Product Details
Eight Centuries of Troubadours and Trouvères: The Changing Identity of Medieval Music (Musical Performance and Reception)

Eight Centuries of Troubadours and Trouvères: The Changing Identity of Medieval Music (Musical Performance and Reception)
By John Haines

Price: $106.00 & eligible for FREE Super Saver Shipping on orders over $25. Details

Availability: Usually ships in 24 hours
Ships from and sold by Amazon.com

18 new or used available from $91.40

Product Description

From the medieval chansonniers to contemporary rap renditions, this book traces the changing interpretation of troubadour and trouvère music, a repertoire of songs which have successfully maintained public interest for eight centuries. A study of their reception, therefore, serves to illustrate the development of the modern concept of "medieval music". Important stages in their evolution include sixteenth-century antiquarianism; the Enlightenment synthesis of scholarly and popular traditions; and the infusion of archaeology and philology in the nineteenth century, leading to more recent theories on medieval rhythm.


Product Details

  • Amazon Sales Rank: #1696518 in Books
  • Published on: 2004-08-09
  • Original language: English
  • Number of items: 1
  • Binding: Hardcover
  • 360 pages

Editorial Reviews

Review
"This volume provides an interesting examination of the repertory of troubadour and trouvère music. The author's final conclusions and discussions of modern-day appearances of this repertory are especially enjoyable. Highly recommended." B.L. Eden, University of Nevada, Las Vegas, CHOICE

"John Haines' book tackles several large tasks: expounding the historiography of a musical repertoire; dilineating and contextualizing their reception; and illuminating the epistemological pitfalls for the curren scholar who studies them." - Elizabeth Aubrey, University of Iowa

About the Author
John Haines holds a Canada Research Chair at the University of Toronto, where he teaches at the faculty of Music and the Centre for Medieval Studies. His primary area of research is thirteenth-century monophony and its reception, and he has published related articles in Revue d'Histoire du Theatre, Early Music History and other journals.