Product Description

In this sumptuously illustrated book, Joan Breton Connelly gives us the first comprehensive cultural history of priestesses in the ancient Greek world. Connelly presents the fullest and most vivid picture yet of how priestesses lived and worked, from the most famous and sacred of them--the Delphic Oracle and the priestess of Athena Polias--to basket bearers and handmaidens. Along the way, she challenges long-held beliefs to show that priestesses played far more significant public roles in ancient Greece than previously acknowledged.

Connelly builds this history through a pioneering examination of archaeological evidence in the broader context of literary sources, inscriptions, sculpture, and vase painting. Ranging from southern Italy to Asia Minor, and from the late Bronze Age to the fifth century A.D., she brings the priestesses to life--their social origins, how they progressed through many sacred roles on the path to priesthood, and even how they dressed. She sheds light on the rituals they performed, the political power they wielded, their systems of patronage and compensation, and how they were honored, including in death. Connelly shows that understanding the complexity of priestesses' lives requires us to look past the simple lines we draw today between public and private, sacred and secular.

The remarkable picture that emerges reveals that women in religious office were not as secluded and marginalized as we have thought--that religious office was one arena in ancient Greece where women enjoyed privileges and authority comparable to that of men. Connelly concludes by examining women's roles in early Christianity, taking on the larger issue of the exclusion of women from the Christian priesthood. This paperback edition includes additional maps and a glossary for student use.

Product Details

• Amazon Sales Rank: #589636 in Books
• Published on: 2007-02-05
• Original language: English
• Number of items: 1
• Binding: Hardcover
• 464 pages

Review
"...offers a generously illustrated survey of the archaeological and literary evidence for the importance of priestesses in the Greek world." -- Nigel Spivey, Financial Times

"Connelly reinstates these women to their rightful place in ancient history." -- Eti Bonn-Muller, Archaeology

"Her book shows generations of women enjoying all the influence, prestige, honor and respect that ancient priesthoods entailed." -- Steve Coates, The New York Times Book Review

"... is the biggest, fullest and most up-to-date study of these important women." -- James Davidson, TLS

Review
In this sphere of polis life the priestess clearly played a leading and fundamental role. This makes it all the more astonishing that Joan Breton Connely's Portrait of a Priestess is, as she rightly claims, the first full-length work to take the Greek priestess specifically as its subject. . . . Connelly has run down inscriptions--honorific, funerary, financial, or cult-related--all over the Mediterranean. She has studied a plethora of statues and vase paintings in collections from Samos to St. Petersburg, from Messene to Munich, from Thebes to Toledo. Her indexes of monuments and inscriptions testify to the prodigious amount of work that has gone into this volume. . . . Portrait of a Priestess is a remarkable triumph against heavy odds.
(Peter Green New York Review of Books )

Eye opening...well-documented, meticulously assembled....Greek religion is a vast and complex subject, and Portrait of a Priestess, by concentrating on one of its most concretely human aspects, offers an engrossing point of entry. . . . Connelly's style is clear, often elegant and occasionally stirring.
(Steve Coates New York Times Book Review )

Joan Breton Connelly's Portrait of a Priestess: Women and Ritual in Ancient Greece is the biggest, fullest and most up-to-date study of these important women from the time of Homer through to the early years of Christianity. Beautifully illustrated and substantially documented, it is also highly argumentative and . . . ambitious.
(James Davidson Times Literary Supplement )

Until Joan Breton Connelly's wonderful volume, Portrait of a Priestess, was published the prominent role of Greek priestesses in ancient Greek society was ignored, or even denied, by most (male) commentators. . . . Her compelling book challenges our assumptions about the role of priestesses, and more generally the role of women, in a far-off world that retains the fascination of countless readers.
(The Book Depository )

The quantity of illustrations is revealing: if women were excluded from public life, why were their images everywhere? Connelly argues that the authority entrusted to women as priestesses made them far from subordinate in the Greek state and that they were in fact often prominent and indispensable executives in the civic sphere. This is a reinterpretation of antiquity that works.
(Nigel Spivey Financial Times )

By examining the lives and work of 150 priestesses--from Troy's Kassandra, whose beauty distracted Ajax, to the historical Berenike who was celebrated for her civic and philanthropic contributions to the city of Syros--Connelly reinstates these women to their rightful place in ancient history.
(Eti Bonn-Muller Archaeology )

Connelly's brave effort is a long time in the making and deserves to be taken seriously. For one thing, the book is substantial in length and assembles a rich body of documentation, much of it epigraphical and unfamiliar to many archaeologists and art historians. It is also lavishly produced.
(Catherine M. Keesling Bryn Mawr Classical Review )

A gorgeously illustrated (over 100 images) and wonderfully readable new book....The first comprehensive cultural history of priestesses in the ancient Greek world....Dr. Connelly presents a full and vivid picture of the priestesses, who ranged from southern Italy to Asia Minor from the late Bronze Age to the fifth century AD.
(Vicki J Yiannias Greek News )

Her conclusions should upset many of the assumptions commonly held about women in the time of Christ. . . . Apart from the clarity of its writing and the quality of its illustrations, this book is important because it helps the lay reader grasp what today's specialists are thinking. . . . Essential reading.
(Owen Higgs New Directions )

Joan Connelly's new book boldly challenges old assumptions about the subordination of Greek women. . . . To understand ancient Greek culture and the place of women in it, we must set aside our own distinctions between sacred and secular, public and private, power and incapacity. . . . The array of monuments, vase paintings, and inscriptions Connelly has collected is a welcome resource for scholars, and nonexperts will benefit from her clear style and careful placement of each object in historical context.
(Joy Connolly Women's Review of Books )

This book offers a rich mine of information about women's lives through their participation in religion and will be a valuable addition to school and university libraries.
(Janet Watson Journal of Classics Teaching )

Beautifully illustrated and presented, with exhaustive notes and bibliography, this is an excellent study into the role of women as priestesses from the highest to lowest ranking. [Connelly], from her vast experience in the fields of archaeology and fine art, demonstrates clearly how the role of women in religious office was more important than many believed.
(Terry Cook Greek-o-File )

This richly illustrated and beautifully produced exploration of an underdeveloped topic by seasoned archaeologist Connelly applies the full array of theoretical tools to produce a volume that portrays the lifelong role of real women, realized in public but mastered in the home, in sacred service to the ancient Greek polis....This accessible volume significantly contributes to the ongoing reshaping of scholars' and students' understanding of the social realities of ancient Greek women.
(J.C. Hanges Choice )

Well written, beautifully illustrated, and superabundantly documented, it will richly reward the reader's effort.
(Ann Plogsterth Wellesley )

Portrait of a Priestess is an impressively long book. It is beautifully produced. . . . It is also affordable and easy to use, but the book anticipates a specialist, scholarly readership. . . . [T]he author does a superb job of juggling such a massive amount of data. It is very likely that her publication will become a standard study of women and religion, serving as both monograph and reference work.
(Tyler Jo Smith Museum Anthropology )

[A]lmost 20 years in the making, this is a remarkable book. It is easy to believe that al1 anyone has ever wanted to know about priestesses in the ancient Greek world is contained here. . . . Connelly's achievement is to put between two covers of an attractive book a storehouse of data.
(Robin Osborne Cambridge Archaeological Journal )

This is a striking hypothesis--one that brings scholarship on women's religious roles into line with current understandings of their domestic influence.
(Susan Deacy Journal of Hellenic Studies )

[T]his book is useful for its wide-ranging collection of evidence, good photographs, and some observations. It gives a good stimulus to recognize the public visibility of priestesses.
(Eva Stehle Journal of Religion )

Connelly has brought together a large body of evidence about priestesses and posed new questions about them that move forward the study of priesthoods in antiquity. Many questions still remain, and further analysis of the epigraphical evidence in particular is much needed. This beautifully illustrated book will be the starting point for future research on the subject.
(Margaret M. Miles Journal of the American Academy of Religion )

Review
Joan Connelly . . . has produced a fascinating book on the central role of priestesses in ancient Greek society. Her survey is fully documented and beautifully illustrated. One cannot but admire her enthusiasm for the subject and her deft handling of the evidence.
(Colin Austin, University of Cambridge, coeditor of "Aristophanes Thesmophoriazusae" )

Customer Reviews

Portrait of a Priestess, scholarly merits and popular appeal
Portrait of a Priestess: Women and Ritual in Ancient Greece is a book I'd recommend to scholars. It is well researched and well composed. However, the topic is also of interest to those who enjoy exploring the ancient world and a woman's place in it. Women's lives in this historical period are difficult to access but Connelly has done so in a way that is both useful to those who work in the field and accessible to those who have a general interest and curiosity about the women who acted in and acted out the roles of priestess. An impressive collection of images is of interest to both groups of readers. RD Anderson

Equal opportunity temples
The status of women in the ancient world has long been a controversial issue. The traditional view of male historians has been that it was always a male-dominated world. Some feminists have countered this with arguing, on rather fragile evidence, in favor of prehistoric matriarchy and mother goddesses and so forth. Ancient Greece, in particular, has always been a kind of blank screen on which thinkers project their own image of what it was like. Most of the written evidence has suggested that women in ancient Greece were subordinate and secluded. Against this has been the fact that some powerful Greek gods were female and served by female priests. What these priestesses did,, and what their place was in society, has been somewhat mysterious because what we got from the historians and poets and playwrights was scanty. Connelly supplements this by a careful and scholarly (perhaps too scholarly for the general reader) examination of epigraphs and images.
The text is pretty hard going for the non-specialist but the pictures are great and it will make a handsome addition to a feminist coffee table although it will be a shame if it stays there. I think the large format is justified on more than esthetic grounds because Connolly's argument depends on her ability to bring to bear on the subject her abilities as an art historian and therefore adequate illustrations are needed. These are more than adequate; they are magnificent. It would be presumptuous to pronounce on the strength of her case without more expert knowledge than mine. No doubt other academics will be on the attack and it will be fun to see the fur fly in the Times Literary Supplement etc.
At the risk of quibbling I must break a lance in my ongoing battle against publishers who transcribe Greek inscriptions into lower case. Greek lower case was unknown before the Byzantines. I noticed that she does not mention the triple bronze serpent in the Hippodrome at Istanbul in her discussion of the Pythian oracle at Delphi. Is it authentic?

Not Your Grandpa's Coffee Table Book...
Wow! This is a substantial body of work! The author is articulate but not boring, a very difficult balance to achieve given the amount of material she is wrangling. Her hypothesis make sense and are well supported. The photography, graphics and composition are excellent. This is a book to savor, chapter by chapter. There is simply too much to digest quickly, especially since much of what is presented completely upsets long held paradigms. Kudos to Joan Breton Connelly for investing the time and effort to produce such a satisfying brain food banquet!