Product Description

"Clement Greenberg is, internationally, the best-known American art critic popularly considered to be the man who put American vanguard painting and sculpture on the world map. . . . An important book for everyone interested in modern painting and sculpture." — The New York Times

Product Details

• Amazon Sales Rank: #171935 in Books
• Published on: 1971-06-01
• Number of items: 1
• Binding: Paperback
• 278 pages

Customer Reviews

Excellent
I was entirely satisfied with the conditions of the book. The content is by clement greenberg, so it is very "greenbergian"...

He may not always be right but he makes it interesting
Clement Greenberg was an art- historian and literary- critic who had major influence on the artistic world of his time. He is also a writer rich in ideas whose analyses and interpretations add new dimensions to the meaning of the works he interprets. In this work of collected essays he writes upon the forebearers of modernity, Renoir , Picasso, Braque, Soutine, Chagall . He also writes about more modern artists Marin, David Smith. He also writes on TS. Eliot, and on Kafka.
In a sense Greenberg was one of the critics who helped define ' modern art'. In this he equated modern art with the 'avant garde'. The avant garde artists were for him those for whom the subject of art had become art itself. The artists and poets he focused upon he understood as being without a kind of secure public that for a period of time in Western Art had supported the 'elite work' which is art. In this he saw Yeats, Rilke, Stevens as Rimbaud, Mallarme, and Valery poets whose real effort was in an effort to make a world of their own art- language and form.
We are now nearly half a century since Greenberg wrote these seminal essays. And it seems that while he may well have helped define a moment in the history of Art and even of Literature , Time and History have not stood still. And the question of a content in art and literature which comes from human life and experience, and too relates to our social reality is still with us, and has returned in greater strength. And this while it also possible to maintain that Greenberg's interpretative line really only partly defined the world of for instance a Stevens or a Yeats whose fictional and imaginative universes were too anchored in Key West and Sligo and other real spaces of our own dark beautiful and recalcitrant earth.

The best art criticism you will ever read
This is the best book of criticism of early/mid 20th C. art ever written, maybe the best one that ever will be written. it is the fundamantal text for the art of the period. Giving it 5 stars, or 10 stars, seems meaningless. If you want to know about the art of this time, look at the art, then read this book. After that you can get into the details.