edition for American readers, along with the long-awaited second volume, which is nearly as voluminous. The sequel picks up the biographical thread in 1833 with the introduction of Harriet Smithson, the English actress who became Berlioz's muse, obsession, and wife. While the accounts of their tempestuous marriage make for fascinating and, at times, hair-raising reading, some of the most memorable passages are by Berlioz himself. His prose reveals him to have been a somewhat reluctant, often caustic, but always perceptive music critic. Both volumes are pure life narratives; there is no musical analysis, nor are there musical examples. At times readers, awash in biographical detail, may wish for more information on the music itself, but Cairns's prose is so elegant and readable, his subject so fascinating, and his scholarship so impressive that they will forgive him. Truly a definitive study, these two volumes belong in all major collections.
-Larry A. Lipkis, Moravian Coll., Bethlehem, PA
Copyright 2000 Reed Business Information, Inc.

From The Washington Post
"If only [Berlioz's] detractors could have read this monumental two-volume life of the artist. One comes away stunned by the book's scope, its heroic and faithful portrait of the man, its astute and elegant readings of his under-appreciated scores, its sweeping study of the Romantic movement. BERLIOZ is simply one of the grandest, most penetrating musical biographies of our time."

Review
"An outstanding biography argues persuasively that Berlioz was 'the greatest French composer between Rameau and Dubussy.'" -- Rocky Mountain News

"Even at this halfway stage, [Cairns's] Berlioz stands as one of the great biographies of our day, and also one of the great feats of literary sympathy with an artistic genius, filled with a love, knowledge, and understanding of his subject that flame up on every page." -- Max Loppert, Financial Times

"It is clear that not one of the many hours of reading, listening and thinking, and not one of the many miles of travelling which Cairns hasdevoted to his subject has been wasted. The reader is left with acomprehensive record of Berlioz's view of the world and with a sense ofhaving suffered his hardships and shared his triumphs: servitude andgreatness indeed. It is hard to imagine that any new biography of Berlioz will be needed fifty, or even a hundred, years from now." -- Times Literary Supplement, 1/21

"The strength...lies in its thoroughness,...its amplitude, its authority, and its author's remarkable sensitivity and sympathy for Berlioz." -- the New Republic

"This biography is kindled by sympathy and enthusiasm for its subject, and is written with a lifelong professional experience of Berlioz behind it. It is also beautifully and interestingly written. The chapters flow together like Berlioz's own harmonic changes, and with equal resonance." -- Roger Norrington, Independent

"We now have a biography that not only takes in the immense documentation of Berlioz's early life but goes far beyond it in piecing together an incomparably rich portrait of the man and his milieu. . . . The picture is so vivid and the prose so magnetic that not a word seems wasted. . . . Cairns's biography of Berlioz must take its place with the handful of great lives of composers, such as Thayer's Beethoven, Newman's Wagner, and Walker's Wolf." -- Hugh MacDonald, The Listener

"[Cairns] brings Berlioz close to us. He shares his enthusiasm for the music and makes it luminously accessible to nonmusicians -- New York Times Book Review

"…A project bound to stand as long as the music is heard. As overwhelming as the music." -- Dallas Morning News

[Cairns] tells the story with sober elegance and uncommon sympathy. He is a marvelous guide to the musical life and aesthetic arguments of 19th-century Europe and shows Berlioz as a man of his times. -- The New York Times Book Review, David Coward

Customer Reviews

A Passionate Man
This is a wonderful book both for the lay reader and for the musically knowledgeable. It says a great deal about how well written this book is that someone like me who knows nothing about music could still enjoy the book so much. Mr. Cairns takes the tale from the birth of Berlioz in 1803 up until 1832, when he was in his late 20's. You learn about his relationship with his parents, who were opposed to his choice of composer for a career, and his sisters. We are very fortunate that this was a great age for letter writing. Mr. Cairns makes judicious use of the correspondence between Berlioz and his family and friends to the point where you almost feel yourself to be a friend or family member. You get inside the young composer's mind as he tries to convince his parents that his desire to write music is not just a "whim", but something that he is absolutely passionate about and must do. Berlioz was also extremely sensitive and romantic. After seeing the English actress Harriet Smithson perform on stage in several works by Shakespeare he developed an obsessive love for her, even though he had never met her. He had an apartment across the street from where she lived and would longingly watch her comings and goings. He eventually wrote her several notes expressing his feelings but she rebuffed him, quite understandably one would think! (She had also heard a rumor, which was untrue, that he was an epileptic.) Shortly after coming to the realization that Smithson was unattainable Berlioz met the virtuoso pianist Camille Moke and they fell in love with each other and eventually got engaged. Alas, when poor Hector had to go to Rome to live in order to receive grant money from winning the Prix de Rome, Camille dumped him and opted for security by marrying a wealthy man. This soured Hector on women for awhile but did not diminish his love for music, nature and life. Mr. Cairns has been a professional music critic and is also a scholar, so he understands and ably explains the technical aspects of Berlioz's music. I was totally lost in these sections but my ignorance did not diminish my enjoyment of this sympathetic and wonderfully written book.

Incredible.
This really is one of the best biographies of any subject to come my way.I didn't know a lot of Berlioz's music before approaching this but it didn't actually matter.All the elements of a gripping novel are here only for they're true!-fighting paternal disapproval,living in poverty in Paris,eloping with a virtuoso pianist-it's all here and Cairns paints such an intimate picture that you can't but fail to admire Berlioz and his dogged determination to be a composer and write HIS music only to be continually rebuked in his native homeland.The efforts that the man had to go to just to hear his own music is truly heartbreaking.Biography doesn't get much better than this-especially if you're only even remotely interested in music or art.

Great Scholar
David Cairns is a great Berlioz scholar. Like to meet him someday. His translation of "Memoirs" is much superior to Newmans.I bought the 1st volume of the biography some years ago when it first came out and the second a couple of years ago when it was first published. I revisit these volumes frequently. Berlioz was one of the really great romantics. At least 50 years before his time. Glad to see SF opera is planning on staging Cellini & B & B over the next few years. Sixtus Beckmesser